Grounded Theory

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Methodology (Collection)
Methodology (Analysis)

Grounded Theory is a qualitative method defined within the Copyright Evidence wiki.

The following studies use this method for data analysis (12):

Fiesler, Feuston and Bruckman (2015)Fiesler, C., Feuston, J. L., & Bruckman, A. S. (2015, February). Understanding Copyright Law in Online Creative Communities. In Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing (pp. 116-129). ACM.
Garcia-Álvarez, López-Sintas and Zerva (2009)García‐Álvarez, E., López‐Sintas, J., & Zerva, K. (2009). A contextual theory of accessing music: Consumer behavior and ethical arguments. Consumption, Markets and Culture, 12(3), 243-264.
Hill (2013)Hill, B. M. (2013). Almost Wikipedia: Eight Early Encyclopedia Projects and the Mechanisms of Collective Action.
Kheria (2013)Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4).
Kretschmer, Klimis, and Choi (1999)Kretschmer, M., Klimis, G. M., & Choi, C. J. (1999). Increasing returns and social contagion in cultural industries. British Journal of Management, 10(s1), 61-72.
Liebowitz (2006a)Liebowitz, S. J. (2005). Economists examine file-sharing and music sales.Industrial organization and the digital economy, 145-174.
Papies and Clement (2008)Papies, D., & Clement, M. (2008). Adoption of new movie distribution services on the Internet. Journal of Media Economics, 21(3), 131-157.
Peace, Galletta and Thong L. (2003)Peace, A. G., Galletta, D. F., & Thong, J. Y. (2003). Software piracy in the workplace: A model and empirical test. Journal of Management Information Systems, 20(1), 153-177.
Scotchmer (2011)Scotchmer, S. (2011). Ideas and Innovations: Which should be subsidized?. Available at SSRN 1755091.
Singh and Kretschmer (2012)Singh, S., Kretschmer, M. (2012). Strategic behaviour in the international exploitation of TV formats: A case study of the idols format. Chapter 1 in edited volume – Idols: Authenticity, Identity and Performance in a Global Television Format (eds. Koos Zwaan and Joost de Bruin), Farnham: Ashgate.
Wang, Chen, Yang and Farn (2009)Wang, C. C., Chen, C. T., Yang, S. C., & Farn, C. K. (2009). Pirate or buy? The moderating effect of idolatry. Journal of Business Ethics, 90(1), 81-93.
Yang, Sonmez, Bosworth and Fryxell (2009)Yang, D., Sonmez, M., Bosworth, D., & Fryxell, G. (2009). Global software piracy: Searching for further explanations. Journal of Business Ethics, 87(2), 269-283.