Semantic search
From Copyright EVIDENCE
| Citation | |
|---|---|
| Cave, Deegan and Heinink (2000) | Cave, M., Deegan, M. and Heinink, L., 2000. Copyright clearance in the refugee studies centre digital library project. RLG DigiNews, 4(5). |
| Cenite, Wang, Peiwen and Chan (2009) | Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221. |
| Charles River Associates (2014) | Charles River Associates, Economic Analysis of the Territoriality of the Making Available Right in the EU (2014). |
| Cheliotis (2007) | Cheliotis, G. (2007). Remix culture: an empirical analysis of creative reuse and the licensing of digital media in online communities. |
| Chen, Shang and Lin (2008) | Chen, Y. C., Shang, R. A., & Lin, A. K. (2008). The intention to download music files in a P2P environment: Consumption value, fashion, and ethical decision perspectives. Electronic Commerce Research and Applications, 7(4), 411-422. |
| Cheng, Sims and Teegen (1997) | Cheng, H. K., Sims, R. R., & Teegen, H. (1997). To purchase or to pirate software: An empirical study. Journal of Management Information Systems, 13(4), 49-60. |
| Chiou, Huang and Lee (2005) | Chiou, J. S., Huang, C. Y., & Lee, H. H. (2005). The antecedents of music piracy attitudes and intentions. Journal of Business Ethics, 57(2), 161-174. |
| Cockrill and Goode (2012) | Cockrill, A., & Goode, M. M. (2012). DVD Pirating Intentions: Angels, Devils, Chancers and Receivers. Journal of Consumer Behaviour, 11(1), 1-10. |
| Cohen, Nelson and Walsh (2000) | Cohen, W. M., Nelson, R. R., & Walsh, J.P. (2000). Protecting their intellectual assets: Appropriability conditions and why U.S. manufacturing firms patent(or not). National Bureau of Economic Research, Working Paper No.7552. |
| Collections Trust (2015) | Collections Trust (2015) Striking the Balance: How NMDC members are balancing public access and commercial reuse of digital content. A report by the Collections Trust commissioned by the NMDC <https://www.nationalmuseums.org.uk/media/documents/publications/striking_the_balance.pdf> (accessed 6 January 2022) |
| Commission of the European Communities (2005a) | DG Internal Market and Services Working Paper, Commission of the European Communities (2005) |
| Commission of the European Communities (2005b) | Study on a Community Initiative on the Cross-border Collective Management of Copyright, Commission of the European Communities (2005), available at http://ec.europa.eu/internal_market/copyright/docs/management/study-collectivemgmt_en.pdf. |
| Condry (2004) | Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363. |
| Corbett (2011) | Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report. |
| Creative Content Australia (2015) | Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults. |
| Cuntz and Bergquist (2020) | |
| Danaher and Waldfogel (2012) | Danaher, B., & Waldfogel, J. (2012). Reel Piracy: The Effect of Online Film Piracy on International Box Office Sales. Available at SSRN 1986299. |
| Danaher, Dhanasobhon, Smith and Telang (2010) | Danaher, B., Dhanasobhon, S., Smith, M. D., & Telang, R. (2010). Converting pirates without cannibalizing purchasers: the impact of digital distribution on physical sales and internet piracy. Marketing science, 29(6), 1138-1151. |
| Danaher, Smith, Telang and Chen (2012) | Danaher, B., Smith, M. D., Telang, R., & Chen, S. (2014). The Effect of Graduated Response Anti‐Piracy Laws on Music Sales: Evidence from an Event Study in France. The Journal of Industrial Economics, 62(3), 541-553. |
| Danbury (2016) | Danbury, R. (2016). Is an EU publishers’ right a good idea? Final report on the AHRC project: Evaluating potential legal responses to threats to the production of news in a digital era, https://www.cipil.law.cam.ac.uk/sites/www.law.cam.ac.uk/files/images/www.cipil.law.cam.ac.uk/documents/copyright_and_news/danbury_publishers_right_report.pdf |
| Darling (2014) | Darling, K. (2014) What drives IP without IP? A study of the online adult entertainment industry. 17 Stan. Tech. L. Rev. 655 |
| De Beer and Bouchard (2010) | De Beer, J., & Bouchard, M. (2010). Canada's' Orphan Works' Regime: Unlocatable Owners and the Copyright Board. Oxford University Commonwealth Law Journal, 10(2), 215. |
| De Wolf and Partners (2014a) | De Wolf & Partners, Study on the Legal Framework of Text and Data Mining (TDM) (2014). |
| De Wolf and Partners (2014b) | Study on the Making Available Right and its Relationship with the Reproduction Right in Cross-border Digital Transmissions, De Wolf & Partners (2014). |
| Deloitte (2016) | Deloitte (2016) The impact of web traffic on revenues of traditional newspaper publishers A study for France, Germany, Spain, and the UK. |
| Denoyelle et al (2018) | Denoyelle, M., Durand, K., Daniel, J. and Doulkaridou-Ramantani, E. (2018) Image rights, art history and society. Report presented to the Foundation de France <https://www.inha.fr/fr/recherche/le-departement-des-etudes-et-de-la-recherche/domaines-de-recherche/programmes-en-cours/images-usages.html> (accessed 7 January 2022) |
