Australia
From Copyright EVIDENCE
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Australia is a country defined within the Copyright Evidence wiki.
The following studies include coverage of this country (47):
| Citation | |
|---|---|
| Andrés (2006b) | Andrés, A. R. (2006). Software piracy and income inequality. Applied Economics Letters, 13(2), 101-105. |
| Asser Institute and IViR (2014) | T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012 |
| Attorney-General's Department (2008) | Attorney-General's Department (Australia), 2008, Review of copyright exceptions for private copying of photographs and films - final report, Attorney-General's Department (Australia) |
| Aufderheide et al. (2018) | Aufderheide, P., Pappalardo, K., Suzor, N. And Stevens, J. (2018) Calculating the consequences of narrow Australian copyright exceptions: Measurable, hidden and incalculable costs to creators. Poetics, 69, pp15-26. |
| Australian Law Reform Commission (2013) | ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf. |
| Banks and Humphreys (2008) | Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418. |
| Barker (2012b) | Barker, George Robert, 'Estimating the Economic Effects of Fair Use and Other Copyright Exceptions: A Critique of Recent Research in Australia, US, Europe and Singapore' (November 26, 2012). |
| Bechtold (2013) | Bechtold, S., 2013. The fashion of TV show formats. |
| Beekhuyzen, Von Hellens and Nielsen (2011) | Beekhuyzen, J., Von Hellens, L. and Nielsen, S. 2011. Underground online music communities: exploring rules for membership. Online Information Review, 35, 699-715. |
| Burgess and De Rosa (2017) | Burgess, M. and De Rosa, M. (2017) The Remuneration of Canadian Writers for Literary Works: A Benchmarking Study. A Report prepared for The Writers’ Union of Canada. Avaialble: https://www.writersunion.ca/sites/all/files/attachments/Study%20on%20Remuneration%20of%20Writers%20September%202017_0.pdf (last accessed: 3 June 2019) |
| Cantatore (2014) | Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5. |
| Corbett (2011) | Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report. |
| Creative Content Australia (2015) | Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults. |
| Danaher and Smith (2013) | Danaher, B., & Smith, M. D. (2014). Gone in 60 seconds: the impact of the Megaupload shutdown on movie sales. International Journal of Industrial Organization, 33, 1-8. |
| Danaher and Waldfogel (2012) | Danaher, B., & Waldfogel, J. (2012). Reel Piracy: The Effect of Online Film Piracy on International Box Office Sales. Available at SSRN 1986299. |
| Danbury (2016) | Danbury, R. (2016). Is an EU publishers’ right a good idea? Final report on the AHRC project: Evaluating potential legal responses to threats to the production of news in a digital era, https://www.cipil.law.cam.ac.uk/sites/www.law.cam.ac.uk/files/images/www.cipil.law.cam.ac.uk/documents/copyright_and_news/danbury_publishers_right_report.pdf |
| Dootson and Suzor (2015) | Dootson, P. and Suzor, N. (2015) The Game of Clones and the Australia Tax: Divergent Views about Copyright Business Models and the Willingness of Australian Consumers to Infringe. University of New South Wales Law Journal 38. |
| Erickson, Kretschmer and Mendis (2013) | Erickson, K., Kretschmer, M., & Mendis, D. (2013). Copyright and the Economic Effects of Parody: An Empirical Study of Music Videos on the YouTube Platform and an Assessment of the Regulatory Options. Intellectual Property Office Research Paper, (2013/24). |
| Giblin et al. (2019) | Giblin, R., Kennedy, J., Weatherall, K., Gilbert, D., Thomas, J. and Petitjean, F. (expected June 2019) Available – but not accessible? Investigating publisher e-lending licensing practices. Forthcoming, Information Research; Sydney Law School Research Paper No. 19/20. |
| Giblin et al. (2019b) | Giblin, R., Kennedy, J., Pelletier, C., Thomas, J., Weatherall, K.G., and Petitjean, F. (2019) What Can 100,000 Books Tell Us about the International Public Library e-lending Landscape? Sydney Law School Research Paper No. 19/21 |
| Handke, Guibault and Vallbe (2015) | Handke, C., Guibault, L., & Vallbé, J. J. (2015). Is Europe Falling Behind in Data Mining? Copyright's Impact on Data Mining in Academic Research. Copyright's Impact on Data Mining in Academic Research (May 20, 2015). |
| Hansen, Hinze, and Urban (2013) | Hansen, D. R., Hinze, G., & Urban, J. M. (2013). Orphan Works and the Search for Rightsholders: Who Participates in a'Diligent Search'under Present and Proposed Regimes?. Berkeley Digital Library Copyright Project, White Paper, (4) |
| Holt and Copes (2010) | Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654. |
