Qualitative Coding / Sorting (e.g. of interview data)

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Methodology (Collection)
Methodology (Analysis)

Qualitative Coding / Sorting (e.g. of interview data) is a qualitative method defined within the Copyright Evidence wiki.

The following studies use this method for data analysis (61):

Al-Rafee and Dashti (2012)Al-Rafee, S., & Dashti, A. E. (2012). A Cross Cultural Comparison of the Extended TPB: The Case of Digital Piracy. Journal of Global Information Technology Management, 15(1), 5-24.
Altschuller and Benbunan-Fich (2009)Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56.
Asser Institute and IViR (2014)T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012
Australian Law Reform Commission (2013)ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf.
Beebe (2008)Beebe, B. (2008). An empirical study of US copyright fair use opinions, 1978-2005. University of Pennsylvania Law Review, 549-624.
Beekhuyzen, Von Hellens and Nielsen (2011)Beekhuyzen, J., Von Hellens, L. and Nielsen, S. 2011. Underground online music communities: exploring rules for membership. Online Information Review, 35, 699-715.
Bmrb Social Research (2009)BMRB Social Research. (2009). Future copyright development. Intellectual Property Office, UK.
Brassell and Goodyer (2015)Brassell, M. & Goodyer, I. (2015) Penalty Fair? Study of criminal sanctions for copyright infringement available under the CDPA 1988. IPO, 2015
Bryce and Rutter (2005)Bryce, J., & Rutter, J. (2005). Fake Nation? A study into an everyday crime. The Intellectual Property Theft and Organised Crime research project, UK.
Cantatore (2014)Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5.
Cenite, Wang, Peiwen and Chan (2009)Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221.
Cockrill and Goode (2012)Cockrill, A., & Goode, M. M. (2012). DVD Pirating Intentions: Angels, Devils, Chancers and Receivers. Journal of Consumer Behaviour, 11(1), 1-10.
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Danbury (2016)Danbury, R. (2016). Is an EU publishers’ right a good idea? Final report on the AHRC project: Evaluating potential legal responses to threats to the production of news in a digital era, https://www.cipil.law.cam.ac.uk/sites/www.law.cam.ac.uk/files/images/www.cipil.law.cam.ac.uk/documents/copyright_and_news/danbury_publishers_right_report.pdf
Dobusch and Quack (2012)Dobusch, L., & Quack, S. (2013). Framing standards, mobilizing users: Copyright versus fair use in transnational regulation. Review of International Political Economy, 20(1), 52-88.
Dryden (2008)Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto).
EUIPOEUIPO (2016). Intellectual Property and Youth.
EUIPO 2EUIPO (2016). Intellectual Property and Youth.
Erickson, Heald, Homberg, Kretschmer and Mendis (2015)Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper.
European Commission (2016)European Commission (2016) Synopsis Report on the Public Consultation on the Regulatory Environment for Platforms, Online Intermediaries and the Collaborative Economy,
Fauchart and Hippel (2006)Fauchart, E., & Von Hippel, E. (2008). Norms-based intellectual property systems: The case of French chefs. Organization Science, 19(2), 187-201.
Fiesler, Feuston and Bruckman (2015)Fiesler, C., Feuston, J. L., & Bruckman, A. S. (2015, February). Understanding Copyright Law in Online Creative Communities. In Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing (pp. 116-129). ACM.
Gallagher (2012)Gallagher, W. T. (2012). Trademark and copyright enforcement in the shadow of IP law. Santa Clara Computer and High Technology Law Journal, 28.
Garcia-Bardidia, Nau and Remy (2011)Garcia-Bardidia, R., Nau, J. P., & Rémy, E. (2011). Consumer Resistance and Anti-Consumption: Insights from the Deviant Careers of French Illegal Downloaders. European Journal of Marketing, 45(11/12), 1789-1798.
GfK Belgium (2015)GfK Belgium, Provision of two online consumer surveys as support and evidence base to a Commission study: Identifying the main cross-border obstacles to the Digital Single Market and where they matter most
Greenhalgh, Phillips, Pitkethly, Rogers and Tomalin (2010)Greenhalgh, C., Philips, J., Pitkethly, R., Rogers, M., & Tomalin, J. (2010). Intellectual Property Enforcement in Smaller UK Firms. Report for the Strategy Advisory Board for Intellectual Property Policy (SABIP).
