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From Copyright EVIDENCE
| Citation | |
|---|---|
| Filer (1986) | Filer, R. K. (1986). The “Starving Artist”--Myth or Reality? Earnings of Artists in the United States. Journal of Political Economy, 94(1), 56–75. |
| Ford (2014) | Ford, G. S. (2014). What is the effect of file sharing on the creation of new music? A critical review of 'A case study of file sharing and music output'. Phoenix Center for Advanced Legal & Economic Public Policy Studies. Available at SSRN 2407145. |
| Gani (2020) | Gani, M.W. (2020) An Empirical Analysis of the Status of Performing Authors’ Creative Autonomy in Creative Autonomy, Copyright and Popular Music in Nigeria Palgrave Macmillan Cambridge, pp 97-137 |
| Garcia (2020) | Garcia, Kristelia (2020) Contracts & Copyright: Contemporary Musician Income Streams. The Oxford Handbook of Music Law and Policy, Forthcoming, U of Colorado Law Legal Studies Research Paper No. 20-32, Available at SSRN: https://ssrn.com/abstract=3620401 or http://dx.doi.org/10.2139/ssrn.3620401 |
| Gibson, Johnson and Dimita (2015) | Gibson, J., Johnson, P. And Dimita, G. (2015) The Business of Being an Author: A Survey of Author’s Earnings and Contracts. Available: https://orca.cf.ac.uk/72431/1/Final%20Report%20-%20For%20Web%20Publication.pdf (last accessed: 23 May 2019) |
| Giorcelli and Moser (2015) | Giorcelli, M., & Moser, P. (2014). Copyright and Creativity: Evidence from Italian Operas. Available at SSRN 2505776. |
| Handke (2011) | Handke, C. (2011). Economic Effects of Copyright: The Empirical Evidence So Far. Commissioned paper prepared for The Committee on the Impact of Copyright Policy on Innovation in the Digital Era. |
| Handke, Guibault and Vallbe (2015) | Handke, C., Guibault, L., & Vallbé, J. J. (2015). Is Europe Falling Behind in Data Mining? Copyright's Impact on Data Mining in Academic Research. Copyright's Impact on Data Mining in Academic Research (May 20, 2015). |
| Hausberg and Spaeth (2018) | Hausberg, J.P and Spaeth, S (2018) Why makers make what they make: motivations to contribute to open source hardware development. R&D Management. |
| Haveman and Kluttz (2014) | Daniel N. Kluttz, Heather A. Haveman, 'Copyright Law and the American Magazine Industry' (February 1, 2014). Available at: http://irle.berkeley.edu/property-in-print-copyright-law-and-the-american-magazine-industry/ |
| Heald, Shi, Stoiber and Zheng (2012a) | Heald, Paul J. and Shi, Peibei and Stoiber, Jeffrey and Zheng, Qingyao, More Music in Movies: What Box Office Data Reveals About the Availability of Public Domain Songs in Movies from 1968-2008 (December 12, 2012). Review of Economic Research on Copyright Issues, Vol. 9, No. 2, pp. 31-54, 2012; Illinois Public Law Research Paper No. 11-23. |
| Heredia-Carroza, Palma and Aguado (2019) | Heredia-Carroza, J., Palma, L. and Aguado, L.F. (2019) Song, Performance and Authorship: The Case of Flamenco in Spain. Trames, 23(73/68), 1, 2-14 |
| Heredia-Carroza, Palma and Aguado (2023) | Heredia-Carroza, J., Palma, L., Aguado, L.F. (2023) Does copyright understand intangible heritage? The case of flamenco in Spain, International Journal of Heritage Studies, 29:6, 598-614. |
| Hui and Png (2002) | Hui, K.-L., and I.P .L. Png. 2002. “On the Supply of Creative Work: Evidence from the Movies”. The American Economic Review 92(2);217-220 |
| Humphreys (2008) | Humphreys, S., 2008. The challenges of intellectual property for users of Social Networking Sites: a case study of Ravelry. |
| Humphreys, Fitzgerald, Banks, Suzor (2008) | Humphreys, S., Fitzgerald, B., Banks, J. and Suzor, N., 2005. Fan-based production for computer games: User-led innovation, the ‘Drift of Value’and intellectual property rights. Media International Australia Incorporating Culture and Policy, 114(1), pp.16-29. |
| Ilevbare (2008) | ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129. |
| Iljadica (2016) | Iljadica, M. (2016) Copyright Beyond Law - Regulating Creativity in the Graffiti Subculture, Hart Publishing |
| Intellectual Property Office (2014) | IPO (2014). Artist’s Resale Right - Summary of IPO survey findings |
| Intellectual Property Office (2018) | Intellectual Property Office (2018) Copyright term extension for sound recordings Post-Implementation Review |
| Johnson (1985) | Johnson, William R. The economics of copying. Journal of Political Economy 93.1 (1985): 158-174. |
| Johnson (2011) | Johnson, E. E. (2011). Intellectual property and the incentive fallacy. |
| Johnson, Gibson, and Dimita (2012) | P. Johnson, J. Gibson, G. Dimita, What Are Words Worth Now: A survey of Authors’ Earnings, London: ALCS (2014). |
| Kanwar and Evenson (2003) | Kanwar, S., & Evenson, R. (2003). Does intellectual property protection spur technological change?. Oxford Economic Papers, 235-264. |
