Difference between revisions of "Copyright Evidence"

From Copyright EVIDENCE
Line 33: Line 33:
 
|-
 
|-
 
| style="color:#000;" | <div id="mp-tfa" style="padding:2px 5px">[[Copyright Evidence]] is a digital resource developed by CREATe at the University of Glasgow. The purpose of the Wiki is to categorise existing empirical studies on copyright to inform public debate and policy based on rigorous evidence. Among others, the evidence is catalogued by country, industry and research method, offering an in-depth view of existing findings. The evidence from empirical studies can be complemented with new results from CREATe research databases, such as those related to online consumption behaviour ([http://create.ac.uk/omeba/ OMeBa]), litigation of IP cases ([http://copyrightcentral.arts.gla.ac.uk/litexp/ Litigation Explorer]) and real-time infringement on file sharing networks ([http://create.ac.uk/ipwatchr IPWatchr]).  
 
| style="color:#000;" | <div id="mp-tfa" style="padding:2px 5px">[[Copyright Evidence]] is a digital resource developed by CREATe at the University of Glasgow. The purpose of the Wiki is to categorise existing empirical studies on copyright to inform public debate and policy based on rigorous evidence. Among others, the evidence is catalogued by country, industry and research method, offering an in-depth view of existing findings. The evidence from empirical studies can be complemented with new results from CREATe research databases, such as those related to online consumption behaviour ([http://create.ac.uk/omeba/ OMeBa]), litigation of IP cases ([http://copyrightcentral.arts.gla.ac.uk/litexp/ Litigation Explorer]) and real-time infringement on file sharing networks ([http://create.ac.uk/ipwatchr IPWatchr]).  
 +
[[More About Copyright Evidence]]
 
</div>
 
</div>
 
|-
 
|-
| style="padding:2px;" | <h2 id="mp-dyk-h2" style="margin:3px; background:#cef2e0; font-family:inherit; font-size:120%; font-weight:bold; border:1px solid #a3bfb1; text-align:left; color:#000; padding:0.2em 0.4em;">More about ''Copyright Evidence''</h2>
+
| style="padding:2px;" | <h2 id="mp-tfa-h2" style="margin:3px; background:#cef2e0; font-family:inherit; font-size:120%; font-weight:bold; border:1px solid #a3bfb1; text-align:left; color:#000; padding:0.2em 0.4em;">{{#ifexpr:{{formatnum:{{PAGESIZE:Wikipedia:Today's featured article/{{#time:F j, Y}}}}|R}}>150|From today's featured article|'''Copyright policy issues''' <span style="font-size:85%; font-weight:normal;"></span>}}</h2>
|-
 
| style="color:#000; padding:2px 5px 5px;" | <div id="mp-dyk">[[Copyright Evidence]] intends to establish a body of evidence that allows better decision making in a contested policy field. Competing claims can be assessed and challenged transparently using underlying data and methods. Robustness and limitations of findings are carefully collected and are available here for all to reference.
 
 
 
This project is a form of dynamic literature review in a rapidly changing technological, business and socio-legal landscape. Only very recently, new research methods in combination with the development of big data techniques, which are richer both in size and in depth, have allowed researchers to test empirically [[:Category:Fundamental Issues|key theoretical propositions]] and forced them to build theories which are consistent with observation. This generated the need to evaluate political decisions and design [[:Category:Evidence Based Policies|policy interventions based on evidence]].
 
 
 
This open online platform builds on an innovative research philosophy and examines copyright from an interdisciplinary perspective, while it also facilitates bringing evidence to the debate from studies in fields that were previously overlooked. Relevant empirical work spreads across conventional [[:Category:Methods|methodological]] and [[:Category:Disciplines|disciplinary]] boundaries and it does not need to have "copyright" in the title.
 
 
A crucial dimension of the existing evidence examines different stages of production (e.g. creation, innovation, diffusion, distribution), in various creative industries (e.g. [[Sound recording and music publishing|music]], [[Film and motion pictures|film and motion pictures]], [[Television programmes|TV programmes]], [[Software publishing (including video games)|computer software]], [[Publishing of books, periodicals and other publishing|books]]), and estimates the effects of copyright on diverse agents in each sector, such as creators, investors, distributors, users or society as a whole. The fact that the impact of copyright law differs across various actors, industries and demographic groups, implies the need for more specific policies (for instance, even though the [[Ofcom_(2011)|Ofcom (2011)]] survey provides evidence of heterogeneous consumption patterns, this remains an understudied aspect in most of the existing studies).
 
