United States

From Copyright EVIDENCE
Countries
... further results

United States is a country defined within the Copyright Evidence wiki.

The following studies include coverage of this country (292):

 Citation
Aguiar and Waldfogel (2014)Aguiar, Luis, and Joel Waldfogel. Digitization, Copyright, and the Welfare Effects of Music Trade. Copyright, and the Welfare Effects of Music Trade (December 3, 2014) (2014).
Akerlof, Hahn and Litan (2002)Akerlof, G. A., Arrow, K. J., Bresnahan, T., Buchanan, J. M., Coase, R., Cohen, L. R. & Hemphill, C. S. (2002). The copyright term extension act of 1998: An economic analysis. Washington DC: AEI-Brookings Joint Center for Regulatory Studies.
Akester (2009)Akester, P. (2009). Technological accommodation of conflicts between freedom of expression and DRM: the first empirical assessment. Available at SSRN 1469412.
Akmon (2010)Akmon, D. (2010). Only with your permission: how rights holders respond (or don’t respond) to requests to display archival materials online. Archival Science, 10(1), 45-64.
Al-Rafee and Cronan (2006)Al-Rafee, S., & Cronan, T. P. (2006). Digital Piracy: Factors That Influence Attitude Toward Behavior. Journal of Business Ethics, 63(3), 237-259.
Al-Rafee and Dashti (2012)Al-Rafee, S., & Dashti, A. E. (2012). A Cross Cultural Comparison of the Extended TPB: The Case of Digital Piracy. Journal of Global Information Technology Management, 15(1), 5-24.
Altschuller and Benbunan-Fich (2009)Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56.
Aufderheide and Jaszi (2004)Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers.
Aufderheide and Sinnreich (2015)Aufderheide, P., & Sinnreich, A. (2015). Documentarians, fair use, and free expression: changes in copyright attitudes and actions with access to best practices. Information, Communication & Society, (ahead-of-print), 1-10.
BOP Consulting and DotEcon (2015)BOP Consulting, DotEcon (2015). International Comparison of Approaches to Online Copyright Infringement: Final Report, commissioned by the Intellectual Property Office.
Baker and Cunningham (2006)Baker, M., & Cunningham, B. (2006). Court decisions and equity markets: Estimating the value of copyright protection. Journal of Law and Economics 49(2), 567-596.
Balganesh, Manta and Wilkinson-Ryan (2014)Balganesh, S., Manta, I., & Wilkinson-Ryan, T. (2014). Judging similarity. 100 Iowa Law Review 267; University of Pennsylvania Law School, Public Law Research Paper No. 14-15; Hofstra Univ. Legal Studies Research Paper No. 2014-09. Available at SSRN 2409811.
Barker (2012b)Barker, George Robert, 'Estimating the Economic Effects of Fair Use and Other Copyright Exceptions: A Critique of Recent Research in Australia, US, Europe and Singapore' (November 26, 2012).
Bechtold (2013)Bechtold, S., 2013. The fashion of TV show formats.
Beebe (2008)Beebe, B. (2008). An empirical study of US copyright fair use opinions, 1978-2005. University of Pennsylvania Law Review, 549-624.
Belleflamme and Peitz (2014)Belleflammea, Paul, and Martin Peitzb. Digital piracy. (2014).
Belleflamme, Omrani and Peitz (2015)Belleflamme, P., Omrani, N. and Peitz, M., 2015. The economics of crowdfunding platforms. Information Economics and Policy, 33, pp.11-28.
Bellemare and Holmberg (2010)Bellemare, M. F., & Holmberg, A. M. (2010). The determinants of music piracy in a sample of college students. Available at SSRN 1481272.
Benkler (1999)Benkler, Y. (1999). Free as the air to common use: First amendment constraints on enclosure of the public domain. NyuL Rev., 74, 354.
Bessen (2005)Bessen, J. E. (2005). Open source software: Free provision of complex public goods. Boston University. Available at SSRN 588763.
Bezmen and Depken (2006)Bezmen, T. L., & Depken, C. A. (2006). Influences on software piracy: Evidence from the various United States. Economic Letters, 90(3), 356-361.
Bhattacharjee, Gopal and Sanders (2003)Bhattacharjee, S., Gopal, R. D., & Sanders, G. L. (2003). Digital music and online sharing: Software piracy 2.0?. Communications of the ACM, 46(7), 107-111.
Bhattacharjee, Gopal, Lertwachara and Marsden (2006a)Bhattacharjee, S., Gopal, R., Lertwachara, K. and Marsden, J. R. 2006a. Whatever Happened to payola? An Empirical Analysis of Online Music Sharing. Decision Support Systems, 42, 104-120.
Bhattacharjee, Gopal, Lertwachara and Marsden (2006b)Bhattacharjee, S., Gopal, R. D., Lertwachara, K., & Marsden, J. R. (2006). Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal Actions*. Journal of law and economics, 49(1), 91-114.
