Sound recording and music publishing

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This industry category includes the following:

59.2 Sound recording and music publishing activities

59.20 Sound recording and music publishing activities
This class includes the activities of production of original (sound) master recordings, such as tapes, CDs; releasing, promoting and distributing sound recordings to wholesalers, retailers or directly to the public. These activities might be integrated or not with the production of master recordings in the same unit. If not, the unit exercising these activities has to obtain the reproduction and distribution rights to master recordings. This class also includes sound recording service activities in a studio or elsewhere, including the production of taped ( i.e. non-live) radio programming.
This class also includes the activities of music publishing, i.e. activities of acquiring and registering copyrights for musical compositions, promoting, authorising and using these compositions in recordings, radio, television, motion pictures, live performances, print and other media. Units engaged in these activities may own the copyright or act as administrator of the music copyrights on behalf of the copyright owners. Publishing of music and sheet books is included here.

Click Here for more details on this classification: Industry Appendix

Industry Sectors
  • Sound recording and music publishing (279)

Sound recording and music publishing is an industry sector defined within the Copyright Evidence wiki.

The following studies involve this industry sector (279):

Adermon and Liang (2011)Adermon, A., & Liang, C. Y. (2010). Piracy, music, and movies: A natural experiment (No. 2010: 18). Working Paper, Department of Economics, Uppsala University.
Aguiar and Martens (2013)Aguiar, L., & Martens, B. (2013). Digital music consumption on the internet: Evidence from clickstream data. Working Paper No. JRC79605. Available at SSRN 2265299
Aguiar and Waldfogel (2014)Aguiar, Luis, and Joel Waldfogel. Digitization, Copyright, and the Welfare Effects of Music Trade. Copyright, and the Welfare Effects of Music Trade (December 3, 2014) (2014).
Ahn and Yooney (2008)Ahn, Illtae, and Kiho Yoon. On the impact of digital music distribution. CESifo Economic Studies 55.2 (2009): 306-325.
Al-Rafee and Cronan (2006)Al-Rafee, S., & Cronan, T. P. (2006). Digital Piracy: Factors That Influence Attitude Toward Behavior. Journal of Business Ethics, 63(3), 237-259.
Al-Rafee and Dashti (2012)Al-Rafee, S., & Dashti, A. E. (2012). A Cross Cultural Comparison of the Extended TPB: The Case of Digital Piracy. Journal of Global Information Technology Management, 15(1), 5-24.
Al-Rafee and Rouibah (2010)Al-Rafee, S., & Rouibah, K. (2010). The fight against digital piracy: An experiment. Telematics and Informatics, 27(3), 283-292.
Altschuller and Benbunan-Fich (2009)Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56.
Andersen and Frenz (2008)Andersen, B., & Frenz, M. (2008). The impact of music downloads and P2P file-sharing on the purchase of music in Canada.
Andersen and Frenz (2010)Andersen, B. and Frenz, M. 2010. Don't Blame the P2P File-Sharers: The Impact of Free Music Downloads on the Purchase of Music CDs in Canada. Journal of Evolutionary Economics, 20, 715-740.
Arnold, Darmon, Dejean and Penard (2014)Arnold M. A., Darmon E., Dejean S. and Penard T., Graduated Response Policy and the Behaviour of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law (2014)
Australian Law Reform Commission (2013)ALRC Report 122 (2013), available at
BOP Consulting and DotEcon (2015)BOP Consulting, DotEcon (2015). International Comparison of Approaches to Online Copyright Infringement: Final Report, commissioned by the Intellectual Property Office.
Bahanovich and Collopy (2009)Bahanovich, D., & Colloy, D. (2009). Music experience and behaviour in young people: 2009 National Survey. UK Music.
Balducci (2009)Balducci, F. (2009). Music or hi-tech lovers? Inferring into the determinants of music consumption. Rivista italiana degli economisti, 14(2), 361-0.
Banerjee, Banerjee and Raychaudhuri (2008)Banerjee, Dyuti S., and Ajitava Raychaudhuri. OPTIMAL ENFORCEMENT AND ANTI‐COPYING STRATEGIES TO COUNTER COPYRIGHT INFRINGEMENT. Japanese Economic Review 59.4 (2008): 519-535.
Barker (2012a)Barker, G. R. (2012). Assessing the Economic Impact of Copyright Law: Evidence of the Effect of Free Music Downloads on the Purchase of Music CDs. Available at SSRN 1990153.
Barker (2012c)Barker, G. R. (2012). Evidence of the effect of free music downloads on the purchase of music CDs in Canada. Review of Economic Research on Copyright Issues, 9(2), 55-78.
Barker and Maloney (2012)Barker, G. R., & Maloney, T. J. (2012). The impact of free music downloads on the purchase of music CDs in Canada. ANU College of Law Research Paper, (4).
Beebe (2008)Beebe, B. (2008). An empirical study of US copyright fair use opinions, 1978-2005. University of Pennsylvania Law Review, 549-624.
Beekhuyzen, Von Hellens and Nielsen (2011)Beekhuyzen, J., Von Hellens, L. and Nielsen, S. 2011. Underground online music communities: exploring rules for membership. Online Information Review, 35, 699-715.
Belleflamme and Peitz (2010)Belleflamme, P., & Peitz, M. (2010). Digital piracy: Theory. CESifo Working Paper Series No. 3222. Available at SSRN 1698618.
