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From Copyright EVIDENCE
Ku, Sun and Fan (2009)Ku, R. S. R., Sun, J., & Fan, Y. (2009). Does Copyright Law Promote Creativity? An Empirical Analysis of Copyright's Bounty. Vanderbilt Law Review, 63, 09-20.
Lakhani and Von Hippel (2003)Lakhani, K. R., & Von Hippel, E. (2003). How open source software works:“free” user-to-user assistance. Research policy, 32(6), 923-943.
Larose, Lai, Lange, Love and Wu (2005)LaRose, R., Lai, Y. J., Lange, R., Love, B., & Wu, Y. (2005). Sharing or piracy? An exploration of downloading behavior. Journal of Computer‐Mediated Communication, 11(1), 1-21.
Lee, Fenoff and Paek (2019)Lee, B., Fenoff, R., and Paek, S.Y. (2019) Correlates of participation in e-book piracy on campus. The Journal of Academic Librarianship, 45 pp299-304
Lee, Yeop Paek and Fenoff (2018)Lee, B., Yeop Paek, S., Fenoff, R. Factors associated with digital piracy among early adolescents. Child and Youth Services Review. DOI:
Leung (2009)Leung, T. C. (2008). Should the music industry sue its own customers? Impacts of music piracy and policy suggestions. University of Minnesota, retrieved Nov, 28, 2012.
Liebowitz (2008)Liebowitz, S. J. (2008). Testing file-sharing's impact by examining record sales in cities. Management Science, 54(4), 852-859.
Long (2011)Long, X. (2011). Intellectual Property Rights Protection and Recorded Music Sales—Focus on 26 OECD Countries Panel Data. Frontiers of Economics in China, 6(2), 211-228.
Madden (2004)Madden, M. (2004). Artists, musicians and the internet. Pew Internet & American Life Project.
Malin and Fowers (2009)Malin, J., & Fowers, B. J. (2009). Adolescent Self-control and Music and Movie Piracy. Computers in Human Behavior, 25(3), 718-722.
Mandel (2013)Mandel, Gregory N., The Public Psychology of Intellectual Property (March 27, 2013). Florida Law Review, Vol. 66, 2013 (Forthcoming); Temple University Legal Studies Research Paper No. 2013-23.
Montoro-Pons and Cuadrado-García (2008)Montoro Pons, J. D., & García, M. C. (2008). Legal origin and intellectual property rights: an empirical study in the prerecorded music sector. European Journal of Law and Economics, 26(2), 153-173.
Morris and Higgins (2010)Morris, R. G., & Higgins, G. E. (2010). Criminological theory in the digital age: The case of social learning theory and digital piracy. Journal of Criminal Justice, 38(4), 470-480.
Nandi and Rochelandet (2008)Nandi, T. K., & Rochelandet, F. (2008). The incentives for contributing digital contents over P2P networks: an empirical investigation. Review of Economic Research on Copyright Issues, 5, 19-35.
North and Oishi (2006)North, A. C., & Oishi, A. (2006). Music CD purchase decisions. Journal of Applied Social Psychology, 36(12), 3043-3084.
Nunes, Hsee and Weber (2004)Nunes, J. C., Hsee, C. K., & Weber, E. U. (2004). Why are people so prone to steal software? The effect of cost structure on consumer purchase and payment intentions. Journal of Public Policy and Marketing, 23(1), 43-53.
Oestreicher-Singer and Sundararajan (2010)Oestreicher-Singer, G., & Sundararajan, A. (2010). Are digital rights valuable? Theory and evidence from ebook pricing.
Oliar, Pattison and Powell (2014)Oliar, D., Pattison, N., & Powell, K. R. (2013). Copyright Registrations: Who, What, When, Where, and Why. Tex. L. Rev., 92, 2211.
Peace, Galletta and Thong (2003)Peace, A. G., Galletta, D. F., & Thong, J. Y. (2003). Software piracy in the workplace: A model and empirical test. Journal of Management Information Systems, 20(1), 153-177.
Png and Wang (2006)Png, I. P., & Wang, Q. H. (2009). Copyright Duration and the Supply of Creative Work: Evidence from the Movies. Manuscript, National University of Singapore.