O34: Intellectual Property and Intellectual Capital

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O34: Intellectual Property and Intellectual Capital is a discipline defined within the Copyright Evidence wiki. It is based on the JEL Discipline Classification System.

The following studies are coded as being associated with this discipline (634):

 Citation
Acilar (2010)Acılar, A. (2010). Demographic Factors Affecting Freshman Students' Attitudes towards Software Piracy: An Empirical Study. Issues in Informing Science and Information Technology, 7, 321-328.
Acilar and Aydemir (2010)Acilar, A., & Aydemir, M. (2010). Students' Attitudes Towards Software Piracy-The Gender Factor: A Case of a Public University in an Emerging Country. In The Eleventh ETHICOMP International Conference on the Social and Ethical Impacts of Information and Communication Technology.
Adu and van der Walt (2021)Adu, T.L. and van der Walt, T.B. (2021) Effects of awareness of user rights on compliance with copyright laws and policies in academic libraries. The Journal of Academic Librarianship, 47(4)
Adum et al. (2019)Adum, A.N., Ekwenchi, O., Odogwu, E., and Umeh, K. (2019) Awareness of Copyright Laws among Select Nigerian University Students. 86 Journal of Law, Policy and Globalization 183
Aguiar and Waldfogel (2014)Aguiar, Luis, and Joel Waldfogel. Digitization, Copyright, and the Welfare Effects of Music Trade. Copyright, and the Welfare Effects of Music Trade (December 3, 2014) (2014).
Aguiar, Claussen and Peukert (2018)Aguiar, L., Claussen, J. And Peukert, C. (2018) Catch Me if You Can: Effectiveness and Consequences of Online Copyright Enforcement. Information Systems Research, 29(3), pp 656-678
Aguilar (2017)Aguilar, A. (2017) Distributed Ownership in Music: Between Authorship and Performance. Social & Legal Studies, 27(6), pp776-798
Aguilar (2019)Aguilar, A. (2019) We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform. JIPITEC 9 (2)
Aguilar (2019a)Aguilar, A. (2019) The collective management of performers’ rights in the UK: a story of competing interests. Scripted 16(1) DOI: 10.2966/scrip.160119.4
Ahlert, Marsden and Yung (N.D.)Ahlert, C., Marsden, C., & Yung, C. (2004). How ‘Liberty’ Disappeared from Cyberspace: The Mystery Shopper Tests Internet Content Self-Regulation. Retrieved from http://pcmlp.socleg.ox.ac.uk/sites/pcmlp.socleg.ox.ac.uk/files/liberty.pdf
Ahn and Yooney (2008)Ahn, Illtae, and Kiho Yoon. On the impact of digital music distribution. CESifo Economic Studies 55.2 (2009): 306-325.
Akbulut and Donmez (2018)Akbulut, Y. and Donmez, O. (2018) Predictors of digital piracy among Turkish undergraduate students. Telematics and Informatics, Volume 35, Issue 5, pp1324-1334
Akerlof, Hahn and Litan (2002)Akerlof, G. A., Arrow, K. J., Bresnahan, T., Buchanan, J. M., Coase, R., Cohen, L. R. & Hemphill, C. S. (2002). The copyright term extension act of 1998: An economic analysis. Washington DC: AEI-Brookings Joint Center for Regulatory Studies.
Akester (2009)Akester, P. (2009). Technological accommodation of conflicts between freedom of expression and DRM: the first empirical assessment. Available at SSRN 1469412.
Akmon (2010)Akmon, D. (2010). Only with your permission: how rights holders respond (or don’t respond) to requests to display archival materials online. Archival Science, 10(1), 45-64.
Al-Rafee and Rouibah (2010)Al-Rafee, S., & Rouibah, K. (2010). The fight against digital piracy: An experiment. Telematics and Informatics, 27(3), 283-292.
Albinsson (2013)Albinsson, S. (2013) Swings and roundabouts: Swedish music copyrights 1980 - 2009. Journal of Cultural Economics 37, 175 - 184
Aleassa, Pearson and McClurg (2011)Aleassa, H., Pearson, J. M., & McClurg, S. (2011). Investigating software piracy in Jordan: An extension of the theory of reasoned action. Journal of Business Ethics, 98(4), 663-676.
Allen (2012)Allen, N. (2012) Art Museum Images in Scholarly Publishing. Texas: Connexions.
Andembubtob, Apuru and Ezra (2020)Andembubtob, D.R., Apuru, J.I. and Ezra, S.D. (2020) Software Piracy in Nigeria. Asian Journal of Research in Computer Science 6(1)
Andersen and Frenz (2010)Andersen, B. and Frenz, M. 2010. Don't Blame the P2P File-Sharers: The Impact of Free Music Downloads on the Purchase of Music CDs in Canada. Journal of Evolutionary Economics, 20, 715-740.
Andrés (2006a)Andrés, A. R. (2006). The relationship between copyright software protection and piracy: Evidence from Europe. European Journal of Law and Economics, 21(1), 29-51.
Andrés (2006b)Andrés, A. R. (2006). Software piracy and income inequality. Applied Economics Letters, 13(2), 101-105.
Angelopoulos (2012)Angelopoulos, C. (2012). The myth of European term harmonisation: 27 public domains for the 27 member states. International Review of Intellectual Property and Competition Law (2012) Vol, 43, 567-594.
