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Pappalardo, Aufderheide, Stevens, and Suzor (2017)Pappalardo, K., Aufderheide, P., Stevens, J., and Suzor, N. (2017) Imagination foregone: A qualitative study of the reuse practices of Australian creators. Report produced for the Australian Digital Alliance.
Peace, Galletta and Thong (2003)Peace, A. G., Galletta, D. F., & Thong, J. Y. (2003). Software piracy in the workplace: A model and empirical test. Journal of Management Information Systems, 20(1), 153-177.
Png (2006)Png, I. P. (2006). Copyright: A plea for empirical research. Available at SSRN 931587.
Quintais, De Gregorio and Magalhaes (2023)Quintais, J. P., De Gregorio, G., & Magalhães, J. C. (2023). How platforms govern users’ copyright-protected content: Exploring the power of private ordering and its implications. Computer Law & Security Review, 48.
Quiring, Von Walter and Atterer (2008)Quiring, O., Von Walter, B., & Atterer, R. (2008). Can filesharers be triggered by economic incentives? Results of an experiment. New Media & Society, 10(3), 433-453.
Rappaport (1998)Rappaport, E. B. (1998, May). Copyright term extension: Estimating the economic values. Congressional Research Service, Library of Congress.
Reda (2015)Reda, J., Draft Report on the Implementation of Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001 on the Harmonisation of Certain Aspects of Copyright and Related Rights in the Information Society, Committee on Legal Affairs, European Parliament (2014/2256(INI)).
Sarikakis, Krug and Rodriguez-Amat (2017)Sarikakis et al., Defining authorship in user-generated content: Copyright struggles in The Game of Thrones, new media & society 2017, Vol. 19(4) p.542–p.559. Available at http://journals.sagepub.com/doi/abs/10.1177/1461444815612446
Savage, Cronin, Müllensiefen and Atkinson (2018)Savage, P.E., Cronin, C., Müllensiefen, D. And Atkinson, Q.D. (2018) Quantitative Evaluation of Music Copyright Infringement. Conference: Proceedings of the Folk Music Analysis 2018 Workshop.
Scotchmer (2011)Scotchmer, S. (2011). Ideas and Innovations: Which should be subsidized?. Available at SSRN 1755091.
Seng (2015b)Seng, D.K.B (2015). Who Watches the Watchmen": An Empirical Analysis of the Reasons for Rejecting Copyright Takedown Notices. Available at SSRN: https://ssrn.com/abstract=3687861 or http://dx.doi.org/10.2139/ssrn.3687861
Sinclair and Green (2016)Sinclair, G and Green, T (2018) Download or stream? Steal or buy? Developing a typology of today's music consumer. Journal of Consumer Behaviour, 15(1), pp 3 - 14
Siwek (2009)Siwek, S. E. (2009). Copyright Industries in the U.S. Economy: 2003-2007 Report. Economists Incorporated.
Somaya and Grahan (2006)Somaya, D., & Graham, S. J. (2006). Vermeers and Rembrandts in the same attic: Complementarity between copyright and trademark leveraging strategies in software. Georgia Institute of Technology TIGER Working Paper.
Tan (2015)Tan, C.H.Y. (2015) Technological “Nudges” and Copyright on Social Media Sites. IPQ Issue 1.
Tang and Fam (2005)Tang, J. H., & Farn, C. K. (2005). The effect of interpersonal influence on softlifting intention and behaviour. Journal of Business Ethics, 56(2), 149-161.
Towse (2015)Towse, Ruth. "Copyright and Business Models in UK Music Publishing."
Van Roessel and Katzenbach (2018)van Roessel, L. And Katzenbach, C. (2018) Navigating the grey area: Game production between inspiration and imitation. Convergence: The International Journal of Research into New Media and Technologies.
Wang, Chen, Yang and Farn (2009)Wang, C. C., Chen, C. T., Yang, S. C., & Farn, C. K. (2009). Pirate or buy? The moderating effect of idolatry. Journal of Business Ethics, 90(1), 81-93.
Wang, Yang and Bhattacharjee (2011)Wang, J., Yang, Z., & Bhattacharjee, S. (2011). Same coin, different sides: Differential impact of social learning on two facets of music piracy. Journal of Management Information Systems, 28(3), 343-384.