 
The transition to a global digital economy is associated with new challenges for enforcement authorities, for copyright law and for new business models. Imaginative use of the increasing volume of data is crucial for the design of more effective policies at the national and international level. Importantly, the effects of copyright protection and infringement for welfare, creativity and innovation require that policy decision making be consistent with rigorous empirical analysis.
 
</div>
 
|-
 
| style="padding:2px;" | <h2 id="mp-tfa-h2" style="margin:3px; background:#cef2e0; font-family:inherit; font-size:120%; font-weight:bold; border:1px solid #a3bfb1; text-align:left; color:#000; padding:0.2em 0.4em;">{{#ifexpr:{{formatnum:{{PAGESIZE:Wikipedia:Today's featured article/{{#time:F j, Y}}}}|R}}>150|From today's featured article|'''I. Fundamental issues about the copyright incentive''' <span style="font-size:85%; font-weight:normal;"></span>}}</h2>
 
|-
 
| style="color:#000;" | <div id="mp-tfa" style="padding:2px 5px">
 
 
 
[[1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare|1. Relationship between protection and economic performance]] ({{#ask: [[Category:Studies]] [[Has relationship with fundamental issue::1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare]]| format=count}})
 
 
 
[[2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)?|2. Relationship between creative process, incentives and legal rules]] ({{#ask: [[Category:Studies]] [[Has relationship with fundamental issue::2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)?]]| format=count}})
 
 
 
[[3. Harmony of interest assumption between authors and publishers (creators and producers/investors)|3. Contracts, harmony and conflict of interests between creators and investors]] ({{#ask: [[Category:Studies]] [[Has relationship with fundamental issue::3. Harmony of interest assumption between authors and publishers (creators and producers/investors)]]| format=count}})
 
 
 
[[4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption)|4. Effects of protection on industry structure]] ({{#ask: [[Category:Studies]] [[Has relationship with fundamental issue::4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption)]]| format=count}})
 
 
 
[[5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media)|5. Understanding consumption and use]] ({{#ask: [[Category:Studies]] [[Has relationship with fundamental issue::5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media)]]| format=count}})
 
 
 
</div>
 
|-
 
| style="padding:2px;" | <h2 id="mp-tfa-h2" style="margin:3px; background:#cef2e0; font-family:inherit; font-size:120%; font-weight:bold; border:1px solid #a3bfb1; text-align:left; color:#000; padding:0.2em 0.4em;">{{#ifexpr:{{formatnum:{{PAGESIZE:Wikipedia:Today's featured article/{{#time:F j, Y}}}}|R}}>150|From today's featured article|'''II. Copyright policy issues''' <span style="font-size:85%; font-weight:normal;"></span>}}</h2>
 
 
|-
 
|-
 
| style="color:#000;" | <div id="mp-tfa" style="padding:2px 5px">
 
| style="color:#000;" | <div id="mp-tfa" style="padding:2px 5px">
 +
Studies have been grouped by six key copyright policy themes.
  
 
[[A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right)|A. Nature and scope of exclusive rights]] ({{#ask: [[Category:Studies]] [[Has relationship with evidence based policy::A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right)]]| format=count}})
 
[[A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right)|A. Nature and scope of exclusive rights]] ({{#ask: [[Category:Studies]] [[Has relationship with evidence based policy::A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right)]]| format=count}})
Line 81: Line 54:
  
 
</div>
 
</div>
 +
 +
There is also an opportunity to investigate more fundamental issues relating to the copyright incentive, contracts, consumer behavior and industry structure. This is still <u>work in progress</u>.
 +
 +
[[Fundamental issues about the copyright incentive]]
 +
 +
 
|-
 
|-
 
|}
 
|}
Line 90: Line 69:
  
 
{| id="mp-right" style="width:100%; vertical-align:top; background:#f5faff;"
 
