E. Fair remuneration (levies; copyright contracts)

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This field includes papers that examine policy issues related to creators’ earnings. Among others, the papers included under this category focus on the sources of artistic income, royalty flows, copyright contracts and levies.


Evidence Based Policy Areas
  • E. Fair remuneration (levies; copyright contracts) (80)

E. Fair remuneration (levies; copyright contracts) is an evidence based policy area defined within the Copyright Evidence wiki.

The following studies are related to this issue (80):

 Citation
Aguiar and Martens (2013)Aguiar, L., & Martens, B. (2013). Digital music consumption on the internet: Evidence from clickstream data. Working Paper No. JRC79605. Available at SSRN 2265299
Akerlof, Hahn and Litan (2002)Akerlof, G. A., Arrow, K. J., Bresnahan, T., Buchanan, J. M., Coase, R., Cohen, L. R. & Hemphill, C. S. (2002). The copyright term extension act of 1998: An economic analysis. Washington DC: AEI-Brookings Joint Center for Regulatory Studies.
Altschuller and Benbunan-Fich (2009)Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56.
Asser Institute and IViR (2014)T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012
Aufderheide and Sinnreich (2015)Aufderheide, P., & Sinnreich, A. (2015). Documentarians, fair use, and free expression: changes in copyright attitudes and actions with access to best practices. Information, Communication & Society, (ahead-of-print), 1-10.
Bahanovich and Collopy (2009)Bahanovich, D., & Colloy, D. (2009). Music experience and behaviour in young people: 2009 National Survey. UK Music.
Band (2013a)Band, J. (2013). CEO compensation in copyright-intensive industries. Bandwidth. Available at SSRN 2333854.
Banks and Humphreys (2008)Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418.
Barker (2012a)Barker, G. R. (2012). Assessing the Economic Impact of Copyright Law: Evidence of the Effect of Free Music Downloads on the Purchase of Music CDs. Available at SSRN 1990153.
Belleflamme, Omrani and Peitz (2015)Belleflamme, P., Omrani, N. and Peitz, M., 2015. The economics of crowdfunding platforms. Information Economics and Policy, 33, pp.11-28.
Bellemare and Holmberg (2010)Bellemare, M. F., & Holmberg, A. M. (2010). The determinants of music piracy in a sample of college students. Available at SSRN 1481272.
Bently (2002)Bently, L. (2002). Between a rock and a hard place: The problems facing freelance creators in the UK media market–place. London: Institute of Employment Rights. ii. Canada.
Bhattacharjee, Gopal, Lertwachara, Marsden and Telang (2007)Bhattacharjee, S., Gopal, R. D., Lertwachara, K., Marsden, J. R., & Telang, R. (2007). The effect of digital sharing technologies on music markets: A survival analysis of albums on ranking charts. Management Science, 53(9), 1359-1374.
Bmrb Social Research (2009)BMRB Social Research. (2009). Future copyright development. Intellectual Property Office, UK.
Boldrin and Levine (2005)Boldrin, M., & Levine, D. K. (2005). Intellectual property and the efficient allocation of social surplus from creation. Review of Economic Research on Copyright Issues, 2(1), 45-67.
Breyer (1970)Breyer, S., 1970. The uneasy case for copyright: A study of copyright in books, photocopies, and computer programs. Harvard Law Review, pp.281-351.
Buccafusco (2012)Buccafusco, C. J. (2012). Making Sense of Intellectual Property Law. Cornell Law Review, 97, 501.
Buccafusco and Springman (2010)Buccafusco, C. J., & Sprigman, C. J. (2010). Valuing Intellectual Property: An Experiment. Cornell Law Review.
Buxmann, Pohl, Johnscher and Strube (2005)Buxmann, P., Pohl, G., Johnscher, & P., Strube, J. (2005). Strategies for digital music markets: Pricing and the effectiveness of measures against pirate copies. Wirtschaftsinformatik, 47(2), 118-125.
Camerani, Grassano, Chavarro and Tang (2013)Camerani, R., Grassano, N., Chavarro, D. & Tang, P. (2013) Private Copying, IPO, 2013
Cantatore (2014)Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5.
Centre for Intellectual Property and Information Law (2006)Centre for intellectual property and information law. (2006). Review of the Economic Evidence Relating to an Extension of the Term of Copyright in Sound Recordings. University of Cambridge
Cotropia and Gibson (2014)Cotropia, C. A., & Gibson, J. (2014). Copyright's Topography: An Empirical Study of Copyright Litigation. Texas Law Review, 92(7).
Creative Content Australia (2015)Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults.