Belleflamme and Peitz (2014)Belleflammea, Paul, and Martin Peitzb. Digital piracy. (2014).
Bellemare and Holmberg (2010)Bellemare, M. F., & Holmberg, A. M. (2010). The determinants of music piracy in a sample of college students. Available at SSRN 1481272.
Bhattacharjee, Gopal and Sanders (2003)Bhattacharjee, S., Gopal, R. D., & Sanders, G. L. (2003). Digital music and online sharing: Software piracy 2.0?. Communications of the ACM, 46(7), 107-111.
Bhattacharjee, Gopal, Lertwachara and Marsden (2006a)Bhattacharjee, S., Gopal, R., Lertwachara, K. and Marsden, J. R. 2006a. Whatever Happened to payola? An Empirical Analysis of Online Music Sharing. Decision Support Systems, 42, 104-120.
Bhattacharjee, Gopal, Lertwachara and Marsden (2006b)Bhattacharjee, S., Gopal, R. D., Lertwachara, K., & Marsden, J. R. (2006). Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal Actions*. Journal of law and economics, 49(1), 91-114.
Bhattacharjee, Gopal, Lertwachara, Marsden and Telang (2007)Bhattacharjee, S., Gopal, R. D., Lertwachara, K., Marsden, J. R., & Telang, R. (2007). The effect of digital sharing technologies on music markets: A survival analysis of albums on ranking charts. Management Science, 53(9), 1359-1374.
Blackburn (2004)Blackburn, D . (2004). A study of online piracy and recorded music sales. Harvard University, Working Paper.
Bockstedt, Kauffman and Riggins (2004)Bockstedt, J., Kauffman, R. J., & Riggins, F. J. (2004). The move to artist-led online music distribution: Explaining structural changes in the digital music market. Paper accepted at the 38th Annual Hawaii International Conference on System Sciences.
Bonner and O'Higgins (2010)Bonner, S., & O'Higgins, E. (2010). Music piracy: ethical perspectives. Management Decision, 48(9), 1341-1354.
Boorstin (2004)Boorstin, E. S. Music Sales in the Age of File Sharing (Doctoral dissertation, Princeton University).
Borghi, Maggiolino, Montagnani and Nuccio (2012)Borghi, M., Maggiolino, M., Montagnani, M.L. & Nuccio, M. (2012). Determinants in the online distribution of digital content: An exploratory analysis. European Journal for Law and Technology, 3(2), 1-29.
Bounie, Bourreau and Waelbroeck (2007)Bounie, D., Bourreau, M., & Waelbroeck, P. 2007. Pirates or explorers? Analysis of music consumption in French graduate schools. Brussels Economic Review, 50(2), 167-192.
Brassell and Goodyer (2015)Brassell, M. & Goodyer, I. (2015) Penalty Fair? Study of criminal sanctions for copyright infringement available under the CDPA 1988. IPO, 2015
Brooks (2005)Brooks, T. (2005). Survey of reissues of US recordings. Council on Library and Information Resources.
Bryce and Rutter (2005)Bryce, J., & Rutter, J. (2005). Fake Nation? A study into an everyday crime. The Intellectual Property Theft and Organised Crime research project, UK.
Brynjolfsson and Smith (2000)Brynjolfsson, E., & Smith, M. D. (2000). Frictionless commerce? A comparison of Internet and conventional retailers. Management Science, 46(4), 563-585.
Buccafusco and Heald (2012)Buccafusco, C., & Heald, P. J. (2012). Do Bad Things Happen When Works Enter the Public Domain: Empirical Tests of Copyright Term Extension. Berkeley Tech. LJ, 28, 1.
Buccafusco and Masur (2013)Buccafusco, Christopher, and Jonathan S. Masur. Innovation and Incarceration: An Economic Analysis of Criminal Intellectual Property Law. S. Cal. L. Rev. 87 (2013): 275.
Buxmann, Pohl, Johnscher and Strube (2005)Buxmann, P., Pohl, G., Johnscher, & P., Strube, J. (2005). Strategies for digital music markets: Pricing and the effectiveness of measures against pirate copies. Wirtschaftsinformatik, 47(2), 118-125.
Camerani, Grassano, Chavarro and Tang (2013)Camerani, R., Grassano, N., Chavarro, D. & Tang, P. (2013) Private Copying, IPO, 2013
Cameron and Bazelon (2013)Cameron, L., & Bazelon, C. (2013). The impact of digitization on business models in copyright driven industries: a review of economic issues. Brattle Groupe paper prepared for the US National Research Council, available at:
Carrier (2012)Carrier, M. A. (2012). Copyright and innovation: The untold story. Wisconsin Law Review 891. Available at SSRN 2099876
Cenite, Wang, Peiwen and Chan (2009)Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221.
Centre for Intellectual Property and Information Law (2006)Centre for intellectual property and information law. (2006). Review of the Economic Evidence Relating to an Extension of the Term of Copyright in Sound Recordings. University of Cambridge
Charles River Associates (2013)Assessing the Economic Impacts of Adapting Certain Limitations and Exceptions to Copyright and Related Rights in the EU, Charles River Assoc., (2013), available at
Charles River Associates (2014)Charles River Associates, Economic Analysis of the Territoriality of the Making Available Right in the EU (2014).
Cheliotis (2007)Cheliotis, G. (2007). Remix culture: an empirical analysis of creative reuse and the licensing of digital media in online communities.
Chen and Yen (2011)Chen, M. F. and Yen, Y. H. 2011. Costs and Utilities Perspective of Consumers' Intentions to Engage in Online Music Sharing: Consumers' Knowledge Matters. Ethics & Behavior, 21(4), 283-300.
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