Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Case Study or
Unstructured Interview
& Data industry :
Television programmes or
Video game publishing
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Related to:
A1: General Economics (2) ·
B4: Economic Methodology (1) ·
K41: Litigation Process (1) ·
K42: Illegal Behavior and the Enforcement of Law (6) ·
K: Law and Economics (3) ·
L12: Monopoly • Monopolization Strategies (1) ·
L13: Oligopoly and Other Imperfect Markets (2) ·
L41: Monopolization • Horizontal Anticompetitive Practices (1) ·
L51: Economics of Regulation (1) ·
L82: Entertainment • Media (3) ·
L83: Sports • Gambling • Restaurants • Recreation • Tourism (1) ·
L86: Information and Internet Services • Computer Software (1) ·
L88: Government Policy (1) ·
M31: Marketing (1) ·
M38: Government Policy and Regulation (1) ·
O32: Management of Technological Innovation and R&D (3) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (4) ·
O34: Intellectual Property and Intellectual Capital (17) ·
O38: Government Policy (1) ·
O57: Comparative Studies of Countries (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (21)
Alliance for IP (1) ·
Anti-Copying in Design (1) ·
Anti-Counterfeiting Group (1) ·
Artists’ Collecting Society (1) ·
Big Innovation Centre (1) ·
British Copyright Council (1) ·
British Library (1) ·
British Phonographic Industry (1) ·
British Screen Advisory Council (1) ·
Business Software Alliance (1) ·
Case law (1) ·
Copyright Licensing Agency (1) ·
Crown Prosecution Service (1) ·
Federation Against Copyright Theft (1) ·
Federation Against Software Theft (1) ·
IMDb (1) ·
Indian Box Office Revenues (http://ibosnetwork.com/default.aspx) (1) ·
Indian Censor Board (http://cbfcindia.gov.in/) (1) ·
Industry (1) ·
International Planning Research Corporation (1) ·
Legislative review (1) ·
Literature review (3) ·
Ministry of Justice (1) ·
Motion Picture Association (1) ·
Newspaper Licensing Association (1) ·
Open Data Institute (1) ·
Open Rights Group (1) ·
PRS for Music (1) ·
Police Intellectual Property Crime Unit (1) ·
Publishers Association (1) ·
Review of Existing Academic and Industries Literature (1) ·
Trading Standards (1) ·
UK Interactive Entertainment (1) ·
UK Music (1) ·
Westlaw (1)
Cluster analysis (1) ·
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (3) ·
Discourse Analysis (4) ·
Ethnographic/narrative analysis (1) ·
Legal Analysis (8) ·
Meta-Analysis (2) ·
Qualitative Analysis Methods (8) ·
Qualitative Coding / Sorting (e.g. of interview data) (8) ·
Quantitative Analysis Methods (3) ·
Quantitative content analysis (e.g. text or data mining) (4) ·
Regression Analysis (1) ·
Textual Content Analysis (9) ·
Triangulation (1)
1960-1985 (1) ·
1985-2000 (1) ·
2000-2005 (1) ·
2001 to 2003 (1) ·
2001 to 2004 (1) ·
2005 (1) ·
2006-2013 (1) ·
2009 (1) ·
2009-2014 (1) ·
2011-2012 (2) ·
2012-2013 (1) ·
2013 (1) ·
2014 (1) ·
3 January 2015 - February 2016 (1) ·
Non stated (3) ·
Not stated. (1) ·
Not stated. The study focuses, with a few exceptions, on the literature of the last decade. (1)
British Phonographic Industry (1) ·
British Video Association (BVA) (1) ·
Business Software Alliance (1) ·
Economic and Social Research Council (1) ·
Entertainment & Leisure Software Publishers Association (1) ·
European Commission (1) ·
Federation Against Copyright Theft (1) ·
IPO (4) ·
Intellectual Property Office (2) ·
Not stated (1) ·
Organised Crime Task Force (1) ·
PAI P4/04, Belgian State, Prime Minister’s Office, Science Policy Programming (1) ·
SABIP (1) ·
The Patent Office (1) ·
This research was part of the multicountry research project 'Towards a Detente in Media Piracy' undertaken by the Association for Progressive Communications (ACP) and supported bu the Social Science Research Council (SSRC), New York (1) ·
Western New England College School of Law (1) ·
World Intellectual Property Organization (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (12) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (7) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (5) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (14)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (4) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (8) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (7) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (12)
Case study (2) ·
Company (1) ·
Corporate and Industry Associations Website (1) ·
Country (3) ·
EU Cases (1) ·
Economic model (1) ·
Focus Groups (1) ·
Implementation model (1) ·
Individual (5) ·
Individual Copyright Offences (1) ·
Legal experts (1) ·
Marketing campaign (1) ·
Publication (1) ·
Responses to Calls for Evidence (1) ·
Responses to calls for evidence (1) ·
Rule-set (1) ·
Ruling (1) ·
Scenario (1)
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