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From Copyright EVIDENCE
| Citation | |
|---|---|
| Owen and O'Dair (2020) 2 | Owen, R. and O'Dair, M. (2020), How blockchain technology can monetize new music ventures: an examination of new business models, Journal of Risk Finance, Vol. 21 No. 4, pp. 333-353. |
| Penney (2017) | Penney, J. (2017) Internet Surveillance, Regulation, and Chilling Effects Online: A Comparative Case Study. Internet Policy Review (Forthcoming). Available at SSRN: https://ssrn.com/abstract=2959611 |
| Peukert, Claussen and Kretschmer (2015) | Peukert, C., Claussen, J. and Kretschmer, T., 2015. Piracy and box office movie revenues: Evidence from megaupload. Available at SSRN 2176246. |
| Piolatto and Schuett (2012) | Piolatto, Amedeo, and Florian Schuett. Music piracy: A case of “the rich get richer and the poor get poorer”. Information Economics and Policy 24.1 (2012): 30-39. |
| Poor (2012) | Poor, N. (2012) When Firms Encourage Copying: Cultural Borrowing as Standard Practice in Game Spaces. International Journal of Communication 6, 689–709 |
| PricewaterhouseCoopers (2016) | PricewaterhouseCoopers Australia Report 'Understanding the costs and benefits of introducing a ‘fair use’ exception', 2016. |
| Pritcher (2000) | Pritcher, L., 2000. Ad* access: seeking copyright permissions for a digital age. |
| Quintais, De Gregorio and Magalhaes (2023) | Quintais, J. P., De Gregorio, G., & Magalhães, J. C. (2023). How platforms govern users’ copyright-protected content: Exploring the power of private ordering and its implications. Computer Law & Security Review, 48. |
| Sag (2015) | Sag, M. (2015). IP Litigation in United States District Courts: 1994 to 2014. Available at SSRN 2570803. |
| Scotchmer (2011) | Scotchmer, S. (2011). Ideas and Innovations: Which should be subsidized?. Available at SSRN 1755091. |
| Searle (2011) | Searle, N., 2011. Changing Business Models in the Creative Industries: The cases of Television, Computer Games and Music. Computer Games and Music (August 5, 2011). |
| Secker, Gadd and Morrison (2019) | Secker, J., Gadd, E., & Morrison, C. (2019) Understanding the value of the CLA Licence to UK higher education. Available: https://ukcopyrightliteracy.files.wordpress.com/2019/07/cnac-research-project-report-final-with-logos-1.pdf (last accessed: 8 August 2019) |
| Stobo, Deazley and Anderson (2013) | Stobo, V., Deazley, R. and Anderson, I., 2013. Copyright & Risk: Scoping the Wellcome Digital Library Project (Vol. 10, pp. 17-23). CREATe Working Paper. |
| Tan (2014) | Tan, C.H.Y. (2014) Terms of Service on Social Media Sites. 19(2) Media and Arts Law Review, 195-220 |
| Tan (2015) | Tan, C.H.Y. (2015) Technological “Nudges” and Copyright on Social Media Sites. IPQ Issue 1. |
| Tanaka (2018) | Tanaka, J. (2018) Promoting Asian American Representation Through Copyright: Moral Rights in The Last Airbender and Fair Use in Ms. Marvel. 25 Asian American Law Journal, 88. |
| Tatum, Spoo and Pope (2009) | Tatum, Melissa L. and Spoo, Robert E. and Pope, Benjamin, Does Gender Influence Attitudes toward Copyright in the Filk Community? (September 2009). American University Journal of Gender, Social Policy & the Law, Vol. 18, forthcoming 2010; Arizona Legal Studies Discussion Paper No. 09-21. |
| Telang and Waldfogel (2014) | Telang, R. and Waldfogel, J. (2014) Piracy and New Product Creation: A Bollywood Story. Available at SSRN: https://ssrn.com/abstract=2478755 |
| Thomes (2013) | Thomes, Tim Paul. An economic analysis of online streaming music services. Information Economics and Policy 25.2 (2013): 81-91. |
| Thompson and Muir (2020) | Thompson, S. D., & Muir, A. (2020). A case study investigation of academic library support for open educational resources in Scottish universities. Journal of Librarianship and Information Science, 52(3), 685-693. |