{| id="mp-right" style="width:100%; vertical-align:top; background:#f5faff;"
 +
|-
 +
<!--| style="padding:2px;" | <h2 id="mp-itn-h2" style="margin:3px; background:#cedff2; font-family:inherit; font-size:120%; font-weight:bold; border:1px solid #a3b0bf; text-align:left; color:#000; padding:0.2em 0.4em;">Example Visualisation</h2> [[File:Network_vis.png|link=http://www.copyrightevidence.org/evidence-wiki/index.php/Visualisation_Tools|center|400px| Example Semantic and Visualisation]]
 +
<div style="text-align:center">''This network graph illustrates citation links between key related studies contained in the Evidence Wiki.''</div>
 +
<div>Create your own visualisations:</div>
 +
* <span class="plainlinks">[http://www.copyrightevidence.org/evidence-wiki/index.php/Example_Visualisations Example Semantic Visualisations]
 +
* <span class="plainlinks">[http://www.copyrightevidence.org/evidence-wiki/index.php/Visualisation_Tools Open Visualisation Tools] -->
 
|-
 
|-
 
| style="padding:2px;" | <h2 id="mp-otd-h2" style="margin:3px; background:#cedff2; font-family:inherit; font-size:120%; font-weight:bold; border:1px solid #a3b0bf; text-align:left; color:#000; padding:0.2em 0.4em;">Featured Study</h2>
 
| style="padding:2px;" | <h2 id="mp-otd-h2" style="margin:3px; background:#cedff2; font-family:inherit; font-size:120%; font-weight:bold; border:1px solid #a3b0bf; text-align:left; color:#000; padding:0.2em 0.4em;">Featured Study</h2>
Line 139: Line 124:
 
| style="padding:2px;" | <h2 id="mp-tfp-h2" style="margin:3px; background:#ddcef2; font-family:inherit; font-size:120%; font-weight:bold; border:1px solid #afa3bf; text-align:left; color:#000; padding:0.2em 0.4em">Editorial Information<span style="font-size:85%; font-weight:normal;"></span></h2>
 
| style="padding:2px;" | <h2 id="mp-tfp-h2" style="margin:3px; background:#ddcef2; font-family:inherit; font-size:120%; font-weight:bold; border:1px solid #afa3bf; text-align:left; color:#000; padding:0.2em 0.4em">Editorial Information<span style="font-size:85%; font-weight:normal;"></span></h2>
  
'''Managing Editors'''
+
{|  border="0" style="width:99%;"
 +
|-
 +
| style="margin-right:100px; background:#e9e4ee; border:0; text-align:left; color:#000; padding:0.2em 0.4em" |<strong>Editorial Board</strong>
 +
|-
 +
|Prof. Martin Kretschmer (chair), University of Glasgow <!-- [insert links for all] -->
 +
|-
 +
|Assoc. Prof.  Kristofer Erickson (co-chair), University of Leeds
 +
|-
 +
|Dr Kenneth Barr, University of Glasgow
 +
|-
 +
|Dr Heather Ford, University of Leeds
 +
|-
 +
|Assoc. Prof. Rebecca Giblin, Monash University
 +
|-
 +
|Prof. Paul Heald, University of Illinois
 +
|-
 +
|Dr Thomas Margoni, University of Glasgow
 +
|-
 +
|Dr Theo Koutmeridis University of Glasgow
 +
|-
 +
|Assoc. Prof. Joost Poort, University of Amsterdam
 +
|-
 +
|Fred Saunderson, National Library of Scotland
 +
|-
 +
|Prof. Ruth Towse, Bournemouth University & CREATe
 +
|-
 +
|Amy Thomas (sub-editor), University of Glasgow
 +
|-
 +
|}
 +
 
 +
{|  border="0" style="width:99%;"
 +
|-
 +
| style="margin-right:100px; background:#e9e4ee; border:0; text-align:left; color:#000; padding:0.2em 0.4em" |<strong>Managing Editors</strong>
 +
From 2014 to 2017, the copyright evidence wiki was developed by Theo Koutmeridis (lead editor), Kris Erickson and Martin Kretschmer. Research assistants coding entries were PhD candidates with CREATe, including Kenny Barr, Megan Blakely, Jaakko Miettinen, Victoria Stobo and Andrea Wallace. We have archived a version with GitHub that was produced under the responsibility of this team in January 2018, containing 593 studies.
  
 +
Following the constitution of the editorial board in December 2017, a sub-editor was appointed, managing a search based process to identifying new studies. At this stage, all coding is still performed by research assistants at CREATe but we intend to open the Wiki to users in the future (who already can propose new studies). An editorial review process will be devised that will be open, yet robust enough to prevent capturing of the Wiki platform by any specific interests.
  
