Qualitative Coding / Sorting (e.g. of interview data)

From Copyright EVIDENCE
Methods
Methodology (Collection)
Methodology (Analysis)

Qualitative Coding / Sorting (e.g. of interview data) is a qualitative method defined within the Copyright Evidence wiki.


The following studies use this method for data analysis (138):

 Citation
Aguilar (2017)Aguilar, A. (2017) Distributed Ownership in Music: Between Authorship and Performance. Social & Legal Studies, 27(6), pp776-798
Aguilar (2019a)Aguilar, A. (2019) The collective management of performers’ rights in the UK: a story of competing interests. Scripted 16(1) DOI: 10.2966/scrip.160119.4
Akester (2009)Akester, P. (2009). Technological accommodation of conflicts between freedom of expression and DRM: the first empirical assessment. Available at SSRN 1469412.
Al-Rafee and Dashti (2012)Al-Rafee, S., & Dashti, A. E. (2012). A Cross Cultural Comparison of the Extended TPB: The Case of Digital Piracy. Journal of Global Information Technology Management, 15(1), 5-24.
Allen (2012)Allen, N. (2012) Art Museum Images in Scholarly Publishing. Texas: Connexions.
Altschuller and Benbunan-Fich (2009)Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56.
Asser Institute and IViR (2014)T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012
Aufderheide et al. (2018)Aufderheide, P., Pappalardo, K., Suzor, N. And Stevens, J. (2018) Calculating the consequences of narrow Australian copyright exceptions: Measurable, hidden and incalculable costs to creators. Poetics, 69, pp15-26.
Aufderheide, Milosevic and Bello (2015)Aufderheide, P., Milosevic, T., & Bello, B. (March 11, 2015). The Impact of Copyright Permissions Culture on the U.S. Visual Arts Community: The Consequences of Fear of Fair Use. New Media & Society.
Aufderheide, Sinnreich, Imperiale, and Silvernail (2016)Aufderheide, P., Sinnreich, A., Imperiale, L., Silvernail, C. (2016). Norms-Shifting on Copyright and Fair Use in The Visual Arts Community. Visual Arts Review (Winter 2018).
Australian Law Reform Commission (2013)ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf.
Bar-Ziv (2021)Bar-Ziv, S. (2021). A content analysis approach to intellectual property research. In I. Calboli & M. L. Montagnani (Eds.), Handbook on Intellectual Property Research (pp. 31-46). Oxford University Press.
Beebe (2008)Beebe, B. (2008). An empirical study of US copyright fair use opinions, 1978-2005. University of Pennsylvania Law Review, 549-624.
Beekhuyzen, Von Hellens and Nielsen (2011)Beekhuyzen, J., Von Hellens, L. and Nielsen, S. 2011. Underground online music communities: exploring rules for membership. Online Information Review, 35, 699-715.
Benson and Stitzlein (2019)Benson, S.R. and Stitzlein, H. (2019) Copyright and Digital Collections: A Data Driven Roadmap for Rights Statement Success. ACRL 2019 Proceedings.
Bmrb Social Research (2009)BMRB Social Research. (2009). Future copyright development. Intellectual Property Office, UK.
Brassell and Goodyer (2015)Brassell, M. & Goodyer, I. (2015) Penalty Fair? Study of criminal sanctions for copyright infringement available under the CDPA 1988. IPO, 2015
Bryce and Rutter (2005)Bryce, J., & Rutter, J. (2005). Fake Nation? A study into an everyday crime. The Intellectual Property Theft and Organised Crime research project, UK.
Brøvig-Hanssen and Jones (2021)Brøvig-Hanssen, R., & Jones, E. (2021). Remix’s retreat? Content moderation, copyright law and mashup music. New Media & Society. https://doi.org/10.1177/14614448211026059
Buccafusco and Garcia (2021)Buccafusco, C. and Garcia, K. (2021) Pay-to-Playlist: The Commerce of Music Streaming. 12 UC Irvine L. Rev (forthcoming 2021)
Butler, Aufderheide, Jaszi and Cox (2019)Butler, B., Aufderheide, P., Jaszi, P., & Cox, K. (2019). Cracking the Copyright Dilemma in Software Preservation: Protecting Digital Culture through Fair Use Consensus? Journal of Copyright in Education and Librarianship, 3(3), 1-23.
Campagnolo et al. (2018)Campagnolo, G.M., Giannatou, E., Franklin, M., Stewart, J., and Williams, R. (2018) Revolution remixed? The emergence of Open Content Film-making as a viable component within the mainstream film industry. Information, Communication and Society, pp1-18. ISSN 1369-118X
Cantatore (2014)Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5.
Cenite, Wang, Peiwen and Chan (2009)Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221.
Cockrill and Goode (2012)Cockrill, A., & Goode, M. M. (2012). DVD Pirating Intentions: Angels, Devils, Chancers and Receivers. Journal of Consumer Behaviour, 11(1), 1-10.
Collections Trust (2015)Collections Trust (2015) Striking the Balance: How NMDC members are balancing public access and commercial reuse of digital content. A report by the Collections Trust commissioned by the NMDC <https://www.nationalmuseums.org.uk/media/documents/publications/striking_the_balance.pdf> (accessed 6 January 2022)
