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Buccafusco and Masur (2013)Buccafusco, Christopher, and Jonathan S. Masur. Innovation and Incarceration: An Economic Analysis of Criminal Intellectual Property Law. S. Cal. L. Rev. 87 (2013): 275.
Buccafusco, Burns, Fromer and Sprigman (2014)Buccafusco, C. J., Burns, Z. C., Fromer, J. C., & Sprigman, C. J. (2014). Experimental Tests of Intellectual Property Laws’ Creativity Thresholds. Texas Law Review, 93, 1921.
Buss and Peukert (2015)Buss, P., & Peukert, C. (2015). R&D outsourcing and intellectual property infringement. Research Policy, 44(4), 977-989.
Buxmann, Pohl, Johnscher and Strube (2005)Buxmann, P., Pohl, G., Johnscher, & P., Strube, J. (2005). Strategies for digital music markets: Pricing and the effectiveness of measures against pirate copies. Wirtschaftsinformatik, 47(2), 118-125.
Calzada and Gil (2016)Calzada, J., & Gil, R. (2016). What Do News Aggregators Do? Evidence from Google News in Spain and Germany.
Cantatore (2014)Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5.
Cave, Deegan and Heinink (2000)Cave, M., Deegan, M. and Heinink, L., 2000. Copyright clearance in the refugee studies centre digital library project. RLG DigiNews, 4(5).
Centre for Intellectual Property and Information Law (2016)Centre for Intellectual Property and Information Law (2016), Response to Article 11 of the Proposal for a Directive on Copyright in the Digital Single Market, entitled ‘Protection of press publications concerning digital uses’ on behalf of thirty seven professors and leading scholars of Intellectual Property, Information Law and Digital Economy
Chan and Lai (2011)Chan, R. Y. K. and Lai, J. W. M. 2011. Does Ethical Ideology Affect Software Piracy Attitude and Behaviour? An Empirical Investigation of Computer Users in China European Journal of Information Systems, 20, 659-673.
Charness and Daniela (2014)Charness, G., & Grieco, D. (2014). Creativity and Financial Incentives.
Cheliotis (2007)Cheliotis, G. (2007). Remix culture: an empirical analysis of creative reuse and the licensing of digital media in online communities.
Chen and Puttitanun (2005)Chen, Y., & Puttitanun, T. (2005). Intellectual Property Rights and Innovation in Developing Countries. Journal of Development Economics, 78(2), 474-493.
Chen, Shang and Lin (2008)Chen, Y. C., Shang, R. A., & Lin, A. K. (2008). The intention to download music files in a P2P environment: Consumption value, fashion, and ethical decision perspectives. Electronic Commerce Research and Applications, 7(4), 411-422.
Cheng, Sims and Teegen (1997)Cheng, H. K., Sims, R. R., & Teegen, H. (1997). To purchase or to pirate software: An empirical study. Journal of Management Information Systems, 13(4), 49-60.
Chiu, Hsieh and Wang (2008)Chiu, H. C., Hsieh, Y. C. and Wang, M. C. 2008. How to Encourage Customers to use Legal Software. Journal of Business Ethics, 80, 583-595.
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Corbett (2011)Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report.
Cuntz (2018)Cuntz, A. (, 2018). Creator’s Income Situation in the Digital Age. LIS Working Papers 755, LIS Cross-National Data Center in Luxembourg.
Cuntz (2020)Cuntz, A. (2020) Grand rights and opera reuse today. WIPO Economic Research Working Paper No.62
Cuntz and Bergquist (2020)
Danahar, Smith and Teland (2015)Danaher, B., Smith, M., Teland, R.,'Copyright Enforcement in the Digital Age: Empirical Evidence and Conclusions', WIPO/ACE/10/20, 2015
Danaher and Waldfogel (2012)Danaher, B., & Waldfogel, J. (2012). Reel Piracy: The Effect of Online Film Piracy on International Box Office Sales. Available at SSRN 1986299.
Dang Nguyen, Dejean and Moreau (2012)Dang Nguyen, G., Dejean, S., & Moreau, F. (2012). Are streaming and other music consumption modes substitutes or complements?.
David (1993)David, P. A. 1993. “Intellectual Property Institutions and the Panda’ s Thumb: Patents , Copyrights and Trade Secrets in Economic Theory and History”, in M. Wallerstein, M. Mogee and R. Schoen (eds .), Global Dimensions of Intellectual Property Rights in Science and Technology . Washington DC: National Academy Press; 19-61.
De Beer and Bouchard (2010)De Beer, J., & Bouchard, M. (2010). Canada's' Orphan Works' Regime: Unlocatable Owners and the Copyright Board. Oxford University Commonwealth Law Journal, 10(2), 215.
Depoorter (2019)Depoorter, B. (2019) Copyright Enforcement in the Digital Age: When the Remedy is the Wrong. 66 UCLA L. Rev. 400
Depoorter and Walker (2013)Depoorter, B. and Walker, R.K., 2013. Copyright false positives.