| Depoorter and Walker (2013) | Depoorter, B. and Walker, R.K., 2013. Copyright false positives. |
| Derclaye (2014) | Derclaye, E. (2014). Do patents, trademarks and designs foster happiness in developed countries? An empirical analysis. International Journal of Happiness and Development, 1(4), 357-368. |
| DiCola and Touve (2014) | DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright. |
| Dickson (2010) | Dickson, M., 2010. Due diligence, futile effort: Copyright and the digitization of the Thomas E. Watson papers. The American Archivist, 73(2), pp.626-636. |
| Digital, Culture, Media and Sport Committee (2021) | DCMS (2021) Economics of Music Streaming. House of Commons |
| Dryden (2008) | Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto). |
| Durham, Hirshleifer, Smith (1998) | Durham, Yvonne, Jack Hirshleifer, and Vernon L. Smith. Do the rich get richer and the poor poorer? Experimental tests of a model of power. The American Economic Review 88.4 (1998): 970-983. |
| EY (2014) | EY (2014) Creating Growth: Measuring Cultural and Creative Markets in the EU, |
| Erickson (2018) | Erickson, K. (2018) Can creative firms thrive without copyright? Value generation and capture from private-collection innovation. Business Horizons, 61:5, pp699-709 |
| Erickson, Rodriguez Perez and Rodriguez Perez (2018) | Erickson, K, Rodriguez Perez, F and Rodriguez Perez, J (2018) What is the Commons Worth? Estimating the Value of Wikimedia Imagery by Observing Downstream Use. In: Proceedings of the International Symposium on Open Collaboration. OpenSym ’18: The 14th International Symposium on Open Collaboration, 22-24 Aug 2018, Paris, France. ACM (Association for Computing Machinery). ISBN 978-1-4503-59 36-8 |
| European Commission (2013) | European Commission (2013). Synthesis of the responses: Civil enforcement of intellectual property rights: Public consultation on efficiency of proceedings and accessibility measures |
| European Commission (2014) | Guidelines on Recommended Standard Licences, Datasets and Charging for the Reuse of Documents, European Commission 2014/C 240/01, available at http://ec.europa.eu/information_society/newsroom/cf/dae/document.cfm?action=display&doc_id=6421. |
| European Commission (2016) | European Commission (2016) Synopsis Report on the Public Consultation on the Regulatory Environment for Platforms, Online Intermediaries and the Collaborative Economy, |
| European Patent Office and Office for Harmonization in the Internal Market (2013) | Intellectual Property Rights Intensive Industries: Contribution to Economic Performance and Employment in the European Union, The Office for Harmonization in the Internal Market and the European Patent Office (2013) available at http://ec.europa.eu/internal_market/intellectual-property/docs/joint-report-epo-ohim-final-version_en.pdf. |
| European Union Intellectual Property Office (2016) | European Union Intellectual Property Office (2016). Intellectual Property and Youth. |
| Fauchart and Hippel (2006) | Fauchart, E., & Von Hippel, E. (2008). Norms-based intellectual property systems: The case of French chefs. Organization Science, 19(2), 187-201. |
| Favale, Homberg, Kretschmer, Mendis and Secchi (2013) | Favale, M., Homberg, F., Kretschmer, M., Mendis, D., & Secchi, D. (2015). Copyright, and the Regulation of Orphan Works: A Comparative Review of Seven Jurisdictions and a Rights Clearance Simulation. Available at SSRN 2613498. |
| Fiesler, Feuston and Bruckman (2015) | Fiesler, C., Feuston, J. L., & Bruckman, A. S. (2015, February). Understanding Copyright Law in Online Creative Communities. In Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing (pp. 116-129). ACM. |
| Filiciak, Hofmokl and Tarkowski (2012) | Filiciak, M., Hofmokl, J., & Tarkowski, A. (2012). The Circulations of Culture-On Social Distribution of Content. Warsaw School of Social Sciences and Humanities: September 1st, 2012. Available at SSRN 2246508. |
| Flynn, Giblin and Petitjean (2019) | Flynn, J., Giblin, R. And Petitjean, F. (2019) What Happens When Books Enter the Public Domain? Testing Copyright’s Underuse Hypothesis Across Australia, New Zealand, the United States and Canada. University of New South Wales Law Journal, 42 (4) |
| Frosio (2014) | Frosio, Giancarlo F. Open access publishing: a literature review. (2014). |
| Frosio (2017) | Frosio, G. F. (2017). Reforming Intermediary Liability in the Platform Economy: A European Digital Single Market Strategy. |
| Fyfe (2020) | Fyfe, A. (2020) The production, circulation, consumption and ownership of scientific knowledge: historical perspectives. CREATe Working Paper 2020/4 |
| Gani (2020) | Gani, M.W. (2020) An Empirical Analysis of the Status of Performing Authors’ Creative Autonomy in Creative Autonomy, Copyright and Popular Music in Nigeria Palgrave Macmillan Cambridge, pp 97-137 |