Arai and Kinukawa (2014)Arai, Y. and Kinukawa, S., 2014. Copyright infringement as user innovation. Journal of Cultural Economics, 38(2), pp.131-144.
Armstrong, De Beer, Kawooya, Prabhala, Schonwetter (2010)C. Armstrong, J De Beer, D Kawooya, A Prabhala, T Schonwetter. (2010). Access to knowledge in Africa. The role of copyright. UCT Press, South Africa
Arnold, Darmon, Dejean and Penard (2014)Arnold M. A., Darmon E., Dejean S. and Penard T., Graduated Response Policy and the Behaviour of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law (2014)
Asser Institute and IViR (2014)T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012
Astle and Muir (2002)Astle, P.J. and Muir, A., 2002. Digitization and preservation in public libraries and archives. Journal of Librarianship and Information Science, 34(2), pp.67-79.
Athey, Mobius and Pal (2017)Athey, S., Mobius, M. M., & Pál, J. (2017). The Impact of Aggregators on Internet News Consumption.
Attorney-General's Department (2008)Attorney-General's Department (Australia), 2008, Review of copyright exceptions for private copying of photographs and films - final report, Attorney-General's Department (Australia)
Aufderheide and Jaszi (2004)Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers.
Aufderheide and Sinnreich (2015)Aufderheide, P., & Sinnreich, A. (2015). Documentarians, fair use, and free expression: changes in copyright attitudes and actions with access to best practices. Information, Communication & Society, (ahead-of-print), 1-10.
Aufderheide et al. (2013)Aufderheide, P., Jaszi, P., Bieze, K. and Boyles, J. (2013) Copyright, Free Speech, and the Public's Right to Know: How Journalists Think About Fair Use. Journalism Studies, 14(6)
Aufderheide et al. (2018)Aufderheide, P., Pappalardo, K., Suzor, N. And Stevens, J. (2018) Calculating the consequences of narrow Australian copyright exceptions: Measurable, hidden and incalculable costs to creators. Poetics, 69, pp15-26.
Aufderheide, Milosevic and Bello (2015)Aufderheide, P., Milosevic, T., & Bello, B. (March 11, 2015). The Impact of Copyright Permissions Culture on the U.S. Visual Arts Community: The Consequences of Fear of Fair Use. New Media & Society.
Aufderheide, Sinnreich, Imperiale, and Silvernail (2016)Aufderheide, P., Sinnreich, A., Imperiale, L., Silvernail, C. (2016). Norms-Shifting on Copyright and Fair Use in The Visual Arts Community. Visual Arts Review (Winter 2018).
Australian Law Reform Commission (2013)ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf.
Bae and Choi (2006)Bae, Sang Hoo, and Jay Pil Choi. A model of piracy. Information Economics and Policy 18.3 (2006): 303-320.
Baghestan et al. (2019)Abbas Ghanbari Baghestan, Hadi Khaniki, Abdolhosein Kalantari, Mehrnoosh Akhtari-Zavare, Elaheh Farahmand, Ezhar Tamam, Nader Ale Ebrahim, Havva Sabani and Mahmoud Danaee (2019) A Crisis in “Open Access”: Should Communication Scholarly Outputs Take 77 Years to Become Open Access? SAGE Open 9(3)
Baker and Cunningham (2006)Baker, M., & Cunningham, B. (2006). Court decisions and equity markets: Estimating the value of copyright protection. Journal of Law and Economics 49(2), 567-596.
Balganesh, Manta and Wilkinson-Ryan (2014)Balganesh, S., Manta, I., & Wilkinson-Ryan, T. (2014). Judging similarity. 100 Iowa Law Review 267; University of Pennsylvania Law School, Public Law Research Paper No. 14-15; Hofstra Univ. Legal Studies Research Paper No. 2014-09. Available at SSRN 2409811.
Ballon and Westermann (2006)Ballon, H. and Westermann, M. (2006) Art History and Its Publications in the Electronic Age. Texas: Connexions.
Banerjee, Khalid and Sturm (2005)Banerjee, D., Khalid, A. M., & Sturm, J. E. (2005). Socio-economic development and software piracy. An empirical assessment. Applied Economics, 37(18), 2091-2097.
Banks and Humphreys (2008)Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418.
Bar-Ziv (2021)Bar-Ziv, S. (2021). A content analysis approach to intellectual property research. In I. Calboli & M. L. Montagnani (Eds.), Handbook on Intellectual Property Research (pp. 31-46). Oxford University Press.
Bar-Ziv and Elkin-Koren (2018)Bar-Ziv, S. and Elkin-Koren, N. (2018) Behind the Scenes of Online Copyright Enforcement: Empirical Evidence on Notice & Takedown. Connecticut Law Review, Vol. 50(2).
Batikas, Claussen and Peukert (2019)Batikas, M., Claussen, J., & Peukert, C. (2019). Follow the money: Online piracy and self-regulation in the advertising industry. International Journal of Industrial Organization, 65, 121-151.
Beard, Ford and Stern (2018)Beard, T.R., Ford, G.S., and Stern, M. (2018) Safe Harbours and the Evolution of Online Platform Markets: An Economic Analysis. 36 Cardozo Arts & Ent. L.J. 309
Bechtold (2013)Bechtold, S., 2013. The fashion of TV show formats.
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