K10: General

From Copyright EVIDENCE
Disciplines
A full list of disciplines is available here

K10: General is a discipline defined within the Copyright Evidence wiki. It is based on the JEL Discipline Classification System.

The following studies are coded as being associated with this discipline (8):

 Citation
Brauneis and Oliar (2016)Brauneis, R. and Olliar, D. (2016) Copyright’s Race, Gender and Age: A First Quantitative Look at Registrations. GWU Law School Public Law Research paper No. 2016-48
Butler, Aufderheide, Jaszi and Cox (2019)Butler, B., Aufderheide, P., Jaszi, P., & Cox, K. (2019). Cracking the Copyright Dilemma in Software Preservation: Protecting Digital Culture through Fair Use Consensus? Journal of Copyright in Education and Librarianship, 3(3), 1-23.
Depoorter, Van Hiel and Vanneste (2011)Depoorter, B., Vanneste, S., & Van Hiel, A. (2011). Copyright Backlash. Southern California Law Review, 84.
Fietkiewicz (2020)Fietkiewicz K.J. (2020) The Law of Live Streaming: A Systematic Literature Review and Analysis of German Legal Framework. In: Meiselwitz G. (eds) Social Computing and Social Media. Design, Ethics, User Behavior, and Social Network Analysis. HCII 2020. Lecture Notes in Computer Science, vol 12194. Springer, Cham. pp. 227-242
Garcia (2020)Garcia, Kristelia (2020) Contracts & Copyright: Contemporary Musician Income Streams. The Oxford Handbook of Music Law and Policy, Forthcoming, U of Colorado Law Legal Studies Research Paper No. 20-32, Available at SSRN: https://ssrn.com/abstract=3620401 or http://dx.doi.org/10.2139/ssrn.3620401
Garcia and McCrary (2019)Garcia, K. and McCrary, J. (2019) A Reconsideration of Copyright’s Term. Alabama Law Review, 71(2)
Mezei and Harkai (2022)Mezei, P. Harkai, I. (2022). End-User Flexibilities in Digital Copyright Law – An Empirical Analysis of End-user License Agreements. Interactive Entertainment Law Review, 5(1), p. 2-21.
Perritt (2011)Perritt Jr, H. H. (2011). New business models for music. Villanova Sports and Entertainment Law Journal 63.