Programming and broadcasting

Industry Sectors

Advertising (9) Architectural (8) Computer consultancy (10) Computer programming (23) Creative, arts and entertainment (196) Cultural education (71) Film and motion pictures (258) Libraries, archives, museums and other cultural activities (64) PR and communication (9) Photographic activities (54) Programming and broadcasting (47) Publishing of books, periodicals and other publishing (253) Software publishing (217) Sound recording and music publishing (400) Specialised design (19) Television programmes (146) Translation and interpretation (5) Video game publishing (15)

Programming and broadcasting is an industry sector defined within the Copyright Evidence wiki.

The following studies involve this industry sector (47):

	Citation
Asser Institute and IViR (2014)	T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012
BOP Consulting and DotEcon (2015)	BOP Consulting, DotEcon (2015). International Comparison of Approaches to Online Copyright Infringement: Final Report, commissioned by the Intellectual Property Office.
Baker and Cunningham (2006)	Baker, M., & Cunningham, B. (2006). Court decisions and equity markets: Estimating the value of copyright protection. Journal of Law and Economics 49(2), 567-596.
Batikas, Claussen and Peukert (2019)	Batikas, M., Claussen, J., & Peukert, C. (2019). Follow the money: Online piracy and self-regulation in the advertising industry. International Journal of Industrial Organization, 65, 121-151.
Bechtold (2013)	Bechtold, S., 2013. The fashion of TV show formats.
Bechtold, Buccafusco and Sprigman (2016)	Bechtold, S., Buccafusco, C. And Sprigman, J.C. (2016) Innovation Heuristics: Experiments on Sequential Creativity in Intellectual Property. Indiana Law Journal, 2016, Forthcoming.
Bellégo and Nijs (2020)	Bellégo, C., & De Nijs, R. (2020). The Unintended Consequences of Antipiracy Laws on Markets with Asymmetric Piracy: The Case of the French Movie Industry. Information Systems Research, 31(4), 1064-1086.
Borghi, Maggiolino, Montagnani and Nuccio (2012)	Borghi, M., Maggiolino, M., Montagnani, M.L. & Nuccio, M. (2012). Determinants in the online distribution of digital content: An exploratory analysis. European Journal for Law and Technology, 3(2), 1-29.
Charles River Associates (2014)	Charles River Associates, Economic Analysis of the Territoriality of the Making Available Right in the EU (2014).
Chiou and Tucker (2011)	Chiou, Lesley and Tucker, Catherine, Copyright, Digitization, and Aggregation (December 13, 2011). NET Institute Working Paper No. 11-18.
Doseva, Schmid-Petri, Schillmöller, Heckmann (2022)	Doseva, S. & Schmid-Petri, H. & Schillmöller, J. & Heckmann, D. (2022). Uploaders' perceptions of the German implementation of the EU copyright reform and their preferences for copyright regulation. Internet Policy Review, 11(4).
Envisional (2011)	Envisional (2011), Technical report: An Estimate of Infringing Use of the Internet
Farooqui, Goodridge and Haskel (2011)	Farooqui, S., Goodridge, P., & Haskel, J. (2011). The Role of Intellectual Property Rights in the UK Market Sector. Intellectual Property, 2.
Fietkiewicz (2020)	Fietkiewicz K.J. (2020) The Law of Live Streaming: A Systematic Literature Review and Analysis of German Legal Framework. In: Meiselwitz G. (eds) Social Computing and Social Media. Design, Ethics, User Behavior, and Social Network Analysis. HCII 2020. Lecture Notes in Computer Science, vol 12194. Springer, Cham. pp. 227-242
Frank N. Magid Associates (2009)	Frank, N. Magid Associates. 2009. Introducing Hollywood’s best customers: Vuze user vs. general internet: Comparative data.
Fromer and Lemley (2013)	Fromer, Jeanne C., and Mark A. Lemley. "Audience in Intellectual Property Infringement, The." Mich. L. Rev. 112 (2013): 1251.
Geradin (2005)	Geradin, Damien. Access to content by new media platforms: a review of the competition law problems. European Law Review, February (2005).
GfK Belgium (2015)	GfK Belgium, Provision of two online consumer surveys as support and evidence base to a Commission study: Identifying the main cross-border obstacles to the Digital Single Market and where they matter most
Goodridge, Haskel and Mitra-Kahn (2012)	Goodridge, P., Haskel, J. & Mitra-Kahn, B. (2012) Updating the value of UK copyright investment, IPO, 2012
Goolsbee and Petrin (2004)	Goolsbee, A., & Petrin, A. (2004). The consumer gains from direct broadcast satellites and the competition with cable TV. Econometrica, 72(2), 351-381.
Gowers (2006)	Gowers, A. (2006). Gowers Review of Intellectual Property. The Stationery Office.
