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From Copyright EVIDENCE
| Citation | |
|---|---|
| Chen and Png (2003) | Chen, Yeh-ning, and Ivan Png. Information goods pricing and copyright enforcement: Welfare analysis. Information Systems Research 14.1 (2003): 107-123. |
| Chiang and Assane (2007) | Chiang, E. P., & Assane, D. (2007). Determinants of Music Copyright Violations on the University Campus. Journal of Cultural Economics, 31(3), 187-204. |
| Chiou and Tucker (2011) | Chiou, Lesley and Tucker, Catherine, Copyright, Digitization, and Aggregation (December 13, 2011). NET Institute Working Paper No. 11-18. |
| Chiou, Cheng and Huang (2011) | Chiou, J. S., Cheng, H. I., & Huang, C. Y. (2011). The effects of artist adoration and perceived risk of getting caught on attitude and intention to pirate music in the United States and Taiwan. Ethics & Behavior, 21(3), 182-196. |
| Cohen, Nelson and Walsh (2000) | Cohen, W. M., Nelson, R. R., & Walsh, J.P. (2000). Protecting their intellectual assets: Appropriability conditions and why U.S. manufacturing firms patent(or not). National Bureau of Economic Research, Working Paper No.7552. |
| Commission of the European Communities (2005a) | DG Internal Market and Services Working Paper, Commission of the European Communities (2005) |
| Condry (2004) | Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363. |
| Corbett (2011) | Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report. |
| Corporate Europe Observatory (2018) | Corporate Europe Observatory (2018) Copyright Directive: how competing big business lobbies drowned out critical voices. Available via: https://corporateeurope.org/en/2018/12/copyright-directive-how-competing-big-business-lobbies-drowned-out-critical-voices (last accessed: 7 June 2019) |
| Cotropia and Gibson (2014) | Cotropia, C. A., & Gibson, J. (2014). Copyright's Topography: An Empirical Study of Copyright Litigation. Texas Law Review, 92(7). |
| Creative Content Australia (2015) | Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults. |
| Cuntz and Bergquist (2020) | |
| Danaher and Smith (2013) | Danaher, B., & Smith, M. D. (2014). Gone in 60 seconds: the impact of the Megaupload shutdown on movie sales. International Journal of Industrial Organization, 33, 1-8. |
| Danaher and Waldfogel (2012) | Danaher, B., & Waldfogel, J. (2012). Reel Piracy: The Effect of Online Film Piracy on International Box Office Sales. Available at SSRN 1986299. |
| Danaher, Dhanasobhon, Smith and Telang (2010) | Danaher, B., Dhanasobhon, S., Smith, M. D., & Telang, R. (2010). Converting pirates without cannibalizing purchasers: the impact of digital distribution on physical sales and internet piracy. Marketing science, 29(6), 1138-1151. |
| Danaher, Smith, Telang and Chen (2012) | Danaher, B., Smith, M. D., Telang, R., & Chen, S. (2014). The Effect of Graduated Response Anti‐Piracy Laws on Music Sales: Evidence from an Event Study in France. The Journal of Industrial Economics, 62(3), 541-553. |
| Danbury (2016) | Danbury, R. (2016). Is an EU publishers’ right a good idea? Final report on the AHRC project: Evaluating potential legal responses to threats to the production of news in a digital era, https://www.cipil.law.cam.ac.uk/sites/www.law.cam.ac.uk/files/images/www.cipil.law.cam.ac.uk/documents/copyright_and_news/danbury_publishers_right_report.pdf |
| Darling (2014) | Darling, K. (2014) What drives IP without IP? A study of the online adult entertainment industry. 17 Stan. Tech. L. Rev. 655 |
| David (1993) | David, P. A. 1993. “Intellectual Property Institutions and the Panda’ s Thumb: Patents , Copyrights and Trade Secrets in Economic Theory and History”, in M. Wallerstein, M. Mogee and R. Schoen (eds .), Global Dimensions of Intellectual Property Rights in Science and Technology . Washington DC: National Academy Press; 19-61. |
| De Wolf and Partners (2013) | Triaille, J.P., Dusollier, S., Depreeuw, S., Hubin, J.B. and De Francquen, A., 2013. Study on the application of Directive 2001/29/EC on copyright and related rights in the information society. InfoSoc Directive. |
| De Wolf and Partners (2014a) | De Wolf & Partners, Study on the Legal Framework of Text and Data Mining (TDM) (2014). |
| De Wolf and Partners (2014b) | Study on the Making Available Right and its Relationship with the Reproduction Right in Cross-border Digital Transmissions, De Wolf & Partners (2014). |
| Denegri-Knott (2004) | Denegri‐Knott, J. (2004). Sinking the online “music pirates:” Foucault, power and deviance on the web. Journal of Computer‐Mediated Communication, 9(4), 00-00. |
| Depoorter and Walker (2013) | Depoorter, B. and Walker, R.K., 2013. Copyright false positives. |
| Depoorter, Van Hiel and Vanneste (2011) | Depoorter, B., Vanneste, S., & Van Hiel, A. (2011). Copyright Backlash. Southern California Law Review, 84. |