Guibault, Westkamp and Rieber-Mohn (2007)Guibault et al., Study on the Implementation and Effect in Member States’ Laws of Directive 2001/29/EC on the Harmonisation of Certain Aspects of Copyright and Related Rights in the Information Society (2007), available at
Hagedoorn and Ridder (2012)Hagedoorn, J., & Ridder, A. K. (2012). Open innovation, contracts, and intellectual property rights: an exploratory empirical study.
Hazucha, Liu and Watabe (2013)Hazucha, B., Liu, H. and Watabe, T, Copyright, Technological Protection Measures and Their Acceptance by Consumers in Japan, SERCI Annual Congress Conference Paper (2013).
Hill (2013)Hill, B. M. (2013). Almost Wikipedia: Eight Early Encyclopedia Projects and the Mechanisms of Collective Action.
Holt and Copes (2010)Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654.
Hooper and Lynch (2012)Hooper, R., & Lynch, R. (2012). Rights and wrongs: Is copyright licensing fit for purpose for the digital age? The first report of the Digital Copyright Exchange feasibility study, IPO.
Hooper and Lynch (2012a)Hooper, R., & Lynch, R. (2012). Rights and wrongs: Is copyright licensing fit for purpose for the digital age? The first report of the Digital Copyright Exchange feasibility study, IPO.
Hooper and Lynch (2012b)Hooper, R., & Lynch, R. (2012). Copyright works: Streamlining copyright licensing for the digital age. Intellectual Property Office: Newport.
Hudson and Kenyon (2007)Hudson, E. and Kenyon, A.T., 2007. Digital Access: The Impact of Copyright on Digitisation Practices in Australian Museums, Galleries, Libraries, and Archives. UNSWLJ, 30, p.12.
Hunt, Williams, Nicholas and Rowlands (2009)Hunt, R., Williams, P., Nicholas, D., & Rowlands, I. (2009). Copycats? Digital consumers in the online age.
IHS Technology (2015)IHS Technology, Current Market and Technology Trends in the Broadcasting Sector, WIPO Standing Committee on Copyright and Related Rights, SCCR/30/5(Jun. 2015)
Intellectual Property Office (2016)Intellectual Property Office (2016), Government Response to the further consultation and technical review on changes to Section 72 of the Copyright, Designs and Patents Act 1988 (which permits the free public showing or playing of a film contained in a broadcast).
Kheria (2013)Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4).
Kretschmer and Harwick (2007)Kretschmer, M. and Hardwick, P., 2007. Authors’ earnings from copyright and non-copyright sources. A survey of, 25.
Leung (2009)Leung, T. C. (2008). Should the music industry sue its own customers? Impacts of music piracy and policy suggestions. University of Minnesota, retrieved Nov, 28, 2012.
Liebowitz (2004)Liebowitz, S. (2004). Will MP3 downloads annihilate the record industry? The evidence so far. Advances in the Study of Entrepreneurship, Innovation, and Economic Growth, 15, 229-260.
Marshall (2004)Marshall, L. (2004). The effects of piracy upon the music industry: A case study of bootlegging. Media, Culture & Society, 26(2), 163-181.
Mattioli (2014)Mattioli, M. (2014). Disclosing Big Data. Minn. L. Rev., 99, 535.
Morris, Johnson and Higgins (2009)Morris, R. G., Johnson, M. C., & Higgins, G. E. (2009). The role of gender in predicting the willingness to engage in digital piracy among college students. Criminal Justice Studies, 22(4), 393-404.
Oliar and Sprigman (2009)Oliar, D., & Sprigman, C. (2008). There's No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy. Virginia Law Review, 1787-1867.
Plowman and Goode (2009)Plowman, S., & Goode, S. (2009). Factors affecting the intention to download music: Quality perceptions and downloading intensity. Journal of Computer Information Systems, 49(4), 84-97.
Public and Corporate Economic Consultants (2013)Orphan Works in the UK and Overseas, Public and Corporate Economic Consultants (2013), available at https://www.gov.uk/government/publications/orphan-works-in-the-uk-and-overseas.
Roark (2010)Roark, M.L. (2010). Limitation of Sales Warranties as an Alternative to Intellectual Property Rights: An Empirical Analysis of iPhone Warranties' Deterrent Impact on Consumers. Duke L. & Tech. Rev., i.
Shaheed (2014)Shaheed, F., Copyright Policy and the Right to Science and Culture, Human Rights Council, U.N. General Assembly (A/HRC/28/57(2014)).
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