Brazil
From Copyright EVIDENCE
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Brazil is a country defined within the Copyright Evidence wiki.
The following studies include coverage of this country (18):
| Citation | |
|---|---|
| Andrés (2006b) | Andrés, A. R. (2006). Software piracy and income inequality. Applied Economics Letters, 13(2), 101-105. |
| BOP Consulting and DotEcon (2015) | BOP Consulting, DotEcon (2015). International Comparison of Approaches to Online Copyright Infringement: Final Report, commissioned by the Intellectual Property Office. |
| Branstetter, Fisman and Foley (2006) | Branstetter, L.G., Fisman, R., & Foley, C. F. (2006). Do stronger intellectual property rights increase international technology transfer? Empirical evidence from U.S. firm-level panel data. The Quarterly Journal of Economics, 121(1), 321-349. |
| Cuntz (2018) | Cuntz, A. (, 2018). Creator’s Income Situation in the Digital Age. LIS Working Papers 755, LIS Cross-National Data Center in Luxembourg. |
| Cuntz and Bergquist (2020) | |
| De Souza-Leão et al. (2019) | de Souza-Leão, A.L.M., Moura, B.M., de Santana, I.R.C., Nunes, W.K.S. and Henrique, V.M.R. (2019) Fans Make Art: Authoring and Creativity in the Production of Fanvideos. Studies on Emerging Countries, 4(24) pp 22-36 |
| Garcia-Álvarez, López-Sintas and Zerva (2009) | García‐Álvarez, E., López‐Sintas, J., & Zerva, K. (2009). A contextual theory of accessing music: Consumer behavior and ethical arguments. Consumption, Markets and Culture, 12(3), 243-264. |
| Giletti (2012) | Giletti, T., Why Pay if it’s Free? Streaming, Downloading and Digital Music Consumption in the “iTunes Era”, (2012) |
| Handke, Guibault and Vallbe (2015) | Handke, C., Guibault, L., & Vallbé, J. J. (2015). Is Europe Falling Behind in Data Mining? Copyright's Impact on Data Mining in Academic Research. Copyright's Impact on Data Mining in Academic Research (May 20, 2015). |
| Heald (2015) | Heald, P. J. (2015). How notice-and-takedown regimes create markets for music on YouTube: An empirical study. In Concepts of Music and Copyright: How Music Perceives Itself and How Copyright Perceives Music (pp. 195-209). Edward Elgar Publishing Ltd.. https://doi.org/10.4337/9781783478194.00013 |
| Hui and Png (2003) | Hui, K. L., & Png, I. (2003). Piracy and the legitimate demand for recorded music. Contributions in Economic Analysis & Policy, 2(1). |
| IFLA (2022) | IFLA. (2022). How well did copyright law serve libraries during COVID-19? |
| Moreno and Sepúlveda (2021) | Moreno, J. and Sepúlveda, R. (2021) Article 13 on social media and news media: disintermediation and reintermediation on the modern media landscape. Communication & Society 34(2), pp 141-157 |
| Palmedo (2019) | Palmedo, M. (2019) The Impact of Copyright Exceptions for Researchers on Scholarly Output. EfilJournal, 2(6). |
| Poort et al (2018) | Poort, J., Quintais, J.P., van der Ende, M., Yagafarova, A., and Haeraats, M. (2018) Global Online Piracy Study. |
| Quintais and Poort (2019) | Quintais, J. and Poort, J. (2019) The Decline of Online Piracy: How Markets – Not Enforcement – Drive Down Copyright Infringement. American University International Law Review, 34(4), pp. 807-876 |
| Van Kranenburg and Hogenbirk (2005) | van Kranenburg, H., & Hogenbirk, A. (2005). Multimedia, entertainment, and business software copyright piracy: A cross-national study. Journal of Media Economics, 18(2), 109-129. |
| Watt (2009) | Watt, Richard. An Empirical Analysis of the Economics of Copyright: How Valid are the Results of Studies in Developed Countries for Developing Countries?. The Economics of Intellectual Property (2009): 65. |
