Semi-Structured Interview

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Methods
Methodology (Collection)
Methodology (Analysis)

Semi-Structured Interview is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (55):

 Citation
Astle and Muir (2002)Astle, P.J. and Muir, A., 2002. Digitization and preservation in public libraries and archives. Journal of Librarianship and Information Science, 34(2), pp.67-79.
Australian Law Reform Commission (2013)ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf.
Branstetter, Fisman and Foley (2006)Branstetter, L.G., Fisman, R., & Foley, C. F. (2006). Do stronger intellectual property rights increase international technology transfer? Empirical evidence from U.S. firm-level panel data. The Quarterly Journal of Economics, 121(1), 321-349.
Cantatore (2014)Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5.
Carrier (2012)Carrier, M. A. (2012). Copyright and innovation: The untold story. Wisconsin Law Review 891. Available at SSRN 2099876
Center for Social Media (2010)Center for Social Media. (2010). Clipping Our Own Wings: Copyright and Creativity in Communication Research. American University.
Cohen, Nelson and Walsh (2000)Cohen, W. M., Nelson, R. R., & Walsh, J.P. (2000). Protecting their intellectual assets: Appropriability conditions and why U.S. manufacturing firms patent(or not). National Bureau of Economic Research, Working Paper No.7552.
Corbett (2011)Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report.
Danbury (2016)Danbury, R. (2016). Is an EU publishers’ right a good idea? Final report on the AHRC project: Evaluating potential legal responses to threats to the production of news in a digital era, https://www.cipil.law.cam.ac.uk/sites/www.law.cam.ac.uk/files/images/www.cipil.law.cam.ac.uk/documents/copyright_and_news/danbury_publishers_right_report.pdf
DiCola and Touve (2014)DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright.
Dobusch and Quack (2012)Dobusch, L., & Quack, S. (2013). Framing standards, mobilizing users: Copyright versus fair use in transnational regulation. Review of International Political Economy, 20(1), 52-88.
Dryden (2008)Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto).
Erickson, Heald, Homberg, Kretschmer and Mendis (2015)Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper.
European Union Intellectual Property Office (2016)European Union Intellectual Property Office (2016). Intellectual Property and Youth.
Fauchart and Hippel (2006)Fauchart, E., & Von Hippel, E. (2008). Norms-based intellectual property systems: The case of French chefs. Organization Science, 19(2), 187-201.
Frosio (2014)Frosio, Giancarlo F. Open access publishing: a literature review. (2014).
Gallagher (2012)Gallagher, W. T. (2012). Trademark and copyright enforcement in the shadow of IP law. Santa Clara Computer and High Technology Law Journal, 28.
Garcia-Álvarez, López-Sintas and Zerva (2009)García‐Álvarez, E., López‐Sintas, J., & Zerva, K. (2009). A contextual theory of accessing music: Consumer behavior and ethical arguments. Consumption, Markets and Culture, 12(3), 243-264.
Greenhalgh, Phillips, Pitkethly, Rogers and Tomalin (2010)Greenhalgh, C., Philips, J., Pitkethly, R., Rogers, M., & Tomalin, J. (2010). Intellectual Property Enforcement in Smaller UK Firms. Report for the Strategy Advisory Board for Intellectual Property Policy (SABIP).
Hackett (2015)
Haefliger, Jäger and Von Krogh (2010)Haefliger, S., Jäger, P., & Von Krogh, G. (2010). Under the radar: Industry entry by user entrepreneurs. Research policy, 39(9), 1198-1213.
Hagedoorn and Ridder (2012)Hagedoorn, J., & Ridder, A. K. (2012). Open innovation, contracts, and intellectual property rights: an exploratory empirical study.
Hill (2013)Hill, B. M. (2013). Almost Wikipedia: Eight Early Encyclopedia Projects and the Mechanisms of Collective Action.
Holt and Copes (2010)Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654.
Hudson and Kenyon (2007)Hudson, E. and Kenyon, A.T., 2007. Digital Access: The Impact of Copyright on Digitisation Practices in Australian Museums, Galleries, Libraries, and Archives. UNSWLJ, 30, p.12.
