Qualitative Coding / Sorting (e.g. of interview data)

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Methods
Methodology (Collection)
Methodology (Analysis)

Qualitative Coding / Sorting (e.g. of interview data) is a qualitative method defined within the Copyright Evidence wiki.


The following studies use this method for data analysis (79):

 Citation
Al-Rafee and Dashti (2012)Al-Rafee, S., & Dashti, A. E. (2012). A Cross Cultural Comparison of the Extended TPB: The Case of Digital Piracy. Journal of Global Information Technology Management, 15(1), 5-24.
Altschuller and Benbunan-Fich (2009)Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56.
Asser Institute and IViR (2014)T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012
Aufderheide, Pappalardo, Suzor, and Stevens (2018)Aufderheide, P., Pappalardo, K., Suzor, N., and Stevens, J. (2018) Calculating the consequences of narrow Australian copyright exceptions: Measurable, hidden and incalculable costs to creators. Poetics.
Australian Law Reform Commission (2013)ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf.
Beebe (2008)Beebe, B. (2008). An empirical study of US copyright fair use opinions, 1978-2005. University of Pennsylvania Law Review, 549-624.
Beekhuyzen, Von Hellens and Nielsen (2011)Beekhuyzen, J., Von Hellens, L. and Nielsen, S. 2011. Underground online music communities: exploring rules for membership. Online Information Review, 35, 699-715.
Bmrb Social Research (2009)BMRB Social Research. (2009). Future copyright development. Intellectual Property Office, UK.
Brassell and Goodyer (2015)Brassell, M. & Goodyer, I. (2015) Penalty Fair? Study of criminal sanctions for copyright infringement available under the CDPA 1988. IPO, 2015
Bryce and Rutter (2005)Bryce, J., & Rutter, J. (2005). Fake Nation? A study into an everyday crime. The Intellectual Property Theft and Organised Crime research project, UK.
Campagnolo et al. (2018)Campagnolo, G.M., Giannatou, E., Franklin, M., Stewart, J., and Williams, R. (2018) Revolution remixed? The emergence of Open Content Film-making as a viable component within the mainstream film industry. Information, Communication and Society, pp1-18. ISSN 1369-118X
Cantatore (2014)Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5.
Cenite, Wang, Peiwen and Chan (2009)Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221.
Cockrill and Goode (2012)Cockrill, A., & Goode, M. M. (2012). DVD Pirating Intentions: Angels, Devils, Chancers and Receivers. Journal of Consumer Behaviour, 11(1), 1-10.
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Danbury (2016)Danbury, R. (2016). Is an EU publishers’ right a good idea? Final report on the AHRC project: Evaluating potential legal responses to threats to the production of news in a digital era, https://www.cipil.law.cam.ac.uk/sites/www.law.cam.ac.uk/files/images/www.cipil.law.cam.ac.uk/documents/copyright_and_news/danbury_publishers_right_report.pdf
Dobusch and Quack (2012)Dobusch, L., & Quack, S. (2013). Framing standards, mobilizing users: Copyright versus fair use in transnational regulation. Review of International Political Economy, 20(1), 52-88.
Dootson and Suzor (2015)Dootson, P. and Suzor, N. (2015) The Game of Clones and the Australia Tax: Divergent Views about Copyright Business Models and the Willingness of Australian Consumers to Infringe. University of New South Wales Law Journal 38.
Dryden (2008)Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto).
Erickson (2018)Erickson, K. (2018) Can creative firms thrive without copyright? Value generation and capture from private-collection innovation. Business Horizons, 61:5, pp699-709
Erickson, Heald, Homberg, Kretschmer and Mendis (2015)Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper.
European Commission (2016)European Commission (2016) Synopsis Report on the Public Consultation on the Regulatory Environment for Platforms, Online Intermediaries and the Collaborative Economy,
European Union Intellectual Property Office (2016)European Union Intellectual Property Office (2016). Intellectual Property and Youth.
Fauchart and Hippel (2006)Fauchart, E., & Von Hippel, E. (2008). Norms-based intellectual property systems: The case of French chefs. Organization Science, 19(2), 187-201.
Favale, Kretschmer and Torremans (2016)Favale, M., Krestschmer, M., and Torremans, P.C. (2016) Is there an EU copyright jurisprudence? An empirical analysis of the workings of the European Court of Justice. Modern Law Review, 79(1): 31-75 (January 2016)
Favale, Kretschmer and Torremans (2018)Favale, M., Kretschmer, M., and Torremans, P.L.C. (2018) Who Is Steering the Jurisprudence of the European Court of Justice? The Influence of Member State Submissions on Copyright Law Available at SSRN: https://ssrn.com/abstract=3116703 or http://dx.doi.org/10.2139/ssrn.3116703