| Hudson and Kenyon (2007) | Hudson, E. and Kenyon, A.T., 2007. Digital Access: The Impact of Copyright on Digitisation Practices in Australian Museums, Galleries, Libraries, and Archives. UNSWLJ, 30, p.12. |
| Hui and Png (2003) | Hui, K. L., & Png, I. (2003). Piracy and the legitimate demand for recorded music. Contributions in Economic Analysis & Policy, 2(1). |
| Humphreys, Fitzgerald, Banks, Suzor (2008) | Humphreys, S., Fitzgerald, B., Banks, J. and Suzor, N., 2005. Fan-based production for computer games: User-led innovation, the ‘Drift of Value’and intellectual property rights. Media International Australia Incorporating Culture and Policy, 114(1), pp.16-29. |
| Kretschmer (2012) | Kretschmer, M. (2012). Does Copyright Law Matter? An Empirical Analysis of Creators’ Earnings. An Empirical Analysis of Creators’ Earnings (May 21, 2012). |
| Kretschmer, Derclaye, Favale and Watt (2010) | Kretschmer, M., Derclaye, E., Favale, M., & Watt, R. (2010). A Review commissioned by the UK Strategic Advisory Board for Intellectual Property Policy (SABIP). Available at SSRN 2624945 |
| MacNeill (2016) | MacNeill, K. (2017) Torrenting Game of Thrones-So wrong and yet so right. Convergence: The International Journal of Research into New Media Technologies, Volume 23, Issue 5, p.545-p.562. Available at https:http://journals.sagepub.com.ezproxy.lib.gla.ac.uk/doi/pdf/10.1177/1354856516640713 |
| McKenzie (2009) | McKenzie, Jordi. (2009). Illegal music downloading and its impact on legitimate sales: Australian empirical evidence. Australian Economic Papers, 48(4), 296-307. |
| Palmedo (2019) | Palmedo, M. (2019) The Impact of Copyright Exceptions for Researchers on Scholarly Output. EfilJournal, 2(6). |
| Pappalardo, Aufderheide, Stevens, and Suzor (2017) | Pappalardo, K., Aufderheide, P., Stevens, J., and Suzor, N. (2017) Imagination foregone: A qualitative study of the reuse practices of Australian creators. Report produced for the Australian Digital Alliance. |
| Peukert, Claussen and Kretschmer (2015) | Peukert, C., Claussen, J. and Kretschmer, T., 2015. Piracy and box office movie revenues: Evidence from megaupload. Available at SSRN 2176246. |
| Phau and Liang (2012) | Phau, I., & Liang, J. (2012). Downloading digital video games: predictors, moderators and consequences. Marketing Intelligence & Planning, 30(7), 740-756. |
| Phau and Ng (2010) | Phau, I., & Ng, J. (2010). Predictors of usage intentions of pirated software. Journal of Business Ethics, 94(1), 23-37. |
| PricewaterhouseCoopers (2008) | Making the Intangible Tangible: The Economic Contribution of Australia's Copyright Industries, PricewaterhouseCoopers, http://web.archive.org/web/20101206161639/http://www.copyright.org.au/admin/cms-acc1/_images/13730910374c97f6ba497bf.pdf (2008). |
| PricewaterhouseCoopers (2015) | The Economic Contribution of Australia's Copyright Industries 2002-2014, PricewaterhouseCoopers (2015) |
| PricewaterhouseCoopers (2016) | PricewaterhouseCoopers Australia Report 'Understanding the costs and benefits of introducing a ‘fair use’ exception', 2016. |
| Seng (2009) | Seng, D. (2009). WIPO study on the copyright exceptions for the benefit of educational activities for Asia and Australia. Geneva: WIPO. Retrieved, 13(07), 2010. |
| Tan (2014) | Tan, C.H.Y. (2014) Terms of Service on Social Media Sites. 19(2) Media and Arts Law Review, 195-220 |
| Tan (2015) | Tan, C.H.Y. (2015) Technological “Nudges” and Copyright on Social Media Sites. IPQ Issue 1. |
| Throsby (2008) | Throsby, C. D. (2008). Creative Australia: The arts and culture in Australian work and leisure. Academy of the Social Sciences in Australia. |
| Throsby and Petetskya (2017) | Throsby, D. And Petetskaya, K. (2017) Making Art Work: An Economic Study of Professional Artists in Australia. A report commissioned by the Australia Council. |
| Throsby and Zednik (2010) | Throsby, David, and Anita Zednik. Do you really expect to get paid?: an economic study of professional artists in Australia. (2010). |
| Throsby, Zwar and Crosby (2015) | Throsby, Zwar and Crosby (2015) The Australian Book Industry: Authors, publishers and readers. Available: http://www.businessandeconomics.mq.edu.au/our_departments/Economics/econ_research/reach_network/book_project/about (last accessed: 11 June 2019) |
| Throsby, Zwar and Morgan (2018) | Throsby, D., Zwar, J. And Morgan, C. (2018) Australian book publishers in the global industry: survey method and results. Research paper 1/2018 (February 2018). |
| Watt (2009) | Watt, Richard. An Empirical Analysis of the Economics of Copyright: How Valid are the Results of Studies in Developed Countries for Developing Countries?. The Economics of Intellectual Property (2009): 65. |