| Kariithi (2011) | Kariithi, Nixon K. Is the devil in the data? A literature review of piracy around the world. The Journal of World Intellectual Property 14.2 (2011): 133-154. |
| Katz (2019) | Katz, R., (2019). A Pilot Study of Fan Fiction Writer’s Legal Information Behavior. Journal of Copyright in Education and Librarianship, 3(1), 1-29.https://doi.org/10.17161/jcel.v3i1.7697 |
| Katzenbach, Herweg and Van Roessel (2016) | Katzenbach, C., Herweg, S. and Van Roessel, L. Copies, Clones, and Genre Building: Discourses on Imitation and Innovation in Digital Games. International Journal of Communication 10 (2016), 838-859 |
| Kheria (2012) | Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19). |
| Kheria (2013) | Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4). |
| Kim (2007) | Kim, M. (2007). The Creative Commons and Copyright Protection in the Digital Era: Uses of Creative Commons Licenses. Journal of Computer‐Mediated Communication, 13(1), 187-209. |
| Kretschmer (2012) | Kretschmer, M. (2012). Does Copyright Law Matter? An Empirical Analysis of Creators’ Earnings. An Empirical Analysis of Creators’ Earnings (May 21, 2012). |
| Kretschmer and Hardwick (2007) | Kretschmer, M., & Hardwick, P. (2007). Authors’ earnings from copyright and non-copyright sources: A survey of 25,000 British and German writers. Bournemouth University Centre for Intellectual Property Policy & Management (CIPPM). Available at SSRN 2619649 |
| Kretschmer, Gavaldon, Miettinen and Singh (2019) | Kretschmer, M., Gavaldon, A.A., Miettinen, J. And Singh, S. (2019) UK Authors’ Earnings and Contracts 2018: a Survey of 50,000 Writers. Available: https://www.create.ac.uk/blog/2019/05/02/uk-authors-earnings-and-contracts-2018-a-survey-of-50000-writers/ (last accessed 23 May 2019) |
| Krogh and Hippel (2006) | Von Krogh, G., & Von Hippel, E. (2006). The promise of research on open source software. Management science, 52(7), 975-983. |
| Ku, Sun and Fan (2009) | Ku, R. S. R., Sun, J., & Fan, Y. (2009). Does Copyright Law Promote Creativity? An Empirical Analysis of Copyright's Bounty. Vanderbilt Law Review, 63, 09-20. |
| Lakhani and Von Hippel (2003) | Lakhani, K. R., & Von Hippel, E. (2003). How open source software works:“free” user-to-user assistance. Research policy, 32(6), 923-943. |
| Landes and Lichtman (2003) | Landes, W., & Lichtman, D. (2003). Indirect liability for copyright infringement: Napster and beyond. Journal of economic perspectives, 113-124. |
| Lastowka (2011) | Lastowka, Greg, Minecraft as Web 2.0: Amateur Creativity & Digital Games (October 5, 2011). Available at SSRN: https://ssrn.com/abstract=1939241 or http://dx.doi.org/10.2139/ssrn.1939241 |
| Lee (2011) | Lee, H.K., 2011. Participatory media fandom: A case study of anime fansubbing. Media, Culture & Society, 33(8), pp.1131-1147. |
| Lemley (1997) | Lemley, M. A. (1997). The Economics of Improvement in Intellectual Property Law. Tex. L. Rev., 75, 989-1835. |
| Lemley and Shafir (2011) | Lemley, M.A. and Shafir, Z., 2011. Who Chooses Open-Source Software?. The University of Chicago Law Review, pp.139-164. |
| Lerner (2002) | Lerner, J. (2002). Patent protection and innovation over 150 years (No. w8977). National Bureau of Economic Research. |
| Liebowitz and Margolis (2005) | Liebowitz, S. J., & Margolis, S. E. (2005). Seventeen famous economists weigh in on copyright: The role of theory, empirics, and network effects. Harvard Journal of Law and Technology, 18(2). |
| Liu (2012) | Liu, Jiarui, Copyright Injunctions after eBay: An Empirical Study (January 6, 2012). Lewis & Clark Law Review, Vol. 16, No. 1, p. 215, 2012. |
| Liu (2015) | Liu, J. (2015). Copyright for Blockheads: An Empirical Study of Market Incentive and Intrinsic Motivation. Columbia Journal of Law & the Arts, Forthcoming. Available at SSRN: https://ssrn.com/abstract=2633263 |
| Lunney, Jr. (2012) | Lunney, Jr., G. S. (2012). Copyright’s Mercantilist Turn: Do We Need More Copyright or Less?. Tulane Public Law Research Paper, (12-20). |
| MacGarvie, McKeon and Watson (2018) | MacGarvie, M., McKeon & Watson, J. (2018). It was fifty years ago today: Recording copyright term and the supply of music. NBER conference on the Economics of Digitization. |
| Madden (2004) | Madden, M. (2004). Artists, musicians and the internet. Pew Internet & American Life Project. |
| Mandel (2013) | Mandel, Gregory N., The Public Psychology of Intellectual Property (March 27, 2013). Florida Law Review, Vol. 66, 2013 (Forthcoming); Temple University Legal Studies Research Paper No. 2013-23. |
| Martikainen (2011) | Martikainen, E. (2014). Does file-sharing reduce DVD sales?. Netnomics: Economic Research and Electronic Networking, 15(1), 9-31. |
