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From Copyright EVIDENCE
| Citation | |
|---|---|
| Fiesler and Zacher (2021) 2 | Fiesler, C. & Zacher, C. Copyright’s Chilling Tale of Content Moderation: Understanding the Impact of Takedowns on Non-Infringing Content Creators. Available: https://www.kristelia.com/wp-content/uploads/2021/02/Fiesler-Zacher_Copyrights-Chilling-Tale.pdf (last accessed: 3 June 2021) |
| Fiesler, Feuston and Bruckman (2015) | Fiesler, C., Feuston, J. L., & Bruckman, A. S. (2015, February). Understanding Copyright Law in Online Creative Communities. In Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing (pp. 116-129). ACM. |
| Fiesler, Lampe, and Bruckman (2016) | Fiesler, C, Lampe, C, Bruckman, A (2016) “Reality and Perception of Copyright Terms of Service for Online Content Creation” CSCW ’16 Proceedings of the 19th ACM Conference on Computer-Supported Cooperative Work & Social Computing, pp1450-1461 |
| Flynn and Palmedo (2017) | Flynn, S. and Palmedo, M. (2017) The User Rights Database: Measuring the Impact of Copyright Balance. Available at SSRN: https://ssrn.com/abstract=3082371 or http://dx.doi.org/10.2139/ssrn.3082371 |
| Gallagher (2012) | Gallagher, W. T. (2012). Trademark and copyright enforcement in the shadow of IP law. Santa Clara Computer and High Technology Law Journal, 28. |
| Gani (2020) | Gani, M.W. (2020) An Empirical Analysis of the Status of Performing Authors’ Creative Autonomy in Creative Autonomy, Copyright and Popular Music in Nigeria Palgrave Macmillan Cambridge, pp 97-137 |
| Garcia-Bardidia, Nau and Remy (2011) | Garcia-Bardidia, R., Nau, J. P., & Rémy, E. (2011). Consumer Resistance and Anti-Consumption: Insights from the Deviant Careers of French Illegal Downloaders. European Journal of Marketing, 45(11/12), 1789-1798. |
| GfK Belgium (2015) | GfK Belgium, Provision of two online consumer surveys as support and evidence base to a Commission study: Identifying the main cross-border obstacles to the Digital Single Market and where they matter most |
| Gillett, Gray and Kaye (2023) | Gillett, R., Gray, J. E., & Valdovinos Kaye, D. B. (2023). ‘Just a little hack’: Investigating cultures of content moderation circumvention by Facebook users. New Media & Society, 0(0). |
| Graham and Winter (2017) | Graham, R. and Winter, C. (2017) What Happened After the 2012 Shift in Canadian Copyright Law? An Updated Survey on How Copyright is Managed across Canadian Universities. Evidence Based Library and Information Practice, 12:3 |
| Gray and Suzor (2020) | Gray, J. E., & Suzor, N. P. (2020). Playing with machines: Using machine learning to understand automated copyright enforcement at scale. Big Data & Society, 7(1). |
| Greenhalgh, Phillips, Pitkethly, Rogers and Tomalin (2010) | Greenhalgh, C., Philips, J., Pitkethly, R., Rogers, M., & Tomalin, J. (2010). Intellectual Property Enforcement in Smaller UK Firms. Report for the Strategy Advisory Board for Intellectual Property Policy (SABIP). |
| Guibault, Westkamp and Rieber-Mohn (2007) | Guibault et al., Study on the Implementation and Effect in Member States’ Laws of Directive 2001/29/EC on the Harmonisation of Certain Aspects of Copyright and Related Rights in the Information Society (2007) |
| Hagedoorn and Ridder (2012) | Hagedoorn, J., & Ridder, A. K. (2012). Open innovation, contracts, and intellectual property rights: an exploratory empirical study. |
| Hazucha, Liu and Watabe (2013) | Hazucha, B., Liu, H. and Watabe, T, Copyright, Technological Protection Measures and Their Acceptance by Consumers in Japan, SERCI Annual Congress Conference Paper (2013). |