*Kris Erickson (media & communications)
+
|-
*Theo Koutmeridis (economics)
+
|}
*Martin Kretschmer (Law) [chair of editorial board]
 
  
 +
{|  border="0" style="width:99%;"
 +
|-
 +
| style="margin-right:100px; background:#e9e4ee; border:0; text-align:left; color:#000; padding:0.2em 0.4em" |<strong>'Selection Methodology</strong>
 +
Guidelines for the cataloguing of copyright evidence where drawn up following a CREATe workshop on 20 October 2014, attended by Sayantan Ghosal (Dpt of Economics, University of Glasgow), Georg v Graevenitz (Queen Mary University of London & CREATe Fellow in Innovation Economics), Morten Hviid (Centre for Competition Policy, University of East Anglia) and Ruth Towse (Bournemouth University & CREATe Fellow in Cultural Economics). Further consultations took place with Chris Buccafusco (New York University), Smita Kheria (University of Edinburgh), Joost Poort (Institute for Information Law, University of Amsterdam & CREATe Fellow in Economics of copyright and media industries) and Steven Watson (Lancaster University).
  
'''Selection Methodology'''
+
An initial selection of studies was drawn from four sources:
 +
 
 +
<ol>
 +
<li>
 +
A scoping review of the "piracy" literature commissioned by CREATe from Watson, Fleming and Zizzo, published in 2014. This used a review technique from the medical sciences to identify more than 50,000 academic sources that were potentially relevant for assessing unlawful file sharing, covering music, film, television, video games, software and books. During the review process, the sources were narrowed down to 206 articles which examined human behaviour.
 +
</li>
 +
<li>
 +
Working papers and pre-prints published in the SSRN e-journal Intellectual Property: Empirical Studies (edited by Christopher J. Buccafusco and David L. Schwartz). 710 papers published between November 1996 and July 2015 were narrowed down to 132 studies relevant to copyright law. These were further reviewed by the core editorial team of the Wiki (Koutmeridis, Erickson, Kretschmer) if they contained "sufficient empirical material" that warranted coding. "Sufficient empirical material" could be quantitative or qualitative. Our working definition excluded anecdotal or journalistic treatment, though single case studies were acceptable if the methodology was articulated and justified. A total of 103 studies were selected and catalogued from this SSRN source.
 +
</li>
 +
<li>
 +
Expert literature reviews conducted by Handke (2011), Kretschmer (2012) and Kheria (2013). They were used to fill some of the gaps left by the "piracy" review, in particular relating to creator perspectives. A total of 81 studies will be catalogued under this method.
 +
</li>
 +
<li>
 +
50 governmental reports on intellectual property/copyright policy, proposed by CREATe doctoral candidates Kenny Barr and Megan Blakely, and reviewed by the core editorial team of the Wiki (Koutmeridis, Erickson, Kretschmer).
 +
</li>
 +
</ol>
 +
 
 +
|-
 +
|}
 +
 
 +
{|  border="0" style="padding-top:1px; width:99%;"
 +
|-
 +
| style="margin-right:100px; background:#e9e4ee; border:0; text-align:left; color:#000; padding:0.2em 0.4em" |This selection of studies was pragmatic. The aim was to set a standard of review, and allocate limited resources for coding. The text that appears in the main page has been commissioned and reviewed by the editorial team. In particular, the initial texts for 'evidence-based copyright policy' have been written by Kris Erickson and Elena Cooper (B. Exceptions) and by Theodore Koutmeridis (F. Enforcement).
 +
 
 +
 
 +
'''How to use and cite The Copyright Evidence Wiki'''
 +
 
 +
If referring to the earlier version archived with GitHub [https://github.com/CREATeCentre/CopyrightEv] in January 2018, we suggest that the resource is cited in the following way:
 +
Koutmeridis, T., Erickson, K. & Kretschmer, M. (eds.) (2014-2017) The Copyright Evidence Wiki: Empirical Evidence for Copyright Policy. CREATe Centre: University of Glasgow. http://CopyrightEvidence.org
 +
When citing the current version, we suggest: The Copyright Evidence Wiki: Empirical Evidence for Copyright Policy. CREATe Centre: University of Glasgow. http://CopyrightEvidence.org Please include the date when the resource was accessed.
 +
 
 +
|-
 +
|}
 +
 
 +
<!-- old section content
  
 
Guidelines for the cataloguing of copyright evidence where developed following a CREATe workshop on 20 October 2014, attended by Sayantan Ghosal (Dpt of Economics, University of Glasgow), Georg v Graevenitz (Queen Mary University of London & CREATe Fellow in Innovation Economics), Morten Hviid (Centre for Competition Policy, University of East Anglia) and Ruth Towse (Bournemouth University & CREATe Fellow in Cultural Economics). Further consultations have taken place with Chris Buccafusco (New York University), Smita Kheria (University of Edinburgh), Joost Poort (Institute for Information Law, University of Amsterdam & CREATe Fellow in Economics of copyright and media industries) and Steven Watson (Lancaster University).  
 
