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From Copyright EVIDENCE
| Citation | |
|---|---|
| Mwanza and Gichure (2018) | Mwanza, J.M. and Gichure, J.M. (2018) The Influence of Copyright Laws on Digitization Projects in Public Libraries In Kenya, A Case Study of Kenya National Library Services. International Journal of Innovative Research and Advanced Studies, 5(9) |
| Nagaraj (2017) | Nagaraj, A. (2017) Does Copyright Affect Reuse? Evidence from Google Books and Wikipedia. Management Science, published online in Articles in Advance 26 July 2017. |
| Pearce (2011) | Pearce, K. E. (2011). Convergence through mobile peer-to-peer file sharing in the Republic of Armenia. International Journal of Communication, 5, 511-528. |
| Poole (2010) | Poole, N. (2010). The Cost of Digitising Europe’s Cultural Heritage A Report for the Comité des Sages of the European Commission. |
| Pritcher (2000) | Pritcher, L., 2000. Ad* access: seeking copyright permissions for a digital age. |
| Public and Corporate Economic Consultants (2013) | Orphan Works in the UK and Overseas, Public and Corporate Economic Consultants (2013), available at https://www.gov.uk/government/publications/orphan-works-in-the-uk-and-overseas. |
| Rappaport (1998) | Rappaport, E. B. (1998, May). Copyright term extension: Estimating the economic values. Congressional Research Service, Library of Congress. |
| Raustiala and Sprigman (2019) | Raustiala, K., & Sprigman, C. J. (2019). The Second Digital Disruption: Streaming and the Dawn of Data-Driven Creativity. NYUL Rev., 94, 1555. |
| Schofield and Urban (2015) | Schofield B. L. and Urban J. M. Takedown and Today's Academic Digital Library (2015) UC Berkeley Public Law Research Paper No. 2694731. |
| Serrano et al. (2019) | Serrano, S.C., Aviles, R.A., Cuenca, G.M., and Calvo, B.S. (2019) Orphan Works at Theatre Library and Information Centres: Assessing Librarians' Perceptions and Management in Spain. The Journal of Academic Librarianship, 45(1), pp 58-65. |
| Stannard (2015) | Stannard, E. (2015). A Copyright Snapshot: the Impact of New Copyright Legislation on Information Professionals. Legal Information Management, 15(04), 233-239. |
| Stobo, Deazley and Anderson (2013) | Stobo, V., Deazley, R. and Anderson, I., 2013. Copyright & Risk: Scoping the Wellcome Digital Library Project (Vol. 10, pp. 17-23). CREATe Working Paper. |
| Stobo, Erickson, Bertoni and Guerrieri (2018) | Stobo, V., Erickson, K., Bertoni, A. And Guerrieri, F. (2018) Current Best Practices among Cultural Heritage Institutions when Dealing with Copyright Orphan Works and Analysis of Crowdsourcing Options. Report. diligentsearch.eu |
| Stobo, Patterson, Erickson and Deazley (2018) | Stobo, V., Patterson, K., Erickson, K., and Deazley, R. (2018) ‘I should like you to see them some time': an empirical study of copyright clearance costs in the digitisation of Edwin Morgan's scrapbooks. Zenodo. http://doi.org/10.5281/zenodo.1305167 |
| Stratton (2011) | Stratton, B. (2011). Seeking New Landscapes: A rights clearance study in the context of mass digitisation of 140 books published between 1870 and 2010. London: British Library/ARROW http://pressandpolicy. bl. uk/imagelibrary/downloadMedia. ashx. |
| Tanner (2004) | Tanner, S. (2004) Reproduction charging models & rights policy for digital images in American art museums. Mellon Foundation Study. <http://msc.mellon.org/msc-files/Reproduction%20charging%20models%20and%20rights%20policy.pdf> (accessed 6 January 2022) |
| Thompson and Muir (2020) | Thompson, S. D., & Muir, A. (2020). A case study investigation of academic library support for open educational resources in Scottish universities. Journal of Librarianship and Information Science, 52(3), 685-693. |
| Todorova et al. (2017) | Tania Yordanova Todorova, Serap Kurbanoglu, Joumana Boustany, Güleda Dogan, Laura Saunders,Aleksandra Horvat, Ana Lúcia Terra, Ane Landøy, Angela Repanovici, Chris Morrison, Egbert J.Sanchez Vanderkast, Jane Secker, Jurgita Rudzioniene, Terttu Kortelainen, Tibor Koltay, (2017) Information professionals and copyright literacy: a multinational study. Library Management, 38(6/7), pp.323-344 |
| Travis (2010) | Travis, H., 2010. Estimating the economic impact of mass digitization projects on copyright holders: Evidence from the Google Book search litigation. Journal of the Copyright Society of the USA, 57, pp.41-62. |
| Troll Covery (2005) | Troll Covey, D., 2005. Acquiring copyright permission to digitize and provide open access to books |
| United States Copyright Office (2015a) | Copyright and the Music Marketplace, United States Copyright Office (2015), available at http://copyright.gov/docs/musiclicensingstudy/copyright-and-the-music-marketplace.pdf. |
| United States Copyright Office (2015b) | Orphan Works and Mass Digitization, United States Copyright Office (2015), available at http://copyright.gov/orphan/reports/orphan-works2015.pdf. |
| Vetulani (2008) | Vetulani, A. (2008). ’The Problem of Orphan Works in the EU–an overview of legislative solutions and main actions in this field. Rapport for European Commission, DG Information Society and Media, Unit E, 4. |
| Vuopala (2010) | Vuopala, A., 2010. Assessment of the Orphan works issue and Costs for Rights Clearance. European Commission, DG Information Society and Media, Unit E, 4. |
| Waelde and MacQueen (2004) | Waelde C. and MacQueen H., From entertainment to education: the scope of copyright? (2004) Intellectual Property Quarterly |
| Waldfogel (2012) | Waldfogel, J. (2012). Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster. Journal of Law and Economics, 55(4), 715-740. |
| Wallace (2022) | Wallace, A. (2022). A Culture of Copyright: A scoping study on open access to digital cultural heritage collections in the UK. Zenodo. https://doi.org/10.5281/zenodo.6242611 |
| Wallace and Deazley (2016) | Wallace, A. and Deazley, R. (2016) Display At Your Own Risk <https://displayatyourownrisk.org> (accessed 6 January 2021) |
