Difference between revisions of "IP Crime Annual Report (2015-2016)"
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|Abstract=“The latest IP crime report 2015 to 2016 was published on 28 September 2016. The report highlights current and emerging threats surrounding counterfeiting and piracy, including those conducted via the internet. The report also contains statistical data and enforcement activities from UK law enforcement agencies such as trading standards, police, border force and a number of industry bodies.” | |Abstract=“The latest IP crime report 2015 to 2016 was published on 28 September 2016. The report highlights current and emerging threats surrounding counterfeiting and piracy, including those conducted via the internet. The report also contains statistical data and enforcement activities from UK law enforcement agencies such as trading standards, police, border force and a number of industry bodies.” | ||
|Link=https://www.gov.uk/government/publications/annual-ip-crime-report-2015-to-2016 | |Link=https://www.gov.uk/government/publications/annual-ip-crime-report-2015-to-2016 | ||
− | |Reference=IP Crime Annual Report (2012-2013); IP Crime Annual Report (2013-2014); IP Crime Annual Report (2014-2015); | + | |Reference=IP Crime Annual Report (2012-2013);IP Crime Annual Report (2013-2014);IP Crime Annual Report (2014-2015); |
− | |Plain Text Proposition=• The IPO reports that infringement levels remain steady, with 56% of consumers having paid for <i>some</i> content, whilst 44% consumed for free. with music and film infringement having comparative higher levels of infringement from other sectors (26% and 25% of consumers having consumed illegally). It is estimated that 96 million music tracks alone were accessed illegally between March-May 2015, though this in fact represents a drop from a peak figure of 157 million between the same time period in 2013. Illegal TV programme downloads over the same period reveals a 33% increase (from 12 million to 16 million). By contrast, the Federation Against Software Theft (FAST) reports a drop in consumption of unlicensed software by 22%. | + | |Plain Text Proposition=• The IPO reports that infringement levels remain steady, with 56% of consumers having paid for <i>some</i> content, whilst 44% consumed for free. with music and film infringement having comparative higher levels of infringement from other sectors (26% and 25% of consumers having consumed illegally). It is estimated that 96 million music tracks alone were accessed illegally between March-May 2015, though this in fact represents a drop from a peak figure of 157 million between the same time period in 2013. Illegal TV programme downloads over the same period reveals a 33% increase (from 12 million to 16 million). By contrast, the Federation Against Software Theft (FAST) reports a drop in consumption of unlicensed software by 22%.• Reasons given for infringement suggest behaviours are primarily driven by cost-concerns (49%), convenience (43%) and ease of access/immediacy (37%). Correspondingly, there is also a suggestion that licensed streaming services, such as Netflix, have deterred infringement by providing cheap, convenient and quick means of accessing content.• The Federation Against Copyright Theft (FACT) report increasing concerns regarding internet protocol TV boxes (IPTV), with a third of public complaints concerning this, and taking up 50% of ongoing cases.• China and Hong Kong continue to be the predominant source of IPR infringing goods, noting in particular that online infringements in China are particularly challenging to tackle due to exhaustive requirements in proving ownership. |
− | + | |FundamentalIssue=5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) | |
− | • Reasons given for infringement suggest behaviours are primarily driven by cost-concerns (49%), convenience (43%) and ease of access/immediacy (37%). Correspondingly, there is also a suggestion that licensed streaming services, such as Netflix, have deterred infringement by providing cheap, convenient and quick means of accessing content. | + | |EvidenceBasedPolicy=F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) |
− | |||
− | • The Federation Against Copyright Theft (FACT) report increasing concerns regarding internet protocol TV boxes (IPTV), with a third of public complaints concerning this, and taking up 50% of ongoing cases. | ||
− | |||
− | • China and Hong Kong continue to be the predominant source of IPR infringing goods, noting in particular that online infringements in China are particularly challenging to tackle due to exhaustive requirements in proving ownership. | ||
− | |FundamentalIssue=5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) | ||
