Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
1989 or
2019
& Data analysis method:
Qualitative Coding / Sorting (e.g. of interview data)
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Related to:
C13: Estimation: General (1) ·
D23: Organizational Behavior • Transaction Costs • Property Rights (1) ·
D61: Allocative Efficiency • Cost–Benefit Analysis (1) ·
K10: General (1) ·
K11: Property Law (1) ·
K20: General (1) ·
L82: Entertainment • Media (1) ·
O34: Intellectual Property and Intellectual Capital (17) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Z10: General (1) ·
Z11: Economics of the Arts and Literature (1) ·
Z13: Economic Sociology • Economic Anthropology • Social and Economic Stratification (1) ·
Other (20)
Case Study (3) ·
Document Research (1) ·
Ethnography (1) ·
Focus Groups (1) ·
Qualitative Collection Methods (1) ·
Semi-Structured Interview (13) ·
Snowball sampling (2) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (3) ·
Survey Research (quantitative; e.g. sales/income reporting) (4) ·
Unstructured Interview (1) ·
Web analytic (online user trace data) (2)
Arts and Humanities Research Council (AHRC) (1) ·
IdeaLab Research Group (The Complutense University of Madrid) (1) ·
John Simon Guggenheim Memorial Foundation (2018) (1) ·
NSF Award #121634 (1) ·
National Council for Scientific and Technological Development (CNPq) (1) ·
Northeastern University Humanities Center (2017–2018) (1) ·
Spangenberg Center for Law, Technology and the Arts at Case Western Reserve University School of Law (1) ·
Spangenberg Center for Law, Technology and the Arts at Case Western Reserve University (1) ·
Spangenberg Center for Law, Technology and the Arts at Case Western Reserve University School of Law (1) ·
The Leverhulme Trust (1) ·
UK Economic and Social Science Research Council (ESRC, ESRC-IAA Business Boost Award) (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (12) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (7) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (8)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (6) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (5) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (3) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (4)
Creative, arts and entertainment (6) ·
Cultural education (4) ·
Film and motion pictures (5) ·
Libraries, archives, museums and other cultural activities (2) ·
Photographic activities (3) ·
Publishing of books, periodicals and other publishing (7) ·
Software publishing (2) ·
Sound recording and music publishing (5) ·
Specialised design (1) ·
Television programmes (3)
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