Browse data: Studies
From Copyright EVIDENCE
Studies > Data sample size:
10-50
& Data industry:
Libraries, archives, museums and other cultural activities
Click on one or more items below to narrow your results.
Astle, P. (1) ·
Canat, J. (1) ·
EIFL (1) ·
Guibault, L. (1) ·
Hudson, E. (1) ·
Intellectual Property Office (2) ·
Kapsalis, E. (1) ·
Kelly, K. (1) ·
Kenyon, A. (1) ·
Logeais, E. (1) ·
Meletti, B. (1) ·
Morrison, C. (1) ·
Muir, A. (1) ·
Poole, N. (1) ·
Schofield, B. L. (1) ·
Secker, J. (1) ·
Tanner, S. (1) ·
United States Copyright Office (1) ·
Urban, J. M. (1) ·
Van Gompel, S. (1) ·
Vetulani, A. (1) ·
Vuopala, A. (1)
Related to:
I23: Higher Education • Research Institutions (1) ·
K11: Property Law (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (3) ·
O34: Intellectual Property and Intellectual Capital (16) ·
O38: Government Policy (8) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Z11: Economics of the Arts and Literature (1) ·
Other (16)
Document Research (2) ·
Focus Groups (2) ·
Qualitative Collection Methods (9) ·
Qualitative content/text mining (1) ·
Quantitative Collection Methods (7) ·
Quantitative data/text mining (1) ·
Semi-Structured Interview (5) ·
Snowball sampling (1) ·
Structured Interview (2) ·
Survey Research (qualitative; e.g. consumer preferences) (9) ·
Survey Research (quantitative; e.g. sales/income reporting) (6) ·
Unstructured Interview (2)
Cluster analysis (1) ·
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (2) ·
Legal Analysis (4) ·
Qualitative Analysis Methods (9) ·
Qualitative Coding / Sorting (e.g. of interview data) (5) ·
Quantitative Analysis Methods (7) ·
Quantitative content analysis (e.g. text or data mining) (6) ·
Textual Content Analysis (10)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (13) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (6) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (5) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (2) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (7) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (12) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (7) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Art Market Professionals (1) ·
Collecting Societies (1) ·
Country (2) ·
Cultural Heritage Institutions (2) ·
Cultural Institutions (1) ·
Digital heritage practitioners (1) ·
Filmmakers (1) ·
Hour of audio (1) ·
Hour of video (1) ·
Individual (2) ·
Individual Staff (1) ·
Librarians / Library Staff (1) ·
Museum (1) ·
Museums (3) ·
National archive (1) ·
National library (1) ·
Organisations (1) ·
Provision (1) ·
Stakeholders (2)
Showing below up to 16 results in range #1 to #16.
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