Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
1986 or
2017
& Data analysis method:
Qualitative Coding / Sorting (e.g. of interview data)
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Albitz (2013) (1) ·
Aria and Kinukawa (2014) (1) ·
Arnold (1999) (1) ·
Arnold (2007) (1) ·
Arnold (2015) (1) ·
Audferheide and Jaszi (2018) (1) ·
Bently and Biron (2014) (1) ·
Carroll (2006) (1) ·
Committee for the Individual Artists’ Inquiry (1983) (1) ·
DeMello (2000) (1) ·
Di Valentino (2013) (1) ·
Di Valentio (2015) (1) ·
Ellickson (1991) (1) ·
Gilbert (2014) (1) ·
Griffiths (2010) (1) ·
Horava (2010) (1) ·
Hugenholtz (2017) (1) ·
Leistner (2011) (1) ·
Merges (2004) (1) ·
Ohly (2009) (1) ·
Perzanowski (2013) (1) ·
Schwartz (2012) (1) ·
Scimago (2017) (1) ·
Seng (2014) (1) ·
Shieber & Suber (2016) (1) ·
Suber (2015) (1) ·
Throsby and Hollister (2003) (1) ·
Throsby and Mills (1989) (1) ·
Throsby and Thompson (1994) (1) ·
Throsby and Zednik (2010) (1) ·
Urban, Karaganis and Schofield (2016) (1) ·
Urban, Karaganis and Schofield (2017b) (1) ·
Urban and Heins (2007) (1) ·
Urban and Quilter (2006) (1) ·
Vigon (2015) (1) ·
Von Lohmann (2008) (1) ·
Widener (2010) (1) ·
Xalabarder (2012) (1)
Document Research (1) ·
Focus Groups (1) ·
Qualitative Collection Methods (1) ·
Qualitative content/text mining (1) ·
Semi-Structured Interview (3) ·
Snowball sampling (2) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (4) ·
Survey Research (quantitative; e.g. sales/income reporting) (2)
Australia Council (1) ·
Canadian Library Association (1) ·
Ford Foundation (1) ·
Google Inc. (2) ·
International Development Research Centre (1) ·
Open Society Foundations (1) ·
Portuguese Foundation for Science and Technology (grant PD/BD/105903/2014) (1) ·
The Leverhulme Trust (1) ·
The Sloan Foundation (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (6) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (1)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (4) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
Creative, arts and entertainment (2) ·
Cultural education (1) ·
Film and motion pictures (2) ·
Libraries, archives, museums and other cultural activities (1) ·
Programming and broadcasting (1) ·
Publishing of books, periodicals and other publishing (3) ·
Software publishing (2) ·
Sound recording and music publishing (3) ·
Specialised design (1) ·
Television programmes (3)
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