K0: General

From Copyright EVIDENCE
Disciplines
A full list of disciplines is available here

K0: General is a discipline defined within the Copyright Evidence wiki. It is based on the JEL Discipline Classification System.

The following studies are coded as being associated with this discipline (15):

 Citation
Buccafusco and Heald (2012)Buccafusco, C., & Heald, P. J. (2012). Do Bad Things Happen When Works Enter the Public Domain: Empirical Tests of Copyright Term Extension. Berkeley Tech. LJ, 28, 1.
Derclaye (2014)Derclaye, E. (2014). Do patents, trademarks and designs foster happiness in developed countries? An empirical analysis. International Journal of Happiness and Development, 1(4), 357-368.
Graham (2016)Rumi Graham,'An Evidence-Informed Picture of Course-Related Copying', College & Research Libraries, Vol 77, No 3 (2016), p.335-358. Available under: https://crl.acrl.org/index.php/crl/article/view/16513.
Haveman and Kluttz (2014)Daniel N. Kluttz, Heather A. Haveman, 'Copyright Law and the American Magazine Industry' (February 1, 2014). Available at: http://irle.berkeley.edu/property-in-print-copyright-law-and-the-american-magazine-industry/
Heald (2014c)Heald, P. J. (2014). How Notice-and-Takedown Regimes Create Markets for Music on Youtube: An Empirical Study. UMKC L. Rev., 83, 313.
Heald (2017a)Heald, Paul J., Copyright Reversion to Authors (and the Rosetta Effect): An Empirical Study of Reappearing Books (December 8, 2017). Available at SSRN: https://ssrn.com/abstract=3084920 or http://dx.doi.org/10.2139/ssrn.3084920
Heald, Shi, Stoiber and Zheng (2012a)Heald, Paul J. and Shi, Peibei and Stoiber, Jeffrey and Zheng, Qingyao, More Music in Movies: What Box Office Data Reveals About the Availability of Public Domain Songs in Movies from 1968-2008 (December 12, 2012). Review of Economic Research on Copyright Issues, Vol. 9, No. 2, pp. 31-54, 2012; Illinois Public Law Research Paper No. 11-23.
Kawohl and Kretschmer (2003)Kawohl, F., & Kretschmer, M. (2003). Abstraction and Registration: Conceptual innovations and supply effects in Prussian and British copyright (1820-50). Intellectual Property Quarterly, 2(2), 209-228.
Liebowitz (2006b)Liebowitz, S. J. (2006). File Sharing: Creative Destruction or Just Plain Destruction?*. Journal of Law and Economics, 49(1), 1-28.
MacNeill (2016)MacNeill, K. (2017) Torrenting Game of Thrones-So wrong and yet so right. Convergence: The International Journal of Research into New Media Technologies, Volume 23, Issue 5, p.545-p.562. Available at https:http://journals.sagepub.com.ezproxy.lib.gla.ac.uk/doi/pdf/10.1177/1354856516640713
Oberholzer-Gee and Strumpf (2007)Oberholzer‐Gee, F., & Strumpf, K. (2007). The effect of file sharing on record sales: An empirical analysis. Journal of political economy, 115(1), 1-42.
Oliar and Matich (2014)Oliar, D., & Matich, N. (2014). Copyright Preregistration: Evidence and Lessons from the First Seven Years, 2005-2012.
Png and Wang (2006)Png, I. P., & Wang, Q. H. (2009). Copyright Duration and the Supply of Creative Work: Evidence from the Movies. Manuscript, National University of Singapore.
Rooij, Fine, Yanyan and Wu (2015)Van Rooij, B., Wu, Y., & Fine, A. D. (2014). Piracy by Approval Social Norms, Deterrence, and Copyright Compliance in China. UC Irvine School of Law Research Paper, (2015-03).
Sag (2014)Sag, M. (2014). Copyright Trolling, An Empirical Study. Iowa Law Review, Forthcoming.