Discourse Analysis

From Copyright Evidence
Jump to: navigation, search
Methods
Methodology (Collection)
Methodology (Analysis)

Discourse Analysis is a qualitative method defined within the Copyright Evidence wiki.


The following studies use this method for data analysis (23):

 Citation
BOP Consulting and DotEcon (2015)BOP Consulting, DotEcon (2015). International Comparison of Approaches to Online Copyright Infringement: Final Report, commissioned by the Intellectual Property Office.
Banks and Humphreys (2008)Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418.
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Coyle, Gould, Gupta and Gupta (2009)Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037.
Denegri-Knott (2004)Denegri‐Knott, J. (2004). Sinking the online “music pirates:” Foucault, power and deviance on the web. Journal of Computer‐Mediated Communication, 9(4), 00-00.
Dobusch and Quack (2012)Dobusch, L., & Quack, S. (2013). Framing standards, mobilizing users: Copyright versus fair use in transnational regulation. Review of International Political Economy, 20(1), 52-88.
Edwards, Klein, Lee, Moss, and Philip (2015)Edwards, L., Klein, B., Lee, D., Moss, G., & Philip, F. (2015). Discourse, justification and critique: towards a legitimate digital copyright regime?. International Journal of Cultural Policy, 21(1), 60-77.
Handke and Towse (2007)Handke, Christian, and Ruth Towse. Economics of copyright collecting societies. International Review of Intellectual Property and Competition Law 38.8 (2007): 937-957.
Hansen, Hashimoto, Hinze, Samuelson and Urban (2013)Hansen, D. R., Hashimoto, K., Hinze, G., Samuelson, P., & Urban, J. M. (2013). Solving the orphan works problem for the united states. Columbia Journal of Law & the Arts, 37(1).
Hirsch (1972)Hirsch, P. M. (1972). Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems. American journal of sociology, 639-659.
Holt and Copes (2010)Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654.
Humphreys (2008)Humphreys, S., 2008. The challenges of intellectual property for users of Social Networking Sites: a case study of Ravelry.
Kim (2007)Kim, M. (2007). The Creative Commons and Copyright Protection in the Digital Era: Uses of Creative Commons Licenses. Journal of Computer‐Mediated Communication, 13(1), 187-209.
Kretschmer, Klimis, and Choi (1999)Kretschmer, M., Klimis, G. M., & Choi, C. J. (1999). Increasing returns and social contagion in cultural industries. British Journal of Management, 10(s1), 61-72.
Lee (2011)Lee, H.K., 2011. Participatory media fandom: A case study of anime fansubbing. Media, Culture & Society, 33(8), pp.1131-1147.
Lee (2012)Lee, D. J. (2012). Precarious Creativity: Changing Attitudes Towards Craft and Creativity in the British Independent Television Production Sector. Creative Industries Journal, 4(2), 155-170
Liebowitz (2006a)Liebowitz, S. J. (2005). Economists examine file-sharing and music sales.Industrial organization and the digital economy, 145-174.
Lindgren (2012) 2Lindgren, Simon. Pirate panics: comparing news and blog discourse on illegal file sharing in Sweden. Information, communication & society 16.8 (2013): 1242-1265.
Loshin (2007)Loshin, J. (2007). Secrets Revealed: How Magicians Protect Intellectual Property Without Law. http://ssrn.com/abstract=1005564
Palfrey et al (2009)Palfrey, J., Gasser, U., Simun, M., & Barnes, R. F. (2009). Youth, creativity, and copyright in the digital age.
Rainie and Madden (2004)Rainie, H., & Madden, M. (2004). Preliminary findings from a web survey of musicians and songwriters. Pew Internet & American Life Project.
Rappaport (1998)Rappaport, E. B. (1998, May). Copyright term extension: Estimating the economic values. Congressional Research Service, Library of Congress.
Steinmetz and Tunnell (2013)Steinmetz, K. F., & Tunnell, K. D. (2013). Under the pixelated Jolly Roger: A study of on-line pirates. Deviant Behavior, 34(1), 53-67.