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From Copyright EVIDENCE
| Citation | |
|---|---|
| Garcia (2020) | Garcia, Kristelia (2020) Contracts & Copyright: Contemporary Musician Income Streams. The Oxford Handbook of Music Law and Policy, Forthcoming, U of Colorado Law Legal Studies Research Paper No. 20-32, Available at SSRN: https://ssrn.com/abstract=3620401 or http://dx.doi.org/10.2139/ssrn.3620401 |
| Ghose, Smith and Telang (2006) | Ghose, A., Smith, M.D. and Telang, R., 2006. Internet exchanges for used books: An empirical analysis of product cannibalization and welfare impact. Information Systems Research, 17(1), pp.3-19. |
| Gibson, Johnson and Dimita (2015) | Gibson, J., Johnson, P. And Dimita, G. (2015) The Business of Being an Author: A Survey of Author’s Earnings and Contracts. Available: https://orca.cf.ac.uk/72431/1/Final%20Report%20-%20For%20Web%20Publication.pdf (last accessed: 23 May 2019) |
| Giletti (2012) | Giletti, T., Why Pay if it’s Free? Streaming, Downloading and Digital Music Consumption in the “iTunes Era”, (2012) |
| Giorcelli and Moser (2015) | Giorcelli, M., & Moser, P. (2014). Copyright and Creativity: Evidence from Italian Operas. Available at SSRN 2505776. |
| Guibault and Salamanca (2016) | Guibault, L. And Salamanca, O. (2016) Remuneration of authors of books and scientific journals, translators, journalists and visual artists for the use of their works. A study prepared for the European Commission DG Communications Networks, Content & Technology, Final Report. IViR. |
| Guibault, Salamanca and van Gompel (2015) | Guibault, L., Salamanca, O. and van Gompel, S. (2015) Remuneration of authors and performers for the use of their works and the fixations of their performances. A study prepared for the European Commission DG Communications Networks, Content & Technology by Europe Economics and IVIR. |
| Hagedoorn and Ridder (2012) | Hagedoorn, J., & Ridder, A. K. (2012). Open innovation, contracts, and intellectual property rights: an exploratory empirical study. |
| Heald (2020a) | Heald, P. J. (2020) The Impact of Implementing a 25-Year Reversion/Termination Right in Canada. Journal of Law, Technology & Policy, Forthcoming |
| Herz and Kiljański (2016) | Herz, B. and Kiljański, K. (2016) Movie Piracy and Displaced Sales in Europe: Evidence from Six Countries. Available at SSRN: https://ssrn.com/abstract=2844167 or http://dx.doi.org/10.2139/ssrn.2844167 |
| Hong (2007) | Hong, S. H. (2007). The recent growth of the internet and changes in household-level demand for entertainment. Information Economics and Policy, 19(3), 304-318. |
| Humphreys, Fitzgerald, Banks, Suzor (2008) | Humphreys, S., Fitzgerald, B., Banks, J. and Suzor, N., 2005. Fan-based production for computer games: User-led innovation, the ‘Drift of Value’and intellectual property rights. Media International Australia Incorporating Culture and Policy, 114(1), pp.16-29. |
| Ilevbare (2008) | ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129. |
| Intellectual Property Office (2014) | IPO (2014). Artist’s Resale Right - Summary of IPO survey findings |
| Intellectual Property Office (2018) | Intellectual Property Office (2018) Copyright term extension for sound recordings Post-Implementation Review |
| Jambon and Smetana (2012) | Jambon, M. M. & Smetana, J. G. (2012). College students' moral evaluations of illegal music downloading. Journal of Applied Developmental Psychology, 33, 31-39. |
| Johnson, Gibson, and Dimita (2012) | P. Johnson, J. Gibson, G. Dimita, What Are Words Worth Now: A survey of Authors’ Earnings, London: ALCS (2014). |
| Kheria (2012) | Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19). |
| Kretschmer (2011) | Kretschmer, M. (2011). Private copying and fair compensation |
| Kretschmer (2012) | Kretschmer, M. (2012). Does Copyright Law Matter? An Empirical Analysis of Creators’ Earnings. An Empirical Analysis of Creators’ Earnings (May 21, 2012). |
| Kretschmer and Hardwick (2007) | Kretschmer, M., & Hardwick, P. (2007). Authors’ earnings from copyright and non-copyright sources: A survey of 25,000 British and German writers. Bournemouth University Centre for Intellectual Property Policy & Management (CIPPM). Available at SSRN 2619649 |
| Kretschmer and Peukert (2017) | Kretschmer, T. And Peukert, C. (2017) Video Killed the Radio Star? Online Music Videos and Recorded Music Sales. CEP Discussion Paper No 1265. |
| Kretschmer, Bently, Singh and Cooper (2011) | Kretschmer, M., Bently, L., Singh, S., & Cooper, E. (2011). Bournemouth and Cambridge: DACS/CIPPM/CIPIL. Available at SSRN 1780206. |
| Kretschmer, Gavaldon, Miettinen and Singh (2019) | Kretschmer, M., Gavaldon, A.A., Miettinen, J. And Singh, S. (2019) UK Authors’ Earnings and Contracts 2018: a Survey of 50,000 Writers. Available: https://www.create.ac.uk/blog/2019/05/02/uk-authors-earnings-and-contracts-2018-a-survey-of-50000-writers/ (last accessed 23 May 2019) |