Hadopi (2011)	HADOPI. 2011. Hadopi, cultural assets and internet use: practices and perceptions of French internet users (Online). Available: http://www.hadopi.fr/download/HADOPI_T0_version_long.pdf.
Hargreaves (2011)	Hargreaves, I. (2011). Digital Opportunity. A Review of Intellectual Property and Growth,
Hazucha, Liu and Watabe (2013)	Hazucha, B., Liu, H. and Watabe, T, Copyright, Technological Protection Measures and Their Acceptance by Consumers in Japan, SERCI Annual Congress Conference Paper (2013).
IHS Technology (2015)	IHS Technology, Current Market and Technology Trends in the Broadcasting Sector, WIPO Standing Committee on Copyright and Related Rights, SCCR/30/5(Jun. 2015)
Intellectual Property Office (2016b)	Intellectual Property Office (2016), Government Response to the further consultation and technical review on changes to Section 72 of the Copyright, Designs and Patents Act 1988 (which permits the free public showing or playing of a film contained in a broadcast).
Intellectual Property Office, Kantar Media (2016)	IPO. (2016). Online Copyright Infringement Tracker – Latest wave of research Mar 16 – May 16. Overview and Key Findings.
Karaganis and Urban (2015)	Karaganis, J., & Urban, J. (2015). The rise of the robo notice. Communications of the ACM, 58(9), 28-30.
Krishnan and Sitaraman (2012)	Krishnan and Sitaraman, Video Stream Quality Impacts Viewer Behavior: Inferring Causality Using Quasi-Experimental Designs, (2012).
Larsson, Svensson, Mezei and De Kaminski (2014)	Larsson, S., Svensson, M., Mezei, P., & De Kaminski, M. (2014). The Digital Intellectual Property Challenge Revisited: File-sharing and Copyright Development in Hungary.
Miceli and Adelstein (2006)	Miceli, Thomas J., and Richard P. Adelstein. An economic model of fair use. Information Economics and Policy 18.4 (2006): 359-373.
Oliar, Pattison and Powell (2014)	Oliar, D., Pattison, N., & Powell, K. R. (2013). Copyright Registrations: Who, What, When, Where, and Why. Tex. L. Rev., 92, 2211.
Pertierra (2012)	Pertierra, A. C. (2012). If They Show Prison Break in the United States on a Wednesday, by Thursday It Is Here: Mobile Media Networks in Twenty-First-Century Cuba. Television & New Media, 13, 399-414.
PricewaterhouseCoopers (2008)	Making the Intangible Tangible: The Economic Contribution of Australia's Copyright Industries, PricewaterhouseCoopers, http://web.archive.org/web/20101206161639/http://www.copyright.org.au/admin/cms-acc1/_images/13730910374c97f6ba497bf.pdf (2008).
PricewaterhouseCoopers (2016)	PricewaterhouseCoopers Australia Report 'Understanding the costs and benefits of introducing a ‘fair use’ exception', 2016.
Reid (2021)	Reid, A. (2021). Clarity: An Analysis of DMCA Repeat Infringer Policies, 61. JURIMETRICS J, 405-41.
Rendas (2017)	Rendas, T. (2017) Copyright, Technology and the CJEU: An Empirical Study. International Review of Intellectual Property and Competition Law (IIC), Forthcoming
Sag (2012)	Sag, M. (2012). Predicting fair use. Ohio State Law Journal, 73, 1.
Silbey (2014a)	Silbey, J. (2014) The Eureka Myth: Creators, Innovators and Everyday Intellectual Property. Stanford University Press: Stanford.
Singh and Kretschmer (2012)	Singh, S., Kretschmer, M. (2012). Strategic behaviour in the international exploitation of TV formats: A case study of the idols format. Chapter 1 in edited volume – Idols: Authenticity, Identity and Performance in a Global Television Format (eds. Koos Zwaan and Joost de Bruin), Farnham: Ashgate.
Sinnreich et al. (2020)	Sinnreich, A., Aufderheide, P., Clifford, M. and Shahin, S. (2020) Access shrugged: The decline of the copyleft and the rise of utilitarian openness. New Media & Society.
Taylor (2012)	Taylor, S. A. (2012). Evaluating digital piracy intentions on behaviors. Journal of Services Marketing, 26(7), 472-483.
Towse (2018)	Towse (2018) Copyright Reversion in The Creative Industries: Economics and Fair Remuneration. 41 Colum J.L. & Arts 467
United States Copyright Office (2011)	Satellite Extension and Localism Act (STELA), Section 302 Report, United States Copyright Office (2011), available at http://copyright.gov/reports/section302-report.pdf.
Waldfogel (2009)	Waldfogel, J. (2009). Lost on the web: Does web distribution stimulate or depress television viewing? Information Economics and Policy, 21(2), 158-168.
Watt (2009)	Watt, Richard. An Empirical Analysis of the Economics of Copyright: How Valid are the Results of Studies in Developed Countries for Developing Countries?. The Economics of Intellectual Property (2009): 65.
Yu (2010)	Yu, S. (2010). Product placement and digital piracy: How young Chinese viewers react to the unconventional method of corporate cultural globalization. Communication, Culture & Critique, 3(3), 435-463.