Guidelines for the cataloguing of copyright evidence where developed following a CREATe workshop on 20 October 2014, attended by Sayantan Ghosal (Dpt of Economics, University of Glasgow), Georg v Graevenitz (Queen Mary University of London & CREATe Fellow in Innovation Economics), Morten Hviid (Centre for Competition Policy, University of East Anglia) and Ruth Towse (Bournemouth University & CREATe Fellow in Cultural Economics). Further consultations have taken place with Chris Buccafusco (New York University), Smita Kheria (University of Edinburgh), Joost Poort (Institute for Information Law, University of Amsterdam & CREATe Fellow in Economics of copyright and media industries) and Steven Watson (Lancaster University).  
Line 173: Line 229:
 
When citing, we suggest including the date when the platform was accessed, as the content is subject to revisions.
 
When citing, we suggest including the date when the platform was accessed, as the content is subject to revisions.
 
|}
 
|}
 +
 
|}
 
|}
 +
-->
 
<!--        Footer Bar        -->
 
<!--        Footer Bar        -->
 
{| id="mp-topbanner" style="width:100%; background:#fff; margin:1.2em 0 6px 0; border:1px solid #ddd;"
 
{| id="mp-topbanner" style="width:100%; background:#fff; margin:1.2em 0 6px 0; border:1px solid #ddd;"
  
|[[File:Create logo.jpg|link=http://www.create.ac.uk/|220px|center]]
+
|[[File:Create logo.jpg|link=http://www.create.ac.uk/|160px|center]]
|[[File:Rcuklogo.jpg|link=http://www.rcuk.ac.uk/|220px|center]]
+
|[[File:Rcuklogo.jpg|link=http://www.rcuk.ac.uk/|160px|center]]
|[[File:GULogo.jpg|link=http://www.glasgow.ac.uk/|220px|center]]
+
|[[File:GULogo.jpg|link=http://www.glasgow.ac.uk/|160px|center]]
  
 
|}
 
|}
 
''This is a project of the CREATe copyright research centre at the University of Glasgow. With support from Research Councils UK.''
 
''This is a project of the CREATe copyright research centre at the University of Glasgow. With support from Research Councils UK.''

Revision as of 09:10, 11 June 2019

Welcome to the Copyright Evidence Wiki
The open platform that collects evidence about copyright's role in society
909 studies have been fully catalogued
Book on.png Books
Broadcasting on.png Broadcasting
Education on.png Education
Film on.png Films
Music on.png Music
Photography on.png Photography
Software on.png Software
Television on.png Television
Blue square.png All industries

Introducing Copyright Evidence

Copyright Evidence is a digital resource developed by CREATe at the University of Glasgow. The purpose of the Wiki is to categorise existing empirical studies on copyright to inform public debate and policy based on rigorous evidence. Among others, the evidence is catalogued by country, industry and research method, offering an in-depth view of existing findings. The evidence from empirical studies can be complemented with new results from CREATe research databases, such as those related to online consumption behaviour (OMeBa), litigation of IP cases (Litigation Explorer) and real-time infringement on file sharing networks (IPWatchr).

More About Copyright Evidence

Copyright policy issues

There is also an opportunity to investigate more fundamental issues relating to the copyright incentive, contracts, consumer behavior and industry structure. This is still work in progress.

Fundamental issues about the copyright incentive


Propose-study.pngUserguide.png

Featured Study

Carpou (2016) Carpou, Z. (2016) Robots, Pirates and the Rise of the Automated Takedown Regime: Using the DMCA to Fight Piracy and Protect End-Users. 39 Colum J.L. & Arts 551.

Semantic Drilldown

This feature allows users to browse all studies in the Wiki. See all studies categorised by country, industry, research method, and more. Click here to try it.