| Liao, Lin and Liu (2010) | Liao, C., Lin, H. N., & Liu, Y. P. (2010). Predicting the use of pirated software: A contingency model integrating perceived risk with the theory of planned behavior. Journal of Business Ethics, 91(2), 237-252. |
| Liebowitz (1985) | Liebowitz, S. J. (1985). Copying and indirect appropriability: Photocopying of journals. The Journal of Political Economy, 945-957. |
| Liebowitz (2008a) | Liebowitz, S.J. (2008) Is the Copyright Monopoly a Best-Selling Fiction? Technology Policy Working Paper, September 2008 |
| Liu (2015) | Liu, J. (2015). Copyright for Blockheads: An Empirical Study of Market Incentive and Intrinsic Motivation. Columbia Journal of Law & the Arts, Forthcoming. Available at SSRN: https://ssrn.com/abstract=2633263 |
| MacGarvie, McKeon and Watson (2018) | MacGarvie, M., McKeon & Watson, J. (2018). It was fifty years ago today: Recording copyright term and the supply of music. NBER conference on the Economics of Digitization. |
| Madden (2004) | Madden, M. (2004). Artists, musicians and the internet. Pew Internet & American Life Project. |
| Mortimer, Nosko and Sorensen (2012) | Mortimer, J. H., Nosko, C., & Sorensen, A. (2012). Supply responses to digital distribution: Recorded music and live performances. Information Economics and Policy, 24(1), 3-14. |
| Nanayakkara (2017) | Nanayakkara, G. (2017) ‘Promise and Perils of Sri Lankan Performers’ Rights: The Royalty Collection in Music’ European Journal of Current Legal Issues, 23(1). |
| Nera Economic Consulting (2015) | Nera Consulting (2015), Impacto del Nuevo Artículo 32.2 de la Ley de Propiedad Intelectual, Informe para la Asociación Española de Editoriales de Publicaciones Periódicas (AEEPP) (study commissioned by Spanish Association of Publishers of Periodicals AEEPP) |
| Oestreicher-Singer and Sundararajan (2010) | Oestreicher-Singer, G., & Sundararajan, A. (2010). Are digital rights valuable? Theory and evidence from ebook pricing. |
| Oliar and Sprigman (2009) | Oliar, D., & Sprigman, C. (2008). There's No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy. Virginia Law Review, 1787-1867. |
| Oriakhoba (2020) | Desmond Osaretin Oriakhogba. (2020). Working around the Gender Gap in Intellectual Property Regimes: Empowerment of Women Beadworkers through Open, Inclusive Innovation and Social Entrepreneurship in KwaZulu-Natal, South Africa. OpenAir Workign Paper 23. |
| Palfrey, Gasser, Simun and Barnes (2009) | Palfrey, J., Gasser, U., Simun, M., & Barnes, R. F. (2009). Youth, creativity, and copyright in the digital age. |
| Pavis, Tulti and Pye (2019) | Pavis, M., Tulti, H., & Pye, J. (2019) Fair Pay/Play in the UK Voice-Over Industries : A Survey of 200+ voice-overs. Available via: Zenodo. http://doi.org/10.5281/zenodo.3340920 |
| Pollock (2009) | Pollock, R. 2009. “Forever Minus a Day? Calculating Optimal Copyright Term”. Review of Economic Researchon CopyrightIssues 6(1); 35-60. |
| Poort et al (2018) | Poort, J., Quintais, J.P., van der Ende, M., Yagafarova, A., and Haeraats, M. (2018) Global Online Piracy Study. |
| PricewaterhouseCoopers (2016) | PricewaterhouseCoopers Australia Report 'Understanding the costs and benefits of introducing a ‘fair use’ exception', 2016. |
| Robinson and Montgomery (2000) | Robinson, M. D., & Montgomery, S. S. (2000). The time allocation and earnings of artists. Industrial Relations: A Journal of Economy and Society, 39(3), 525-534. |
| Rogers, Corrigan, and Tomalin (2010) | Rogers, M., Corrigan, R., & Tomalin, J. (2010). The economic impact of consumer copyright exceptions: A literature review. |
| Rossello, Martinelli (2023) | Rossello, G., & Martinelli, A. (2023). Breach of academic values and digital deviant behaviour: The case of Sci-Hub. UNU-MERIT. UNU-MERIT Working Papers No. 009 |
| Sag (2014) | Sag, M. (2014). Copyright Trolling, An Empirical Study. Iowa Law Review, Forthcoming. |
| Sag, Jacobi and Sytch (2007) | Sag, Matthew and Jacobi, Tonja and Sytch, Maxim, The Effect of Judicial Ideology in Intellectual Property Cases (July 2, 2007). 2nd Annual Conference on Empirical Legal Studies Paper. |
| Sandulli and Martin-Barbero (2007) | Sandulli, F. D., & Martin-Barbero, S. (2007). 68 Cents per Song A Socio-Economic Survey on the Internet. Convergence: The International Journal of Research into New Media Technologies, 13(1), 63-78. |
| Schuster, Mitchell and Brown (2018) | Shuster, W.M., Mitchell, D.M. and Brown, K. (2018) Sampling Increases Music Sales: An Empirical Copyright Study. American Business law Journal, Forthcoming. |
| Scotchmer (2011) | Scotchmer, S. (2011). Ideas and Innovations: Which should be subsidized?. Available at SSRN 1755091. |
| Shavell and van Ypersele (1999) | Shavell, S. and Van Ypersele, T., 1999. Rewards versus intellectual property rights (No. w6956). National bureau of economic research. |
