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Buccafusco and Masur (2013)Buccafusco, Christopher, and Jonathan S. Masur. Innovation and Incarceration: An Economic Analysis of Criminal Intellectual Property Law. S. Cal. L. Rev. 87 (2013): 275.
Buccafusco, Burns, Fromer and Sprigman (2014)Buccafusco, C. J., Burns, Z. C., Fromer, J. C., & Sprigman, C. J. (2014). Experimental Tests of Intellectual Property Laws’ Creativity Thresholds. Texas Law Review, 93, 1921.
Buss and Peukert (2015)Buss, P., & Peukert, C. (2015). R&D outsourcing and intellectual property infringement. Research Policy, 44(4), 977-989.
Buxmann, Pohl, Johnscher and Strube (2005)Buxmann, P., Pohl, G., Johnscher, & P., Strube, J. (2005). Strategies for digital music markets: Pricing and the effectiveness of measures against pirate copies. Wirtschaftsinformatik, 47(2), 118-125.
Calzada and Gil (2016)Calzada, J., & Gil, R. (2016). What Do News Aggregators Do? Evidence from Google News in Spain and Germany.
Cantatore (2014)Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5.
Cave, Deegan and Heinink (2000)Cave, M., Deegan, M. and Heinink, L., 2000. Copyright clearance in the refugee studies centre digital library project. RLG DigiNews, 4(5).
Centre for Intellectual Property and Information Law (2016)Centre for Intellectual Property and Information Law (2016), Response to Article 11 of the Proposal for a Directive on Copyright in the Digital Single Market, entitled ‘Protection of press publications concerning digital uses’ on behalf of thirty seven professors and leading scholars of Intellectual Property, Information Law and Digital Economy
Chan and Lai (2011)Chan, R. Y. K. and Lai, J. W. M. 2011. Does Ethical Ideology Affect Software Piracy Attitude and Behaviour? An Empirical Investigation of Computer Users in China European Journal of Information Systems, 20, 659-673.
Charness and Daniela (2014)Charness, G., & Grieco, D. (2014). Creativity and Financial Incentives.
Cheliotis (2007)Cheliotis, G. (2007). Remix culture: an empirical analysis of creative reuse and the licensing of digital media in online communities.
Chen and Puttitanun (2005)Chen, Y., & Puttitanun, T. (2005). Intellectual Property Rights and Innovation in Developing Countries. Journal of Development Economics, 78(2), 474-493.
Chen, Shang and Lin (2008)Chen, Y. C., Shang, R. A., & Lin, A. K. (2008). The intention to download music files in a P2P environment: Consumption value, fashion, and ethical decision perspectives. Electronic Commerce Research and Applications, 7(4), 411-422.
Cheng, Sims and Teegen (1997)Cheng, H. K., Sims, R. R., & Teegen, H. (1997). To purchase or to pirate software: An empirical study. Journal of Management Information Systems, 13(4), 49-60.
Chiu, Hsieh and Wang (2008)Chiu, H. C., Hsieh, Y. C. and Wang, M. C. 2008. How to Encourage Customers to use Legal Software. Journal of Business Ethics, 80, 583-595.
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Corbett (2011)Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report.
Cuntz (2018)Cuntz, A. (, 2018). Creator’s Income Situation in the Digital Age. LIS Working Papers 755, LIS Cross-National Data Center in Luxembourg.
Cuntz (2020)Cuntz, A. (2020) Grand rights and opera reuse today. WIPO Economic Research Working Paper No.62
Cuntz and Bergquist (2020)