− | |EvidenceBasedPolicy=F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) | ||
|Discipline=K4: Legal Procedure; the Legal System; and Illegal Behavior, K42: Illegal Behavior and the Enforcement of Law, O34: Intellectual Property and Intellectual Capital, O38: Government Policy | |Discipline=K4: Legal Procedure; the Legal System; and Illegal Behavior, K42: Illegal Behavior and the Enforcement of Law, O34: Intellectual Property and Intellectual Capital, O38: Government Policy | ||
|Intervention-Response=No policy implications are stated by the authors. | |Intervention-Response=No policy implications are stated by the authors. | ||
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|Method of Analysis=Quantitative Analysis Methods, Qualitative Analysis Methods | |Method of Analysis=Quantitative Analysis Methods, Qualitative Analysis Methods | ||
|Industry=Publishing of books, periodicals and other publishing; Software publishing (including video games); Film and motion pictures; Television programmes; Sound recording and music publishing; Creative, arts and entertainment; | |Industry=Publishing of books, periodicals and other publishing; Software publishing (including video games); Film and motion pictures; Television programmes; Sound recording and music publishing; Creative, arts and entertainment; | ||
− | |Country= | + | |Country=United Kingdom |
|Cross-country=No | |Cross-country=No | ||
|Comparative=No | |Comparative=No | ||
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|Funded By=Intellectual Property Office; | |Funded By=Intellectual Property Office; | ||
}} | }} | ||
− | |||
}} | }} |
Revision as of 13:33, 20 April 2020
Contents
Source Details
IP Crime Annual Report (2015-2016) | |
Title: | IP Crime Annual Report (2015-2016) |
Author(s): | IP Crime Group |
Year: | 2015 |
Citation: | IP Crime Group (2016) IP Crime Annual Report (2015-2016) |
Link(s): | Open Access |
Key Related Studies: | |
Discipline: | |
Linked by: | IP Crime Annual Report (2016-2017), IP Crime Annual Report (2017-2018) |
About the Data | |
Data Description: | The report consists of an amalgamation of different reports and information from various organisations, including law enforcement agencies (trading standards, police) and industry bodies (e.g. BPI) |
Data Type: | Primary and Secondary data |
Secondary Data Sources: | |
Data Collection Methods: | |
Data Analysis Methods: | |
Industry(ies): | |
Country(ies): | |
Cross Country Study?: | No |
Comparative Study?: | No |
Literature review?: | No |
Government or policy study?: | Yes |
Time Period(s) of Collection: |
|
Funder(s): |
|
Abstract
“The latest IP crime report 2015 to 2016 was published on 28 September 2016. The report highlights current and emerging threats surrounding counterfeiting and piracy, including those conducted via the internet. The report also contains statistical data and enforcement activities from UK law enforcement agencies such as trading standards, police, border force and a number of industry bodies.”
Main Results of the Study
• The IPO reports that infringement levels remain steady, with 56% of consumers having paid for some content, whilst 44% consumed for free. with music and film infringement having comparative higher levels of infringement from other sectors (26% and 25% of consumers having consumed illegally). It is estimated that 96 million music tracks alone were accessed illegally between March-May 2015, though this in fact represents a drop from a peak figure of 157 million between the same time period in 2013. Illegal TV programme downloads over the same period reveals a 33% increase (from 12 million to 16 million). By contrast, the Federation Against Software Theft (FAST) reports a drop in consumption of unlicensed software by 22%.• Reasons given for infringement suggest behaviours are primarily driven by cost-concerns (49%), convenience (43%) and ease of access/immediacy (37%). Correspondingly, there is also a suggestion that licensed streaming services, such as Netflix, have deterred infringement by providing cheap, convenient and quick means of accessing content.• The Federation Against Copyright Theft (FACT) report increasing concerns regarding internet protocol TV boxes (IPTV), with a third of public complaints concerning this, and taking up 50% of ongoing cases.• China and Hong Kong continue to be the predominant source of IPR infringing goods, noting in particular that online infringements in China are particularly challenging to tackle due to exhaustive requirements in proving ownership.
Policy Implications as Stated By Author
No policy implications are stated by the authors.
Coverage of Study
Datasets
{{{Dataset}}}