Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
1986 or
Other
& Data collection method:
Semi-Structured Interview
& Government or policy study:
Yes
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Related to:
A1: General Economics (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
L80: General (1) ·
L82: Entertainment • Media (4) ·
L8: Industry Studies: Services (1) ·
O32: Management of Technological Innovation and R&D (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (6) ·
O34: Intellectual Property and Intellectual Capital (15) ·
O38: Government Policy (5) ·
Other (17) ·
None (1)
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (3) ·
Legal Analysis (7) ·
Meta-Analysis (1) ·
Qualitative Analysis Methods (9) ·
Qualitative Coding / Sorting (e.g. of interview data) (7) ·
Quantitative Analysis Methods (9) ·
Quantitative content analysis (e.g. text or data mining) (7) ·
Textual Content Analysis (7) ·
Visual / Other Content Analysis (1)
Australia (3) ·
Belgium (1) ·
Canada (1) ·
Denmark (1) ·
Egypt (1) ·
European Union (7) ·
Finland (1) ·
Germany (1) ·
Ghana (1) ·
Global (3) ·
Italy (1) ·
Kenya (1) ·
Morocco (1) ·
Mozambique (1) ·
Senegal (1) ·
Singapore (1) ·
South Africa (1) ·
Spain (1) ·
The Netherlands (1) ·
Uganda (1) ·
United Kingdom (7) ·
United States (4)
Arts and Humanities Research Council (2) ·
Australia Council for the Arts (1) ·
EU Commission (1) ·
European Commission (2) ·
European Parliament’s Policy Department for Citizens’ Rights and Constitutional Affairs (1) ·
Heritage Plus (1) ·
ICT4D (1) ·
IDRC (1) ·
Intellectual Property Office (1) ·
JISC (1) ·
LINK Centre (1) ·
SABIP (2) ·
Shuttleworth Foundation Cape Town (1) ·
This Report was prepared for APRA AMCOS, PPCA, Copyright Agency│Viscopy, Foxtel, News Corp Australia and Screenrights. (1) ·
WHO (1) ·
WIPO (1) ·
World Intellectual Property Office (1) ·
World Intellectual Property Organization (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (11) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (4) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (4) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (10) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (5)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (6) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (7) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (3) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (10) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (5)
Advertising (1) ·
Architectural (1) ·
Creative, arts and entertainment (7) ·
Cultural education (5) ·
Film and motion pictures (4) ·
Libraries, archives, museums and other cultural activities (5) ·
Photographic activities (2) ·
Programming and broadcasting (2) ·
Publishing of books, periodicals and other publishing (10) ·
Software publishing (3) ·
Sound recording and music publishing (4) ·
Specialised design (2) ·
Television programmes (3)
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