Hunt, Williams, Nicholas and Rowlands (2009)Hunt, R., Williams, P., Nicholas, D., & Rowlands, I. (2009). Copycats? Digital consumers in the online age.
IHS Technology (2015)IHS Technology, Current Market and Technology Trends in the Broadcasting Sector, WIPO Standing Committee on Copyright and Related Rights, SCCR/30/5(Jun. 2015)
Ilevbare (2008)ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129.
Kheria (2012)Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19).
Konstantakis, Palaigeorgiou, Siozos and Tsoukalas (2010)Konstantakis, N. I., Palaigeorgiou, G. E., Siozos, P. D., & Tsoukalas, I. A. (2010). What do computer science students think about software piracy?. Behaviour & Information Technology, 29(3), 277-285.
Korn (2009)Korn, N., In from the Cold: An assessment of the scope of ‘Orphan Works’ and its impact on the delivery of services to the public (April 2009).
Kretschmer, Klimis, and Wallis (2001)Kretschmer, M., Klimis, G. M., & Wallis, R. (2001). Music in Electronic Markets An Empirical Study. New Media & Society, 3(4), 417-441.
Lee (2011)Lee, H.K., 2011. Participatory media fandom: A case study of anime fansubbing. Media, Culture & Society, 33(8), pp.1131-1147.
Liu (2015)Liu, J. (2015). Copyright for Blockheads: An Empirical Study of Market Incentive and Intrinsic Motivation. Columbia Journal of Law & the Arts, Forthcoming. Available at SSRN: https://ssrn.com/abstract=2633263
Mattioli (2014)Mattioli, M. (2014). Disclosing Big Data. Minn. L. Rev., 99, 535.
Max Planck Institute (2013)Copyright, Competition and Development, Max Planck Institute (2013).
Mendis, Secchi and Reeves (2015)Mendis, D., et al. (2015). A Legal and Empirical Study into the Intellectual Property Implications of 3D Printing.
Merz (2005)Merz, J. F. (2005). Intellectual Property and Product Development Public/Private Partnerships. Intellectual Property and Product Development Public/Private Partnerships.
Oliar and Sprigman (2009)Oliar, D., & Sprigman, C. (2008). There's No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy. Virginia Law Review, 1787-1867.
Pearce (2011)Pearce, K. E. (2011). Convergence through mobile peer-to-peer file sharing in the Republic of Armenia. International Journal of Communication, 5, 511-528.
Pertierra (2012)Pertierra, A. C. (2012). If They Show Prison Break in the United States on a Wednesday, by Thursday It Is Here: Mobile Media Networks in Twenty-First-Century Cuba. Television & New Media, 13, 399-414.
Perzanowski (2013)Perzanowski, A. (2013). Tattoos & IP norms.Case Western Reserve University School of Law 511. Available at SSRN 2145048.
PricewaterhouseCoopers (2016)PricewaterhouseCoopers Australia Report 'Understanding the costs and benefits of introducing a ‘fair use’ exception', 2016.
Schofield and Urban (2015)Schofield B. L. and Urban J. M. Takedown and Today's Academic Digital Library (2015) UC Berkeley Public Law Research Paper No. 2694731.
Sheehan, Tsao and Pokrywczynski (2012)Sheehan, B., Tsao, J., & Pokrywczynski, J. (2012). Stop the Music: How Advertising Can Help Stop College Students from Downloading Music Illegally. Journal of Advertising Research, 52, 309-321.
Singh and Kretschmer (2012)Singh, S., Kretschmer, M. (2012). Strategic behaviour in the international exploitation of TV formats: A case study of the idols format. Chapter 1 in edited volume – Idols: Authenticity, Identity and Performance in a Global Television Format (eds. Koos Zwaan and Joost de Bruin), Farnham: Ashgate.
Stobo, Deazley and Anderson (2013)Stobo, V., Deazley, R. and Anderson, I., 2013. Copyright & Risk: Scoping the Wellcome Digital Library Project (Vol. 10, pp. 17-23). CREATe Working Paper.
Throsby and Zednik (2010)Throsby, David, and Anita Zednik. Do you really expect to get paid?: an economic study of professional artists in Australia. (2010).
Tzantzara and Economides (2010)Tzantzara, K., & Economides, A. A. (2010). Gender differences in digital music distribution methods. Peer-to-peer networking and applications, 3(2), 161-171.
Urban, Karaganis and Schofield (2016)Urban, J, Karaganis, J. and Schofield, B. (2016) Notice and Takedown in Everyday Practice (March 29, 2016). UC Berkeley Public Law Research Paper No. 2755628.
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