| Heins and Beckles (2005) | Heins, M. And Beckles, T. (2005) Will Fair Use Survive? Free Expression in the Age of Copyright Control. A Public Policy Report. Available: https://ncac.org/fepp-articles/will-fair-use-survive-free-expression-in-the-age-of-copyright-control (last accessed 23 May 2019) |
| Hill (2013) | Hill, B. M. (2013). Almost Wikipedia: Eight Early Encyclopedia Projects and the Mechanisms of Collective Action. |
| Holt and Copes (2010) | Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654. |
| Hooper and Lynch (2012a) | Hooper, R., & Lynch, R. (2012). Rights and wrongs: Is copyright licensing fit for purpose for the digital age? The first report of the Digital Copyright Exchange feasibility study, IPO. |
| Hooper and Lynch (2012b) | Hooper, R., & Lynch, R. (2012). Copyright works: Streamlining copyright licensing for the digital age. Intellectual Property Office: Newport. |
| Hudson (2020) | Hudson, E. (2020) Drafting Copyright Exceptions: From the Law in Books to the Law in Action, Cambridge: Cambridge University Press |
| Hudson and Kenyon (2007) | Hudson, E. and Kenyon, A.T., 2007. Digital Access: The Impact of Copyright on Digitisation Practices in Australian Museums, Galleries, Libraries, and Archives. UNSWLJ, 30, p.12. |
| Hunt, Williams, Nicholas and Rowlands (2009) | Hunt, R., Williams, P., Nicholas, D., & Rowlands, I. (2009). Copycats? Digital consumers in the online age. |
| IFLA (2022) | IFLA. (2022). How well did copyright law serve libraries during COVID-19? |
| IHS Technology (2015) | IHS Technology, Current Market and Technology Trends in the Broadcasting Sector, WIPO Standing Committee on Copyright and Related Rights, SCCR/30/5(Jun. 2015) |
| Intellectual Property Office (2016b) | Intellectual Property Office (2016), Government Response to the further consultation and technical review on changes to Section 72 of the Copyright, Designs and Patents Act 1988 (which permits the free public showing or playing of a film contained in a broadcast). |
| Kapsalis (2016) | Kapsalis, E. (2016) The Impact of Open Access on Galleries, Libraries, Museums, & Archives. Smithsonian Institution Archives <http://siarchives.si.edu/sites/default/files/pdfs/2016_03_10_OpenCollections_Public.pdf> (accessed 6 January 2022) |
| Kartas and Goode (2012) | Kartas, A and Goode, S (2012) Use, perceived deterrence and the role of software piracy in video game console adoption. Information Systems Frontiers, Volume 14(2), pp 261 - 277 |
| Katz (2019) | Katz, R., (2019). A Pilot Study of Fan Fiction Writer’s Legal Information Behavior. Journal of Copyright in Education and Librarianship, 3(1), 1-29.https://doi.org/10.17161/jcel.v3i1.7697 |
| Kelly (2013) | Kelly, K. (2013) Images of Works of Art in Museum Collections: The Experience of Open Access. Mellon Foundation Study <https://www.clir.org/pubs/reports/pub157/> (accessed 6 January 2022) |
| Khaosaeng (2019) | Khaosaeng, K. (2019) The Conflicts between Copyright and the Norms of Online Re-Creations: An Empirical Analysis. ASEAN Journal of Legal Studies, 2(1) |
| Kheria (2013) | Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4). |
| Kretschmer and Hardwick (2007) | Kretschmer, M., & Hardwick, P. (2007). Authors’ earnings from copyright and non-copyright sources: A survey of 25,000 British and German writers. Bournemouth University Centre for Intellectual Property Policy & Management (CIPPM). Available at SSRN 2619649 |