Danaher, Smith, Telang and Chen (2012)Danaher, B., Smith, M. D., Telang, R., & Chen, S. (2014). The Effect of Graduated Response Anti‐Piracy Laws on Music Sales: Evidence from an Event Study in France. The Journal of Industrial Economics, 62(3), 541-553.
Deazley (2008)Deazley, R. (2008) ‘Commentary on Milton's Contract 1667', in Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org
DiCola (2013)DiCola, P. (2013). Money from Music: Survey Evidence on Musicians' Revenue and Lessons About Copyright Incentives. Ariz. L. Rev., 55, 301.
Dobusch and Quack (2012)Dobusch, L., & Quack, S. (2013). Framing standards, mobilizing users: Copyright versus fair use in transnational regulation. Review of International Political Economy, 20(1), 52-88.
Engel and Kurschilgen (2010)Engel, C., & Kurschilgen, M. J. (2010). Fairness Ex Ante & Ex Post-An Experimental Test of the German'Bestseller Paragraph'. Chicago.
European Commission (2011a)Report on the Implementation and Effect of the Resale Right Directive (2001/84/EC), European Commission (2011), available at
Farooqui, Goodridge and Haskel (2011)Farooqui, S., Goodridge, P., & Haskel, J. (2011). The Role of Intellectual Property Rights in the UK Market Sector. Intellectual Property, 2.
Fleming, Parravano and Zizzo (2016)Fleming, P., Parravano, M., & Zizzo, D. J. (2016). To Pay or Not to Pay? Determinants of Unlawful Product Acquisition. CREATe Working Paper No 1 (January 2016).
Forman (2010)Forman, A. E. (2009). An exploratory study on the factors associated with ethical intention of digital piracy (Doctoral dissertation, Nova Southeastern University).
Frosio (2014)Frosio, Giancarlo F. Open access publishing: a literature review. (2014).
Frye, Ryan and Runge (2016)Frye, B. L., Ryan, C. J., & Runge, F. L. (2016). An Empirical Study of Law Journal Copyright Practices. Available at SSRN 2767875.
Ghose, Smith and Telang (2006)Ghose, A., Smith, M.D. and Telang, R., 2006. Internet exchanges for used books: An empirical analysis of product cannibalization and welfare impact. Information Systems Research, 17(1), pp.3-19.
Giletti (2012)Giletti, T., Why Pay if it’s Free? Streaming, Downloading and Digital Music Consumption in the “iTunes Era”, (2012)
Giorcelli and Moser (2015)Giorcelli, M., & Moser, P. (2014). Copyright and Creativity: Evidence from Italian Operas. Available at SSRN 2505776.
Hagedoorn and Ridder (2012)Hagedoorn, J., & Ridder, A. K. (2012). Open innovation, contracts, and intellectual property rights: an exploratory empirical study.
Hong (2007)Hong, S. H. (2007). The recent growth of the internet and changes in household-level demand for entertainment. Information Economics and Policy, 19(3), 304-318.
Humphreys, Fitzgerald, Banks, Suzor (2008)Humphreys, S., Fitzgerald, B., Banks, J. and Suzor, N., 2005. Fan-based production for computer games: User-led innovation, the ‘Drift of Value’and intellectual property rights. Media International Australia Incorporating Culture and Policy, 114(1), pp.16-29.
Ilevbare (2008)ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129.
Intellectual Property Office (2014)IPO (2014). Artist’s Resale Right - Summary of IPO survey findings
Jambon and Smetana (2012)Jambon, M. M. & Smetana, J. G. (2012). College students' moral evaluations of illegal music downloading. Journal of Applied Developmental Psychology, 33, 31-39.
Johnson, Gibson, and Dimita (2012)P. Johnson, J. Gibson, G. Dimita, What Are Words Worth Now: A survey of Authors’ Earnings, London: ALCS (2014).
Kheria (2012)Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19).
Kretschmer (2012)Kretschmer, M. (2012). Does Copyright Law Matter? An Empirical Analysis of Creators’ Earnings. An Empirical Analysis of Creators’ Earnings (May 21, 2012).
Kretschmer and Hardwick (2007)Kretschmer, M., & Hardwick, P. (2007). Authors’ earnings from copyright and non-copyright sources: A survey of 25,000 British and German writers. Bournemouth University Centre for Intellectual Property Policy & Management (CIPPM). 
Available at SSRN 2619649
Kretschmer, Bently, Singh and Cooper (2011)Kretschmer, M., Bently, L., Singh, S., & Cooper, E. (2011). Bournemouth and Cambridge: DACS/CIPPM/CIPIL. Available at SSRN 1780206.
Liao, Lin and Liu (2010)Liao, C., Lin, H. N., & Liu, Y. P. (2010). Predicting the use of pirated software: A contingency model integrating perceived risk with the theory of planned behavior. Journal of Business Ethics, 91(2), 237-252.
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