Derclaye (2014)Derclaye, E. (2014). Do patents, trademarks and designs foster happiness in developed countries? An empirical analysis. International Journal of Happiness and Development, 1(4), 357-368.
DiCola (2013)DiCola, P. (2013). Money from Music: Survey Evidence on Musicians' Revenue and Lessons About Copyright Incentives. Ariz. L. Rev., 55, 301.
DiCola and Touve (2014)DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright.
Dickson (2010)Dickson, M., 2010. Due diligence, futile effort: Copyright and the digitization of the Thomas E. Watson papers. The American Archivist, 73(2), pp.626-636.
Digital, Culture, Media and Sport Committee (2021)DCMS (2021) Economics of Music Streaming. House of Commons
Dryden (2008)Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto).
Durham, Hirshleifer, Smith (1998)Durham, Yvonne, Jack Hirshleifer, and Vernon L. Smith. Do the rich get richer and the poor poorer? Experimental tests of a model of power. The American Economic Review 88.4 (1998): 970-983.
EPO and OHIM (2013)EPO and OHIM (2013). Intellectual property rights intensive industries: contribution to economic performance and employment in the European Union.
Elkin-Koren, Nahmias and Perel (2019)Elkin-Koren, N., Nahmias, Y. And Perel, M. (2019) Is It Time to Abolish Safe Harbor? When Rhetoric Clouds Policy Goals. Stanford Law & Policy Review, Forthcoming
Envisional (2011)Envisional (2011), Technical report: An Estimate of Infringing Use of the Internet
Erickson and Kretschmer (2018)Erickson, K. and Kretschmer, M. (2018) “This Video is Unavailable”: Analysing Copyright Takedown of User-Generated Content on YouTube. Journal of Intellectual Property, Information Technology and E-Commerce Law (JIPITEC), 9(1)
Erickson, Heald, Homberg, Kretschmer and Mendis (2015)Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper.
Erickson, Kretschmer and Mendis (2013)Erickson, K., Kretschmer, M., & Mendis, D. (2013). Copyright and the Economic Effects of Parody: An Empirical Study of Music Videos on the YouTube Platform and an Assessment of the Regulatory Options. Intellectual Property Office Research Paper, (2013/24).
Erickson, Rodriguez Perez and Rodriguez Perez (2018)Erickson, K, Rodriguez Perez, F and Rodriguez Perez, J (2018) What is the Commons Worth? Estimating the Value of Wikimedia Imagery by Observing Downstream Use. In: Proceedings of the International Symposium on Open Collaboration. OpenSym ’18: The 14th International Symposium on Open Collaboration, 22-24 Aug 2018, Paris, France. ACM (Association for Computing Machinery). ISBN 978-1-4503-59 36-8
European Commission (2013)European Commission (2013). Synthesis of the responses: Civil enforcement of intellectual property rights: Public consultation on efficiency of proceedings and accessibility measures
European Patent Office and Office for Harmonization in the Internal Market (2013)Intellectual Property Rights Intensive Industries: Contribution to Economic Performance and Employment in the European Union, The Office for Harmonization in the Internal Market and the European Patent Office (2013) available at http://ec.europa.eu/internal_market/intellectual-property/docs/joint-report-epo-ohim-final-version_en.pdf.
European Union Intellectual Property Office (2016)European Union Intellectual Property Office (2016). Intellectual Property and Youth.
Faklaris and Hook (2017)Faklaris, C. and Hook, S.A. (2017) Attitudes About ‘Fair Use’ and Content Sharing in Social Media Applications. CSCW 2017, February 25-March 1, 2017, Portland, OR, USA
Favale (2020)Favale, M. (2021). "The Role of the Court of Justice in the Development of EU Copyright Law: an Empirical Experience". In EU Copyright Law. Cheltenham, UK: Edward Elgar Publishing. doi: https://doi.org/10.4337/9781786437808.00039
Fetscherin (2009)Fetscherin, M. (2009). Importance of Cultural and Risk Aspects in Music Piracy: A Cross-National Comparison Among University Students. Journal of Electronic Commerce Research, 10(1), 42-55.
Flaherty (2020)Flaherty, R. (2020) "Benefits of Quantitative and Doctrinal Methodological Approaches to Fan Studies Research." In "Fan Studies Methodologies," edited by Largent, J.E. Popova, M., and Vist, E. special issue, Transformative Works and Cultures, no. 33.
Flynn, Giblin and Petitjean (2019)Flynn, J., Giblin, R. And Petitjean, F. (2019) What Happens When Books Enter the Public Domain? Testing Copyright’s Underuse Hypothesis Across Australia, New Zealand, the United States and Canada. University of New South Wales Law Journal, 42 (4)
Frosio (2014)Frosio, Giancarlo F. Open access publishing: a literature review. (2014).