| Lastowka (2013) | Lastowka, G. (2013) The Player-Authors Project (November 30, 2013). Available at SSRN: https://ssrn.com/abstract=2361758 or http://dx.doi.org/10.2139/ssrn.2361758 |
| Lee (2018) | Lee, E. (2018) Fair Use Avoidance in Music Cases. Boston College Law Review. Vol 56(6) |
| Leung (2009) | Leung, T. C. (2008). Should the music industry sue its own customers? Impacts of music piracy and policy suggestions. University of Minnesota, retrieved Nov, 28, 2012. |
| Liebowitz (2004) | Liebowitz, S. (2004). Will MP3 downloads annihilate the record industry? The evidence so far. Advances in the Study of Entrepreneurship, Innovation, and Economic Growth, 15, 229-260. |
| Lin (2019) | Lin, H. (2019) Teaching and Learning Without a Textbook: Undergraduate Student Perceptions of Open Educational Resources. International Review of Research in Open and Distributed Learning, 20(3) |
| Lipinski and Kritikos (2017) | Lipinski, T.A. and Kritikos, K.C. (2017) Legal and policy implications and licenses between LIS open access journal publishers and authors: a qualitative case study. Qualitative and Quantitative Methods in Libraries (QQML), 6, pp 545-558 |
| MacNeill (2016) | MacNeill, K. (2017) Torrenting Game of Thrones-So wrong and yet so right. Convergence: The International Journal of Research into New Media Technologies, Volume 23, Issue 5, p.545-p.562. Available at https:http://journals.sagepub.com.ezproxy.lib.gla.ac.uk/doi/pdf/10.1177/1354856516640713 |
| Marshall (2004) | Marshall, L. (2004). The effects of piracy upon the music industry: A case study of bootlegging. Media, Culture & Society, 26(2), 163-181. |
| Mattioli (2014) | Mattioli, M. (2014). Disclosing Big Data. Minn. L. Rev., 99, 535. |
| McRobbie, Strutt, Bandinelli and Springer (2016) | McRobbie, A., Strutt, D., Bandinelli, C. And Springer, B. (2016) Fashion micro-enterprises in London, Berlin, Milan. CREATe Working Paper Series DOI: 10.5281/zenodo.162668 |
| Meletti and van Gompel (2021) | Meletti, B. and van Gompel, S. (2021) Issue reports on how copyright exceptions and other permitted uses that are relevant for documentary filmmakers and immersive digital heritage practitioners are understood in the Netherlands and the UK. Available: https://zenodo.org/record/5070427 (accessed 21 October 2021) |
| Morris, Johnson and Higgins (2009) | Morris, R. G., Johnson, M. C., & Higgins, G. E. (2009). The role of gender in predicting the willingness to engage in digital piracy among college students. Criminal Justice Studies, 22(4), 393-404. |
| Oliar and Sprigman (2009) | Oliar, D., & Sprigman, C. (2008). There's No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy. Virginia Law Review, 1787-1867. |
| Owen and O'Dair (2020) | Owen, R., & O'Dair, M. (2020). How blockchain technology can monetize new music ventures: an examination of new business models. The Journal of Risk Finance. |
| Pavis, Tulti and Pye (2019) | Pavis, M., Tulti, H., & Pye, J. (2019) Fair Pay/Play in the UK Voice-Over Industries : A Survey of 200+ voice-overs. Available via: Zenodo. http://doi.org/10.5281/zenodo.3340920 |
| Perzanowski (2017) | Perzanowski, A., 'Owning the Body: Creative Norms in the Tattoo Industry', in Darling, K. and Perzanowski, A. (eds.), Creativity Without Law: Challenging the Assumptions of Intellectual Property, New York University Press, New York, 2017, pp. 208–276. |
| Pham (2019) | Pham, H. (2019) Standing Up for Stand-Up Comedy: Joke Theft and the Relevance of Copyright Law and Social Norms in the Social Media Age. Fordham Intellectual Property, Media and Entertainment Law Journal, 30(1) |
