Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Experimental (Field) or
Survey Research (qualitative; e.g. consumer preferences)
& Data analysis method:
Textual Content Analysis
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Australia (4) ·
Brazil (2) ·
Bulgaria (1) ·
Canada (7) ·
Denmark (1) ·
European Union (9) ·
France (3) ·
Germany (1) ·
Global (4) ·
Greece (1) ·
Hungary (1) ·
India (1) ·
Italy (3) ·
Japan (3) ·
Korea (2) ·
Mexico (1) ·
Nigeria (1) ·
Norway (1) ·
South Korea (1) ·
Spain (1) ·
Switzerland (1) ·
Thailand (2) ·
The Netherlands (2) ·
Turkey (1) ·
United Kingdom (11) ·
United States (16)
2001 (1) ·
2003-2004 (1) ·
2004 (1) ·
2004 to 2005 (1) ·
2005 (2) ·
2005 to 2006 (1) ·
2007 to 2008 (1) ·
2008 (1) ·
2008 to 2009 (1) ·
2009 (2) ·
2010 (1) ·
2010-2011 (1) ·
2012 (2) ·
2012 to 2013 (1) ·
2012-2013 (3) ·
2013 (3) ·
2013-2014 (1) ·
2014 (5) ·
2014-2015 (2) ·
2015 (2) ·
April to May 2007 (1) ·
August 2006 to October 2006 (1) ·
Data was collected over two weeks in 2012. (1) ·
Not stated (1) ·
Not stated. (1) ·
November 2009 (1) ·
September to December 2012 (1)
Commonwealth of Australia (1) ·
Creative Content Australia (1) ·
European Commission (6) ·
Funded by the Ford Foundation, through a Future of Public Media grant to the Center for Social Media (1) ·
Intellectual Property Office (2) ·
JISC (1) ·
Mellon Foundation (1) ·
None (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1) ·
United Nations (1) ·
United States Copyright Office (3) ·
We
thank
the
National
Human
Genome
Research
Initiative
for
a
generous
grant
supporting
this
work (1) ·
World Intellectual Property Office (1) ·
World Intellectual Property Organization (2)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (29) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (9) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (8) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (23) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (23)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (12) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (14) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (15) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (23) ·
E. Fair remuneration (levies; copyright contracts) (8) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (18)
Analysed response (1) ·
Art Market Professionals (1) ·
Collecting Societies (1) ·
Company (1) ·
Competition agencies (1) ·
Consumer (1) ·
Country (4) ·
Cultural Heritage Institutions (3) ·
Cultural Institution Staff (1) ·
Cultural Institutions (1) ·
Experts (1) ·
Focus group (1) ·
IP rights (1) ·
Individual (8) ·
Individual Responses (1) ·
Individual Staff (1) ·
Individuals (1) ·
Legal experts (1) ·
Museums (1) ·
Open Source Software (1) ·
Organisations (1) ·
Publications (1) ·
Respondant (1) ·
Scenario (1) ·
Scholars (1) ·
Software Users (1) ·
Stakeholders (7) ·
University students (4)
2001 (1) ·
2003-2004 (1) ·
2004 (1) ·
2004 to 2005 (1) ·
2005 (2) ·
2005 to 2006 (1) ·
2006 (1) ·
2007 (1) ·
2007 to 2008 (1) ·
2008 (1) ·
2008 to 2009 (1) ·
2009 (2) ·
2010 (3) ·
2012 (5) ·
2012 to 2013 (1) ·
2012-2013 (2) ·
2013 (5) ·
2014 (5) ·
2014-2015 (2) ·
2015 (1) ·
Non stated (1) ·
Not stated (1) ·
Unknown (1)
Computer consultancy (1) ·
Computer programming (2) ·
Creative, arts and entertainment (12) ·
Cultural education (9) ·
Film and motion pictures (10) ·
Libraries, archives, museums and other cultural activities (11) ·
PR and communication (1) ·
Photographic activities (10) ·
Programming and broadcasting (4) ·
Publishing of books, periodicals and other publishing (13) ·
Software publishing (11) ·
Sound recording and music publishing (17) ·
Television programmes (9)
Showing below up to 42 results in range #1 to #42.
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A
- Al-Rafee and Cronan (2006)
- Arnold, Darmon, Dejean and Penard (2014)
- Asser Institute and IViR (2014)
- Astle and Muir (2002)
- Australian Law Reform Commission (2013)
B
C
- Canat, Guibault and Logeais (2015)
- Center for Social Media (2010)
- Commission of the European Communities (2005a)
- Condry (2004)
- Coyle, Gould, Gupta and Gupta (2009)
- Creative Content Australia (2015)
D
D cont.
E
F
- Favale, Homberg, Kretschmer, Mendis and Secchi (2013)
- Fetscherin and Schmid (2003)
- Fiesler, Lampe, and Bruckman (2016)
- Fromer and Lemley (2013)
G
H
I
K
L
M
S
T
U
- United States Copyright Office (2013b)
- United States Copyright Office (2015a)
- United States Copyright Office (2015b)
V
W