Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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A1: General Economics (1) ·
D23: Organizational Behavior • Transaction Costs • Property Rights (2) ·
D83: Search • Learning • Information and Knowledge • Communication • Belief (1) ·
K11: Property Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (8) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (2) ·
K: Law and Economics (3) ·
L81: Retail and Wholesale Trade • e-Commerce (1) ·
L82: Entertainment • Media (3) ·
L88: Government Policy (1) ·
M31: Marketing (1) ·
M37: Advertising (1) ·
M38: Government Policy and Regulation (1) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (6) ·
O34: Intellectual Property and Intellectual Capital (20) ·
O38: Government Policy (5) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (4) ·
Z11: Economics of the Arts and Literature (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (2) ·
Other (24)
Alliance for IP (1) ·
Anti-Copying in Design (1) ·
Anti-Counterfeiting Group (1) ·
Apple iTunes country stores in 27 EU Member States (1) ·
Artists’ Collecting Society (1) ·
Australian Bureau of Statistics (2014) (1) ·
Australian Law Reform Commission (2013) (1) ·
Big Innovation Centre (1) ·
Boxofficemojo.com (1) ·
British Copyright Council (1) ·
British Library (1) ·
British Phonographic Industry (1) ·
British Screen Advisory Council (1) ·
Chilling Effects (Lumen) (1) ·
Copyright Licensing Agency (1) ·
Crown Prosecution Service (1) ·
Federation Against Copyright Theft (1) ·
Federation Against Software Theft (1) ·
Google Transparent Report (1) ·
IMDb (1) ·
Industry (1) ·
Literature review (1) ·
Lumen (1) ·
Ministry of Justice (1) ·
Motion Picture Association (1) ·
Movie2k.to (1) ·
Newspaper Licensing Association (1) ·
OFCOM (1) ·
Open Data Institute (1) ·
Open Rights Group (1) ·
PRS for Music (1) ·
Police Intellectual Property Crime Unit (1) ·
Publishers Association (1) ·
Review of Existing Academic and Industries Literature (2) ·
Statistisches Bundesamt (1) ·
Trading Standards (1) ·
UK Interactive Entertainment (1) ·
UK Music (1) ·
WIPO (2014) (1)
Case Study (5) ·
Document Research (1) ·
Longitudinal Study (1) ·
Qualitative Collection Methods (10) ·
Qualitative content/text mining (1) ·
Quantitative Collection Methods (15) ·
Quantitative data/text mining (5) ·
Semi-Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (6) ·
Survey Research (quantitative; e.g. sales/income reporting) (10) ·
Unstructured Interview (1) ·
Web analytic (online user trace data) (4)
Cluster analysis (1) ·
Correlation and Association (5) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (11) ·
Discourse Analysis (2) ·
Grounded Theory (1) ·
Legal Analysis (2) ·
Multivariate Statistics (1) ·
Qualitative Analysis Methods (9) ·
Qualitative Coding / Sorting (e.g. of interview data) (3) ·
Quantitative Analysis Methods (12) ·
Quantitative content analysis (e.g. text or data mining) (5) ·
Regression Analysis (2) ·
Social Network Analysis (1) ·
Textual Content Analysis (6) ·
Visual / Other Content Analysis (1)
1/03/2013-13/04/2013 (1) ·
1999 to 2015 (1) ·
2001-2011 (1) ·
2006-2013 (1) ·
2008 (1) ·
2011 to 2012 (1) ·
2011-2012 (1) ·
2012 (2) ·
2013 (2) ·
2014 (2) ·
2014-2015 (1) ·
2015 (4) ·
2015-2016 (1) ·
A semester in 2013 (1) ·
Between May and July 2014. (1) ·
January 2001 - March 2014 (1) ·
Non stated (1) ·
Not stated. (1) ·
Spring 2013 (1)
Arts and Humanities Research Council (1) ·
Australian Copyright Council (1) ·
Centre for Copyright and New Business Model in the Creative Economy (CREATe) (1) ·
Creative Content Australia (1) ·
Economic and Social Research Council (1) ·
European Commission (1) ·
German Institute for Economic Research (1) ·
IPO (1) ·
Intellectual Property Office (4) ·
None (1) ·
Not stated (1) ·
RCUK (1) ·
University of East Anglia (1) ·
WIPO (1) ·
∗Support for this research by NBER’s Economics of Digitization and Copyright Initiative is gratefully acknowledged. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (11) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (6) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (19)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (7) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (5) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (7) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (16)
Australian copyright industries (1) ·
Authorities (1) ·
Authors and performers (1) ·
Consumer (1) ·
Corporate and Industry Associations Website (1) ·
Country (3) ·
Film (1) ·
Forum posts (1) ·
Individual (2) ·
Individual Copyright Offences (1) ·
Internet user (1) ·
Interview (1) ·
Marketing campaign (1) ·
Pages of Discussion (1) ·
Projects (1) ·
Publication (1) ·
Studies (2) ·
Takedown Notices (1) ·
Takedown Rquests (1) ·
Takedown requests (1) ·
Videos (1) ·
takedown requests (1)
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