Browse data: Studies
From Copyright EVIDENCE
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Author:
Year:
Related to:
Discipline:
Data Type:
Secondary Data Source:
Australian Society of Authors (ASA) (1) ·
Business Software Alliance (2) ·
CJEU website (1) ·
Copyright Office (1) ·
Data.gov.uk (1) ·
Existing academic literature (1) ·
Fiesler, Feuston and Bruckman (2015) (1) ·
Fiesler, Lampe and Bruckman (2016) (1) ·
Fiesler, Morrison and Bruckman (2016) (1) ·
Fiesler (2008) (1) ·
Fiesler and Bruckman (2014) (1) ·
Haverman (2004): Antebellum literary culture and the evolution of American magazines (1) ·
Https://www.court.gov.il/NGCS.Web.Site/HomePage.aspx (1) ·
Industry (1) ·
James Coover (1983) (1) ·
Literature review (3) ·
Miller, P (2012) Thinking about Open Data, With a Little Help from the Data Hub. Cloud of Data (1) ·
Net Hamishpat (1) ·
None (1) ·
Review of Existing Academic and Industries Literature (3) ·
SHERPA institutional repository list (1) ·
Survey of GLAM open access policy and practice (1) ·
The Directory of Open Access Repositories (1) ·
The Los Angeles Times (1) ·
The New York Times (1) ·
The Wall Street Journal (1) ·
The Washington Post (1) ·
USA Today (1) ·
Various (3) ·
YouTube (1)
Data collection method:
Archival Research (5) ·
Case Study (24) ·
Document Research (18) ·
Ethnography (3) ·
Focus Groups (3) ·
Historical Methods (4) ·
Life History (1) ·
Longitudinal Study (2) ·
Qualitative Collection Methods (48) ·
Qualitative content/text mining (24) ·
Quantitative Collection Methods (25) ·
Quantitative data/text mining (23) ·
Semi-Structured Interview (26) ·
Snowball sampling (2) ·
Structured Interview (8) ·
Survey Research (qualitative; e.g. consumer preferences) (23) ·
Survey Research (quantitative; e.g. sales/income reporting) (21) ·
Unstructured Interview (4) ·
Web analytic (online user trace data) (3)
Data analysis method: (Click arrow to add another value)
Country:
Armenia (1) ·
Australia (5) ·
Brazil (1) ·
Canada (2) ·
China (1) ·
Europe (1) ·
European Union (3) ·
France (3) ·
Germany (3) ·
Ghana (1) ·
Global (2) ·
Greece (2) ·
Israel (1) ·
Italy (1) ·
New Zealand (1) ·
Nigeria (1) ·
South Africa (1) ·
Thailand (1) ·
UK (2) ·
Ukraine (1) ·
United Kingdom (18) ·
United States (39) ·
Unknown (3)
Cross country study: (Click arrow to add another value)
Time period of data collection:
Funder:
AHRC (1) ·
Alfred P. Sloan Foundation (1) ·
Arts and Humanities Research Council (1) ·
Australian Government Research Training Program Scholarship (1) ·
Australian Research Council (LP160100387/FT170100011) (1) ·
CREATe, AHRC Grant Number AH/K000179/1 (1) ·
CREATe, Grant Number AH/K000179/1 (1) ·
Center for Empirical Studies of Intellectual Property at Chicago-Kent College of Law. (1) ·
Creative Content Australia (1) ·
Economic and Social Research Council (1) ·
Fulbright grant program (1) ·
Funded by the Ford Foundation, through a Future of Public Media grant to the Center for Social Media (1) ·
Funded by the Rockefeller Foundation (1) ·
Golden Gate University School of Law (1) ·
H2020 reCreating Europe (1) ·
IPO (1) ·
Institute for Research in Marketing, Carlson School of Management, University of Minnesota. (1) ·
JISC (1) ·
Mellon Foundation (1) ·
Monash University (1) ·
National Council for Scientific and Technological Development (CNPq) (1) ·
National Research Council (NRC) Committee on the Impact of Copyright Policy on Innovation in the Digital Era (1) ·
National Science Foundation (award #1216247) (1) ·
None (3) ·
None stated (1) ·
Not stated (5) ·
RCUK Funded Centre for Copyright and New Business Models in the Creative Economy (CREATe) (1) ·
South African Research Chairs Initiative of the Department of Science and Technology and National Research Foundation of South Africa (Grant No 98405) (1) ·
Swiss National Science Foundation (1) ·
The Creators’ Rights Alliance (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1) ·
The author gratefully acknowledges the generous support of the New Zealand Law Foundation for this research project. (1) ·
Towards a National Collection programme (1) ·
UNC Arts and Humanities Research Grant (1) ·
United States Copyright Office (1) ·
WIPO (1) ·
We
thank
the
National
Human
Genome
Research
Initiative
for
a
generous
grant
supporting
this
work (1) ·
Western New England College School of Law (1)
Fundamental Issues:
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (48) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (21) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (18) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (34) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (39)
Evidence Based Policies:
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (21) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (25) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (20) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (30) ·
E. Fair remuneration (levies; copyright contracts) (12) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (38)
Data sample size:
Data unit of assessment:
Data material year:
Data industry:
Advertising (1) ·
Architectural (1) ·
Computer programming (2) ·
Creative, arts and entertainment (24) ·
Cultural education (16) ·
Film and motion pictures (18) ·
Libraries, archives, museums and other cultural activities (18) ·
PR and communication (3) ·
Photographic activities (11) ·
Programming and broadcasting (4) ·
Publishing of books, periodicals and other publishing (23) ·
Software publishing (16) ·
Sound recording and music publishing (27) ·
Television programmes (8) ·
Video game publishing (3)
Showing below up to 90 results in range #1 to #90.
View (previous 250 | next 250) (20 | 50 | 100 | 250 | 500)
A
- Adu and van der Walt (2021)
- Al-Rafee and Cronan (2006)
- Arnold, Darmon, Dejean and Penard (2014)
- Astle and Muir (2002)
- Aufderheide and Jaszi (2004)
B
- Balducci (2009)
- Bar-Ziv (2021)
- Belleflamme and Peitz (2010)
- Benkler (1999)
- Bently (2002)
- Bjork (2012)
- Buccafusco and Masur (2013)
C
- Cameron and Bazelon (2013)
- Carrier (2012)
- Cave, Deegan and Heinink (2000)
- Center for Social Media (2010)
- Cooper and Burrow (2018)
- Corbett (2011)
- Coyle, Gould, Gupta and Gupta (2009)
- Creative Content Australia (2015)
D
D cont.
E
F
- Fagundes and Perzanowski (2019)
- Favale (2020)
- Favale, Kretschmer and Torremans (2016)
- Fiesler (2018)
- Fiesler (2020)
- Fiesler, Lampe, and Bruckman (2016)
- Fromer and Lemley (2013)
G
H
- Hackett (2015)
- Haigh (2009)
- Hansen, Hashimoto, Hinze, Samuelson and Urban (2013)
- Haveman and Kluttz (2014)
- Heald, Erickson and Kretschmer (2015)
- Hudson and Kenyon (2007)
- Humphreys, Fitzgerald, Banks, Suzor (2008)
I
- Ilevbare (2008)
- Intellectual Property Office (2014)
- Intellectual Property Office (2015b)
- Intellectual Property Office (2019)
K
L
M
O
P
R
S
- Sag (2015)
- Sarikakis, Krug and Rodriguez-Amat (2017)
- Schofield and Urban (2015)
- Silbey (2014a)
- Sinnreich and Aufderheide (2015)
- Stobo, Deazley and Anderson (2013)
T
U
W
Y
Z