| Derclaye (2014) | Derclaye, E. (2014). Do patents, trademarks and designs foster happiness in developed countries? An empirical analysis. International Journal of Happiness and Development, 1(4), 357-368. |
| DiCola (2013) | DiCola, P. (2013). Money from Music: Survey Evidence on Musicians' Revenue and Lessons About Copyright Incentives. Ariz. L. Rev., 55, 301. |
| Dickson (2010) | Dickson, M., 2010. Due diligence, futile effort: Copyright and the digitization of the Thomas E. Watson papers. The American Archivist, 73(2), pp.626-636. |
| Digital, Culture, Media and Sport Committee (2021) | DCMS (2021) Economics of Music Streaming. House of Commons |
| Dowthwaite et al (2016) | |
| Dryden (2008) | Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto). |
| EY (2014) | EY (2014) Creating Growth: Measuring Cultural and Creative Markets in the EU, |
| Engel and Kurschilgen (2010) | Engel, C., & Kurschilgen, M. J. (2011). Fairness Ex Ante and Ex Post: Experimentally Testing Ex Post Judicial Intervention into Blockbuster Deals. Journal of Empirical Legal Studies, 8(4), pp682-708 |
| Engstrom and Feamster (2017) | Engstrom, E. And Feamster, N. (2017) The Limits of Filtering: A Look at the Functionality & Shortcomings of Content Detection Tools. Available: https://www.engine.is/the-limits-of-filtering (last accessed 23 May 2019) |
| Envisional (2011) | Envisional (2011), Technical report: An Estimate of Infringing Use of the Internet |
| Erickson (2018) | Erickson, K. (2018) Can creative firms thrive without copyright? Value generation and capture from private-collection innovation. Business Horizons, 61:5, pp699-709 |
| Erickson and Kretschmer (2019) | Erickson, K. And Kretschmer, M. (2019) Empirical Approaches to Intermediary Liability in THE OXFORD HANDBOOK OF INTERMEDIARY LIABILITY ONLINE (ed. Giancarlo Frosio), Oxford University Press, Forthcoming |
| Erickson, Rodriguez Perez and Rodriguez Perez (2018) | Erickson, K, Rodriguez Perez, F and Rodriguez Perez, J (2018) What is the Commons Worth? Estimating the Value of Wikimedia Imagery by Observing Downstream Use. In: Proceedings of the International Symposium on Open Collaboration. OpenSym ’18: The 14th International Symposium on Open Collaboration, 22-24 Aug 2018, Paris, France. ACM (Association for Computing Machinery). ISBN 978-1-4503-59 36-8 |
| European Commission (2011b) | European Commission Impact assessment on the cross-border online access to orphan works (Commission Staff Working Paper SEC (2011) 615 (final) |
| European Commission (2014) | Guidelines on Recommended Standard Licences, Datasets and Charging for the Reuse of Documents, European Commission 2014/C 240/01, available at http://ec.europa.eu/information_society/newsroom/cf/dae/document.cfm?action=display&doc_id=6421. |
| European Commission (2016) | European Commission (2016) Synopsis Report on the Public Consultation on the Regulatory Environment for Platforms, Online Intermediaries and the Collaborative Economy, |
| European Observatory on Counterfeiting and Piracy (2010) | European Observatory on Counterfeiting and Piracy (2010). Damages in Intellectual Property Rights. |
| European Patent Office and Office for Harmonization in the Internal Market (2013) | Intellectual Property Rights Intensive Industries: Contribution to Economic Performance and Employment in the European Union, The Office for Harmonization in the Internal Market and the European Patent Office (2013) available at http://ec.europa.eu/internal_market/intellectual-property/docs/joint-report-epo-ohim-final-version_en.pdf. |
| European Union Intellectual Property Office (2016) | European Union Intellectual Property Office (2016). Intellectual Property and Youth. |
| Farooqui, Goodridge and Haskel (2011) | Farooqui, S., Goodridge, P., & Haskel, J. (2011). The Role of Intellectual Property Rights in the UK Market Sector. Intellectual Property, 2. |
| Fiesler and Zacher (2021) 2 | Fiesler, C. & Zacher, C. Copyright’s Chilling Tale of Content Moderation: Understanding the Impact of Takedowns on Non-Infringing Content Creators. Available: https://www.kristelia.com/wp-content/uploads/2021/02/Fiesler-Zacher_Copyrights-Chilling-Tale.pdf (last accessed: 3 June 2021) |
| Fietkiewicz (2020) | Fietkiewicz K.J. (2020) The Law of Live Streaming: A Systematic Literature Review and Analysis of German Legal Framework. In: Meiselwitz G. (eds) Social Computing and Social Media. Design, Ethics, User Behavior, and Social Network Analysis. HCII 2020. Lecture Notes in Computer Science, vol 12194. Springer, Cham. pp. 227-242 |
| Frosio (2014) | Frosio, Giancarlo F. Open access publishing: a literature review. (2014). |
| Frosio (2017) | Frosio, G. F. (2017). Reforming Intermediary Liability in the Platform Economy: A European Digital Single Market Strategy. |
| Fyfe (2020) | Fyfe, A. (2020) The production, circulation, consumption and ownership of scientific knowledge: historical perspectives. CREATe Working Paper 2020/4 |
