Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Brassell, M. (1) ·
Canat, J. (1) ·
Claussen, J. (1) ·
Danaher, B. (1) ·
Dowthwaite, L. (1) ·
Edwards, L. (1) ·
Erickson, K. (1) ·
European Observatory on Infringement of IPRs (1) ·
Gomez, E. (1) ·
Goodyer, I. (1) ·
Guibault, L. (1) ·
Handke, C. (1) ·
Heald, P. J. (1) ·
Homberg, F. (1) ·
Houghton, R. J. (1) ·
Intellectual Property Office (2) ·
Kheria, S. (1) ·
Klein, B. (1) ·
Kretschmer, M. (1) ·
Kretschmer, T. (1) ·
Lee, D. (1) ·
Levin, N. (1) ·
Logeais, E. (1) ·
Martens, B. (1) ·
Mendis, D. (2) ·
Mortier, R. (1) ·
Moss, G. (1) ·
Office of the United States Trade Representative (1) ·
Peukert, C. (1) ·
Philip, F. (1) ·
Reeves, P. (1) ·
Schofield, B. L. (1) ·
Secchi, D. (1) ·
Smith, M. D. (1) ·
Stannard, E. (1) ·
Teland, R. (1) ·
The Office for Harmonization in the Internal Market and the European Patent Office (1) ·
Urban, J. M. (1) ·
Waelde, C. (1)
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Discipline:
Alliance for IP (1) ·
Anti-Copying in Design (1) ·
Anti-Counterfeiting Group (1) ·
Apple iTunes country stores in 27 EU Member States (1) ·
Artists’ Collecting Society (1) ·
BV Musikindustrie (1) ·
BV Phono (1) ·
Big Innovation Centre (1) ·
Boxofficemojo.com (1) ·
British Copyright Council (1) ·
British Library (1) ·
British Phonographic Industry (1) ·
British Screen Advisory Council (1) ·
Case law (1) ·
Copyright Licensing Agency (1) ·
Crown Prosecution Service (1) ·
Federation Against Copyright Theft (1) ·
Federation Against Software Theft (1) ·
Industry (1) ·
Literature review (3) ·
Ministry of Justice (1) ·
Motion Picture Association (1) ·
Movie2k.to (1) ·
Musikindustrie (1) ·
Newspaper Licensing Association (1) ·
Open Data Institute (1) ·
Open Rights Group (1) ·
PRS for Music (1) ·
Police Intellectual Property Crime Unit (1) ·
Publishers Association (1) ·
Review of Existing Academic and Industries Literature (1) ·
Statutory exceptions (1) ·
Trading Standards (1) ·
UK Interactive Entertainment (1) ·
UK Music (1)
Case Study (4) ·
Document Research (2) ·
Longitudinal Study (1) ·
Qualitative Collection Methods (14) ·
Qualitative content/text mining (1) ·
Quantitative Collection Methods (10) ·
Quantitative data/text mining (4) ·
Semi-Structured Interview (5) ·
Snowball sampling (1) ·
Survey Research (qualitative; e.g. consumer preferences) (5) ·
Survey Research (quantitative; e.g. sales/income reporting) (3) ·
Unstructured Interview (2) ·
Web analytic (online user trace data) (3)
Cluster analysis (1) ·
Correlation and Association (4) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (5) ·
Discourse Analysis (1) ·
Legal Analysis (6) ·
Multivariate Statistics (1) ·
Qualitative Analysis Methods (12) ·
Qualitative Coding / Sorting (e.g. of interview data) (2) ·
Quantitative Analysis Methods (8) ·
Quantitative content analysis (e.g. text or data mining) (5) ·
Regression Analysis (1) ·
Textual Content Analysis (5)
Australia (1) ·
Austria (1) ·
Belgium (1) ·
Bulgaria (1) ·
Croatia (1) ·
Cyprus (1) ·
Czech Republic (1) ·
Denmark (1) ·
Estonia (1) ·
European Union (5) ·
Finland (1) ·
France (1) ·
Germany (2) ·
Global (2) ·
Greece (1) ·
Hong Kong (1) ·
Hungary (1) ·
Italy (1) ·
Latvia (1) ·
Lithuania (1) ·
Luxembourg (1) ·
Malta (1) ·
Poland (1) ·
Portugal (1) ·
Romania (1) ·
Singapore (1) ·
Slovakia (1) ·
Slovenia (1) ·
Spain (1) ·
Switzerland (1) ·
The Netherlands (1) ·
United Kingdom (9) ·
United States (5)
Alfred P. Sloan Foundation (1) ·
Arts and Humanities Research Council (1) ·
Economic and Social Research Council (1) ·
European Commission (1) ·
IPO (2) ·
Intellectual Property Office (2) ·
None (1) ·
OHIM (1) ·
Office of the United States Trade Representative (1) ·
WIPO (1) ·
World Intellectual Property Organization (1) ·
∗Support for this research by NBER’s Economics of Digitization and Copyright Initiative is gratefully acknowledged. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (9) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (9) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (11)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (7) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (8) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (4) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (10)
Case Studies (1) ·
Company (1) ·
Corporate and Industry Associations Website (1) ·
Country (5) ·
Files (1) ·
Film (1) ·
Individual (2) ·
Individual Copyright Offences (1) ·
Interview (1) ·
Interviews with content creators (1) ·
Kickstarter projects (1) ·
Marketing campaign (1) ·
Organisations (1) ·
Projects (1) ·
Provision (1) ·
Publication (1) ·
School curriculum (1) ·
Stakeholders (2) ·
Studies (1) ·
Websites (1) ·
Wikipedia pages (1) ·
Years of iTunes selling digital songs and videos (1)
1999 to 2015 (1) ·
2006-2013 (1) ·
2008 to 2014 (1) ·
2011 to 2012 (1) ·
2012-2013 (1) ·
2013 (1) ·
2014 (3) ·
2014-2015 (2) ·
2015 (3) ·
Interviews lasted between 10 and 50 minutes and were conducted with 4 female and 7 male content creators of online commics. The Interviews were conducted on a convention of comic creators (Thought Bubble) in 2013. (1) ·
January - April 2014 (1) ·
Non stated (1) ·
Not stated (2) ·
Not-stated (1)
Advertising (1) ·
Computer consultancy (1) ·
Computer programming (1) ·
Creative, arts and entertainment (6) ·
Cultural education (5) ·
Film and motion pictures (6) ·
Libraries, archives, museums and other cultural activities (3) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (6) ·
Software publishing (4) ·
Sound recording and music publishing (6) ·
Specialised design (2) ·
Television programmes (3)
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