Bhattacharjee, Gopal, Lertwachara, Marsden and Telang (2007)Bhattacharjee, S., Gopal, R. D., Lertwachara, K., Marsden, J. R., & Telang, R. (2007). The effect of digital sharing technologies on music markets: A survival analysis of albums on ranking charts. Management Science, 53(9), 1359-1374.
Bjork (2012)Björk, B.C., The Hybrid Model for Open Access Publication of Scholarly Articles–a Failed Experiment?.
Blackburn (2004)Blackburn, D . (2004). A study of online piracy and recorded music sales. Harvard University, Working Paper.
Bockstedt, Kauffman and Riggins (2004)Bockstedt, J., Kauffman, R. J., & Riggins, F. J. (2004). The move to artist-led online music distribution: Explaining structural changes in the digital music market. Paper accepted at the 38th Annual Hawaii International Conference on System Sciences.
Boldrin and Levine (2005)Boldrin, M., & Levine, D. K. (2005). Intellectual property and the efficient allocation of social surplus from creation. Review of Economic Research on Copyright Issues, 2(1), 45-67.
Boorstin (2004)Boorstin, E. S. Music Sales in the Age of File Sharing (Doctoral dissertation, Princeton University).
Branstetter, Fisman and Foley (2006)Branstetter, L.G., Fisman, R., & Foley, C. F. (2006). Do stronger intellectual property rights increase international technology transfer? Empirical evidence from U.S. firm-level panel data. The Quarterly Journal of Economics, 121(1), 321-349.
Breyer (1970)Breyer, S., 1970. The uneasy case for copyright: A study of copyright in books, photocopies, and computer programs. Harvard Law Review, pp.281-351.
Brooks (2005)Brooks, T. (2005). Survey of reissues of US recordings. Council on Library and Information Resources.
Brynjolfsson and Smith (2000)Brynjolfsson, E., & Smith, M. D. (2000). Frictionless commerce? A comparison of Internet and conventional retailers. Management Science, 46(4), 563-585.
Buccafusco (2012)Buccafusco, C. J. (2012). Making Sense of Intellectual Property Law. Cornell Law Review, 97, 501.
Buccafusco and Heald (2012)Buccafusco, C., & Heald, P. J. (2012). Do Bad Things Happen When Works Enter the Public Domain: Empirical Tests of Copyright Term Extension. Berkeley Tech. LJ, 28, 1.
Buccafusco and Masur (2013)Buccafusco, Christopher, and Jonathan S. Masur. Innovation and Incarceration: An Economic Analysis of Criminal Intellectual Property Law. S. Cal. L. Rev. 87 (2013): 275.
Buccafusco and Springman (2010)Buccafusco, C. J., & Sprigman, C. J. (2010). Valuing Intellectual Property: An Experiment. Cornell Law Review.
Buccafusco, Burns, Fromer and Sprigman (2014)Buccafusco, C. J., Burns, Z. C., Fromer, J. C., & Sprigman, C. J. (2014). Experimental Tests of Intellectual Property Laws’ Creativity Thresholds. Texas Law Review, 93, 1921.
Cameron (1988)Cameron, S. (1988). The impact of video recorders on cinema attendance. Journal of Cultural Economics, 12(1), 73-80.
Cameron and Bazelon (2013)Cameron, L., & Bazelon, C. (2013). The impact of digitization on business models in copyright driven industries: a review of economic issues. Brattle Groupe paper prepared for the US National Research Council, available at: http://sites.nationalacademies.org/cs/groups/pgasite/documents/webpage/pga_063398.pdf.
Carrier (2012)Carrier, M. A. (2012). Copyright and innovation: The untold story. Wisconsin Law Review 891. Available at SSRN 2099876
Castañer and Campos (2002)Castañer, X. and Campos, L., 2002. The determinants of artistic innovation: Bringing in the role of organizations. Journal of Cultural Economics, 26(1), pp.29-52.
Center for Social Media (2010)Center for Social Media. (2010). Clipping Our Own Wings: Copyright and Creativity in Communication Research. American University.
Charness and Daniela (2014)Charness, G., & Grieco, D. (2014). Creativity and Financial Incentives.
Cheng, Sims and Teegen (1997)Cheng, H. K., Sims, R. R., & Teegen, H. (1997). To purchase or to pirate software: An empirical study. Journal of Management Information Systems, 13(4), 49-60.
Chiang and Assane (2002)Chiang, E., & Assane, D. (2002). Software copyright infringement among college students. Applied Economics, 34(2), 157-166.
Chiang and Assane (2007)Chiang, E. P., & Assane, D. (2007). Determinants of Music Copyright Violations on the University Campus. Journal of Cultural Economics, 31(3), 187-204.
Chiang and Assane (2008)Chiang, E. P., & Assane, D. (2008). Music piracy among students on the university campus: Do males and females react differently?. The Journal of Socio-Economics, 37(4), 1371-1380.
Chiang and Assane (2009)Chiang, E. P., & Assane, D. (2009). Estimating the willingness to pay for digital music. Contemporary Economic Policy, 27(4), 512-522.
... further results