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Danbury (2016)Danbury, R. (2016). Is an EU publishers’ right a good idea? Final report on the AHRC project: Evaluating potential legal responses to threats to the production of news in a digital era, https://www.cipil.law.cam.ac.uk/sites/www.law.cam.ac.uk/files/images/www.cipil.law.cam.ac.uk/documents/copyright_and_news/danbury_publishers_right_report.pdf
Danna, Martinelli and Nuvolari (2021)Danna, R.; Martinelli, A. and Nuvolari, A. (2021) D4.6. Interim report on negative space of EU creative industries <https://doi.org/10.5281/zenodo.5069616> (Zenodo 5 July 2021) last accessed 7 December 2021
Darling (2014)Darling, K. (2014) What drives IP without IP? A study of the online adult entertainment industry. 17 Stan. Tech. L. Rev. 655
De Souza-Leão et al. (2019)de Souza-Leão, A.L.M., Moura, B.M., de Santana, I.R.C., Nunes, W.K.S. and Henrique, V.M.R. (2019) Fans Make Art: Authoring and Creativity in the Production of Fanvideos. Studies on Emerging Countries, 4(24) pp 22-36
Denoyelle et al (2018)Denoyelle, M., Durand, K., Daniel, J. and Doulkaridou-Ramantani, E. (2018) Image rights, art history and society. Report presented to the Foundation de France <https://www.inha.fr/fr/recherche/le-departement-des-etudes-et-de-la-recherche/domaines-de-recherche/programmes-en-cours/images-usages.html> (accessed 7 January 2022)
Dholakiya et al. (2014)Dholakiya, K., Mustapha, N., Niu, B. And Yang, A. (2014) A Micro-Level Examination of Content Takedown’s Consequences. CSCW 14 February 15-19, Baltimore, Maryland, USA.
Dootson and Suzor (2015)Dootson, P. and Suzor, N. (2015) The Game of Clones and the Australia Tax: Divergent Views about Copyright Business Models and the Willingness of Australian Consumers to Infringe. University of New South Wales Law Journal 38.
Doseva, Schmid-Petri, Schillmöller, Heckmann (2022)Doseva, S. & Schmid-Petri, H. & Schillmöller, J. & Heckmann, D. (2022). Uploaders' perceptions of the German implementation of the EU copyright reform and their preferences for copyright regulation. Internet Policy Review, 11(4).
Dryden (2008)Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto).
Erickson (2018)Erickson, K. (2018) Can creative firms thrive without copyright? Value generation and capture from private-collection innovation. Business Horizons, 61:5, pp699-709
Erickson and Kretschmer (2019)Erickson, K. And Kretschmer, M. (2019) Empirical Approaches to Intermediary Liability in THE OXFORD HANDBOOK OF INTERMEDIARY LIABILITY ONLINE (ed. Giancarlo Frosio), Oxford University Press, Forthcoming
Erickson, Heald, Homberg, Kretschmer and Mendis (2015)Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper.
Erickson, Kretschmer and Mendis (2019)Erickson, K., Kretschmer, M. and Mendis, D. (2019) “An Empirical Approach to the Public Domain” in Drexl, J. and Kamperman, J. Sanders (Eds.) The Innovation Society and Intellectual Property, Cheltenham: Edward Elgar
European Commission (2016)European Commission (2016) Synopsis Report on the Public Consultation on the Regulatory Environment for Platforms, Online Intermediaries and the Collaborative Economy,
European Union Intellectual Property Office (2016)European Union Intellectual Property Office (2016). Intellectual Property and Youth.
Fagundes and Perzanowski (2019)Fagundes, D. And Perzanowski, A. (2019) Clown Eggs. Notre Dame Law Review, 94(3).
Fauchart and Hippel (2006)Fauchart, E., & Von Hippel, E. (2008). Norms-based intellectual property systems: The case of French chefs. Organization Science, 19(2), 187-201.
Favale (2020)Favale, M. (2021). "The Role of the Court of Justice in the Development of EU Copyright Law: an Empirical Experience". In EU Copyright Law. Cheltenham, UK: Edward Elgar Publishing. doi: https://doi.org/10.4337/9781786437808.00039
Favale, Kretschmer and Torremans (2016)Favale, M., Krestschmer, M., and Torremans, P.C. (2016) Is there an EU copyright jurisprudence? An empirical analysis of the workings of the European Court of Justice. Modern Law Review, 79(1): 31-75 (January 2016)
Favale, Kretschmer and Torremans (2018)Favale, M., Kretschmer, M., and Torremans, P.L.C. (2018) Who Is Steering the Jurisprudence of the European Court of Justice? The Influence of Member State Submissions on Copyright Law Available at SSRN: https://ssrn.com/abstract=3116703 or http://dx.doi.org/10.2139/ssrn.3116703
Fiesler (2018)Fiesler, C. (2018) Everything I Needed to Know: Empirical Investigations of Copyright Norms in Fandom. IDEA - The Law Review of the Franklin Pierce Centre for Intellectual Property. 59(1), pp 65 - 87
Fiesler (2020)Fiesler, C. (2020) Lawful Users: Copyright Circumvention and Legal Constraints on Technology Use. Available: https://cmci.colorado.edu/~cafi5706/CHI2020_DMCA_Fiesler.pdf (last accessed: 17 February 2020)
Fiesler and Bruckman (2019)Fiesler, C. and Bruckman, A. (2019) Creativity, Copyright, and Close-Knit Communities: A Case Study of Social Norm Formation and Enforcement. Proc. ACM Hum.-Comput. Interact., 3,
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