Methodology (Analysis)

Editorial Information

Editorial Board
Prof. Martin Kretschmer (chair), University of Glasgow
Assoc. Prof. Kristofer Erickson (co-chair), University of Leeds
Dr Kenneth Barr, University of Glasgow
Dr Heather Ford, University of Leeds
Assoc. Prof. Rebecca Giblin, Monash University
Prof. Paul Heald, University of Illinois
Dr Thomas Margoni, University of Glasgow
Dr Theo Koutmeridis University of Glasgow
Assoc. Prof. Joost Poort, University of Amsterdam
Fred Saunderson, National Library of Scotland
Prof. Ruth Towse, Bournemouth University & CREATe
Amy Thomas (sub-editor), University of Glasgow
Managing Editors

From 2014 to 2017, the copyright evidence wiki was developed by Theo Koutmeridis (lead editor), Kris Erickson and Martin Kretschmer. Research assistants coding entries were PhD candidates with CREATe, including Kenny Barr, Megan Blakely, Jaakko Miettinen, Victoria Stobo and Andrea Wallace. We have archived a version with GitHub that was produced under the responsibility of this team in January 2018, containing 593 studies.

Following the constitution of the editorial board in December 2017, a sub-editor was appointed, managing a search based process to identifying new studies. At this stage, all coding is still performed by research assistants at CREATe but we intend to open the Wiki to users in the future (who already can propose new studies). An editorial review process will be devised that will be open, yet robust enough to prevent capturing of the Wiki platform by any specific interests.

'Selection Methodology

Guidelines for the cataloguing of copyright evidence where drawn up following a CREATe workshop on 20 October 2014, attended by Sayantan Ghosal (Dpt of Economics, University of Glasgow), Georg v Graevenitz (Queen Mary University of London & CREATe Fellow in Innovation Economics), Morten Hviid (Centre for Competition Policy, University of East Anglia) and Ruth Towse (Bournemouth University & CREATe Fellow in Cultural Economics). Further consultations took place with Chris Buccafusco (New York University), Smita Kheria (University of Edinburgh), Joost Poort (Institute for Information Law, University of Amsterdam & CREATe Fellow in Economics of copyright and media industries) and Steven Watson (Lancaster University).

An initial selection of studies was drawn from four sources:

  1. A scoping review of the "piracy" literature commissioned by CREATe from Watson, Fleming and Zizzo, published in 2014. This used a review technique from the medical sciences to identify more than 50,000 academic sources that were potentially relevant for assessing unlawful file sharing, covering music, film, television, video games, software and books. During the review process, the sources were narrowed down to 206 articles which examined human behaviour.
  2. Working papers and pre-prints published in the SSRN e-journal Intellectual Property: Empirical Studies (edited by Christopher J. Buccafusco and David L. Schwartz). 710 papers published between November 1996 and July 2015 were narrowed down to 132 studies relevant to copyright law. These were further reviewed by the core editorial team of the Wiki (Koutmeridis, Erickson, Kretschmer) if they contained "sufficient empirical material" that warranted coding. "Sufficient empirical material" could be quantitative or qualitative. Our working definition excluded anecdotal or journalistic treatment, though single case studies were acceptable if the methodology was articulated and justified. A total of 103 studies were selected and catalogued from this SSRN source.
  3. Expert literature reviews conducted by Handke (2011), Kretschmer (2012) and Kheria (2013). They were used to fill some of the gaps left by the "piracy" review, in particular relating to creator perspectives. A total of 81 studies will be catalogued under this method.
  4. 50 governmental reports on intellectual property/copyright policy, proposed by CREATe doctoral candidates Kenny Barr and Megan Blakely, and reviewed by the core editorial team of the Wiki (Koutmeridis, Erickson, Kretschmer).
This selection of studies was pragmatic. The aim was to set a standard of review, and allocate limited resources for coding. The text that appears in the main page has been commissioned and reviewed by the editorial team. In particular, the initial texts for 'evidence-based copyright policy' have been written by Kris Erickson and Elena Cooper (B. Exceptions) and by Theodore Koutmeridis (F. Enforcement).


How to use and cite The Copyright Evidence Wiki

If referring to the earlier version archived with GitHub [1] in January 2018, we suggest that the resource is cited in the following way: Koutmeridis, T., Erickson, K. & Kretschmer, M. (eds.) (2014-2017) The Copyright Evidence Wiki: Empirical Evidence for Copyright Policy. CREATe Centre: University of Glasgow. http://CopyrightEvidence.org When citing the current version, we suggest: The Copyright Evidence Wiki: Empirical Evidence for Copyright Policy. CREATe Centre: University of Glasgow. http://CopyrightEvidence.org Please include the date when the resource was accessed.

Create logo.jpg
Rcuklogo.jpg
GULogo.jpg

This is a project of the CREATe copyright research centre at the University of Glasgow. With support from Research Councils UK.