Browse data: Studies
From Copyright EVIDENCE
Studies > Data collection method:
Qualitative Collection Methods
& Data analysis method:
Discourse Analysis
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Related to:
A10: General (1) ·
A14: Sociology of Economics (1) ·
A1: General Economics (1) ·
A2: Economic Education and Teaching of Economics (1) ·
C1: Econometric and Statistical Methods and Methodology: General (1) ·
D11: Consumer Economics: Theory (1) ·
D23: Organizational Behavior • Transaction Costs • Property Rights (1) ·
D42: Monopoly (1) ·
K39: Other (1) ·
K42: Illegal Behavior and the Enforcement of Law (4) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (2) ·
K: Law and Economics (2) ·
L31: Nonprofit Institutions • NGOs (1) ·
L82: Entertainment • Media (5) ·
L8: Industry Studies: Services (2) ·
L: Industrial Organization (1) ·
M31: Marketing (1) ·
M38: Government Policy and Regulation (1) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O32: Management of Technological Innovation and R&D (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (2) ·
O34: Intellectual Property and Intellectual Capital (15) ·
O38: Government Policy (1) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (3) ·
Z11: Economics of the Arts and Literature (1) ·
Z13: Economic Sociology • Economic Anthropology • Social and Economic Stratification (1) ·
Z18: Public Policy (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (3) ·
Other (21)
1975 - 2007 (1) ·
2000-2005 (1) ·
2003-2004 (1) ·
2005, 2013 (1) ·
2008 (1) ·
2009 (2) ·
2013 (1) ·
2019 (1) ·
Between 15 March 2004 and 15 April 2004 (1) ·
Data includes an assessment of creative industries in comparison with market trends and competition. Several examples are presented to support economic theory and proposition. (1) ·
Non stated (1) ·
Not specified (1) ·
Not stated (5)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (14) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (6) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (3) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (8) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (10)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (10) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (5) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (9) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (9)
Creative, arts and entertainment (10) ·
Cultural education (2) ·
Film and motion pictures (6) ·
Libraries, archives, museums and other cultural activities (1) ·
PR and communication (1) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (3) ·
Software publishing (1) ·
Sound recording and music publishing (10) ·
Specialised design (1) ·
Television programmes (5) ·
Translation and interpretation (1) ·
Video game publishing (1)
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