Fiesler, Feuston and Bruckman (2015)Fiesler, C., Feuston, J. L., & Bruckman, A. S. (2015, February). Understanding Copyright Law in Online Creative Communities. In Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing (pp. 116-129). ACM.
Fiesler, Lampe, and Bruckman (2016)Fiesler, C, Lampe, C, Bruckman, A (2016) “Reality and Perception of Copyright Terms of Service for Online Content Creation” CSCW ’16 Proceedings of the 19th ACM Conference on Computer-Supported Cooperative Work & Social Computing, pp1450-1461
Flynn and Palmedo (2017)Flynn, S. and Palmedo, M. (2017) The User Rights Database: Measuring the Impact of Copyright Balance. Available at SSRN: https://ssrn.com/abstract=3082371 or http://dx.doi.org/10.2139/ssrn.3082371
Gallagher (2012)Gallagher, W. T. (2012). Trademark and copyright enforcement in the shadow of IP law. Santa Clara Computer and High Technology Law Journal, 28.
Garcia-Bardidia, Nau and Remy (2011)Garcia-Bardidia, R., Nau, J. P., & Rémy, E. (2011). Consumer Resistance and Anti-Consumption: Insights from the Deviant Careers of French Illegal Downloaders. European Journal of Marketing, 45(11/12), 1789-1798.
GfK Belgium (2015)GfK Belgium, Provision of two online consumer surveys as support and evidence base to a Commission study: Identifying the main cross-border obstacles to the Digital Single Market and where they matter most
Graham and Winter (2017)Graham, R. and Winter, C. (2017) What Happened After the 2012 Shift in Canadian Copyright Law? An Updated Survey on How Copyright is Managed across Canadian Universities. Evidence Based Library and Information Practice, 12:3
Greenhalgh, Phillips, Pitkethly, Rogers and Tomalin (2010)Greenhalgh, C., Philips, J., Pitkethly, R., Rogers, M., & Tomalin, J. (2010). Intellectual Property Enforcement in Smaller UK Firms. Report for the Strategy Advisory Board for Intellectual Property Policy (SABIP).
Guibault, Westkamp and Rieber-Mohn (2007)Guibault et al., Study on the Implementation and Effect in Member States’ Laws of Directive 2001/29/EC on the Harmonisation of Certain Aspects of Copyright and Related Rights in the Information Society (2007)
Hagedoorn and Ridder (2012)Hagedoorn, J., & Ridder, A. K. (2012). Open innovation, contracts, and intellectual property rights: an exploratory empirical study.
Hazucha, Liu and Watabe (2013)Hazucha, B., Liu, H. and Watabe, T, Copyright, Technological Protection Measures and Their Acceptance by Consumers in Japan, SERCI Annual Congress Conference Paper (2013).
Hill (2013)Hill, B. M. (2013). Almost Wikipedia: Eight Early Encyclopedia Projects and the Mechanisms of Collective Action.
Holt and Copes (2010)Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654.
Hooper and Lynch (2012a)Hooper, R., & Lynch, R. (2012). Rights and wrongs: Is copyright licensing fit for purpose for the digital age? The first report of the Digital Copyright Exchange feasibility study, IPO.
Hooper and Lynch (2012b)Hooper, R., & Lynch, R. (2012). Copyright works: Streamlining copyright licensing for the digital age. Intellectual Property Office: Newport.
Hudson and Kenyon (2007)Hudson, E. and Kenyon, A.T., 2007. Digital Access: The Impact of Copyright on Digitisation Practices in Australian Museums, Galleries, Libraries, and Archives. UNSWLJ, 30, p.12.
Hunt, Williams, Nicholas and Rowlands (2009)Hunt, R., Williams, P., Nicholas, D., & Rowlands, I. (2009). Copycats? Digital consumers in the online age.
IHS Technology (2015)IHS Technology, Current Market and Technology Trends in the Broadcasting Sector, WIPO Standing Committee on Copyright and Related Rights, SCCR/30/5(Jun. 2015)
Intellectual Property Office (2016b)Intellectual Property Office (2016), Government Response to the further consultation and technical review on changes to Section 72 of the Copyright, Designs and Patents Act 1988 (which permits the free public showing or playing of a film contained in a broadcast).
Kartas and Goode (2012)Kartas, A and Goode, S (2012) Use, perceived deterrence and the role of software piracy in video game console adoption. Information Systems Frontiers, Volume 14(2), pp 261 - 277
Kheria (2013)Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4).
Kretschmer and Hardwick (2007)Kretschmer, M., & Hardwick, P. (2007). Authors’ earnings from copyright and non-copyright sources: A survey of 25,000 British and German writers. Bournemouth University Centre for Intellectual Property Policy & Management (CIPPM). 
Available at SSRN 2619649
Lee (2018)Lee, E. (2018) Fair Use Avoidance in Music Cases. Boston College Law Review. Vol 56(6)
Leung (2009)Leung, T. C. (2008). Should the music industry sue its own customers? Impacts of music piracy and policy suggestions. University of Minnesota, retrieved Nov, 28, 2012.
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