Semantic search
From Copyright EVIDENCE
Citation | |
---|---|
Chiang and Assane (2009) | Chiang, E. P., & Assane, D. (2009). Estimating the willingness to pay for digital music. Contemporary Economic Policy, 27(4), 512-522. |
Chiou, Huang and Lee (2005) | Chiou, J. S., Huang, C. Y., & Lee, H. H. (2005). The antecedents of music piracy attitudes and intentions. Journal of Business Ethics, 57(2), 161-174. |
Cockrill and Goode (2012) | Cockrill, A., & Goode, M. M. (2012). DVD Pirating Intentions: Angels, Devils, Chancers and Receivers. Journal of Consumer Behaviour, 11(1), 1-10. |
Cohen, Nelson and Walsh (2000) | Cohen, W. M., Nelson, R. R., & Walsh, J.P. (2000). Protecting their intellectual assets: Appropriability conditions and why U.S. manufacturing firms patent(or not). National Bureau of Economic Research, Working Paper No.7552. |
Collections Trust (2015) | Collections Trust (2015) Striking the Balance: How NMDC members are balancing public access and commercial reuse of digital content. A report by the Collections Trust commissioned by the NMDC <https://www.nationalmuseums.org.uk/media/documents/publications/striking_the_balance.pdf> (accessed 6 January 2022) |
Collopy, Bastian, Drye, Koempel, Lewis, Jenner (2014) | Collopy, D., Bastian, V., Drye, T., Koempel, F., Lewis, D., & Jenner, P. (2014). Measuring Infringement of Intellectual Property Rights. |
Commission of the European Communities (2005a) | DG Internal Market and Services Working Paper, Commission of the European Communities (2005) |
Commission of the European Communities (2005b) | Study on a Community Initiative on the Cross-border Collective Management of Copyright, Commission of the European Communities (2005), available at http://ec.europa.eu/internal_market/copyright/docs/management/study-collectivemgmt_en.pdf. |
Condry (2004) | Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363. |
Cooper and Burrow (2018) | Cooper, E. and Burrow, S. (2018) Photographic Copyright and the Intellectual Property Enterprise Court in Historical Perspective. CREATe Working Paper Series DOI: 10.5281/zenodo.1246559. |
Corbett (2011) | Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report. |
Cornwell (2017) | Cornwell, J. (2017) Intellectual Property Litigation at the Court of Session: A First Empirical Investigation. Edinburgh Law Review, Volume 21, Issue 2, pp192-216. |
Corporate Europe Observatory (2018) | Corporate Europe Observatory (2018) Copyright Directive: how competing big business lobbies drowned out critical voices. Available via: https://corporateeurope.org/en/2018/12/copyright-directive-how-competing-big-business-lobbies-drowned-out-critical-voices (last accessed: 7 June 2019) |
Cotropia and Gibson (2014) | Cotropia, C. A., & Gibson, J. (2014). Copyright's Topography: An Empirical Study of Copyright Litigation. Texas Law Review, 92(7). |
Coyle, Gould, Gupta and Gupta (2009) | Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037. |
Creative Content Australia (2015) | Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults. |
Crews (2015) | Crews, K., Study on Copyright Limitations and Related Rights, Standing Committee on Copyright and Related Rights, Thirtieth Session, SCCR/30/3 (2015). |
Cuntz (2018) | Cuntz, A. (, 2018). Creator’s Income Situation in the Digital Age. LIS Working Papers 755, LIS Cross-National Data Center in Luxembourg. |
Cuntz (2020) | Cuntz, A. (2020) Grand rights and opera reuse today. WIPO Economic Research Working Paper No.62 |
Cuntz and Bergquist (2020) | |
Danahar, Smith and Teland (2015) | Danaher, B., Smith, M., Teland, R.,'Copyright Enforcement in the Digital Age: Empirical Evidence and Conclusions', WIPO/ACE/10/20, 2015 |
Danaher and Smith (2013) | Danaher, B., & Smith, M. D. (2014). Gone in 60 seconds: the impact of the Megaupload shutdown on movie sales. International Journal of Industrial Organization, 33, 1-8. |
Danaher and Waldfogel (2012) | Danaher, B., & Waldfogel, J. (2012). Reel Piracy: The Effect of Online Film Piracy on International Box Office Sales. Available at SSRN 1986299. |
Danaher et al. (2019) | Danaher, Brett and Hersh, Jonathan Samuel and Smith, Michael D. and Telang, Rahul, The Effect of Piracy Website Blocking on Consumer Behavior (August 13, 2019). Available at SSRN: https://ssrn.com/abstract=2612063 or http://dx.doi.org/10.2139/ssrn.2612063 |
Danaher, Smith and Telang (2016) | Danaher, B., Smith, M.D. and Telang, R. (2016) Website Blocking Revisited: The Effect of the UK November 2014 Blocks on Consumer Behavior. Report conducted as part of the Carnegie Mellon University’s Initiative for Digital Entertainment Analytics. |
Danaher, Smith, Telang and Chen (2012) | Danaher, B., Smith, M. D., Telang, R., & Chen, S. (2014). The Effect of Graduated Response Anti‐Piracy Laws on Music Sales: Evidence from an Event Study in France. The Journal of Industrial Economics, 62(3), 541-553. |
Danbury (2016) | Danbury, R. (2016). Is an EU publishers’ right a good idea? Final report on the AHRC project: Evaluating potential legal responses to threats to the production of news in a digital era, https://www.cipil.law.cam.ac.uk/sites/www.law.cam.ac.uk/files/images/www.cipil.law.cam.ac.uk/documents/copyright_and_news/danbury_publishers_right_report.pdf |
Danna, Martinelli and Nuvolari (2021) | Danna, R.; Martinelli, A. and Nuvolari, A. (2021) D4.6. Interim report on negative space of EU creative industries <https://doi.org/10.5281/zenodo.5069616> (Zenodo 5 July 2021) last accessed 7 December 2021 |
Darling (2014) | Darling, K. (2014) What drives IP without IP? A study of the online adult entertainment industry. 17 Stan. Tech. L. Rev. 655 |
David (1993) | David, P. A. 1993. “Intellectual Property Institutions and the Panda’ s Thumb: Patents , Copyrights and Trade Secrets in Economic Theory and History”, in M. Wallerstein, M. Mogee and R. Schoen (eds .), Global Dimensions of Intellectual Property Rights in Science and Technology . Washington DC: National Academy Press; 19-61. |
De Souza-Leão et al. (2019) | de Souza-Leão, A.L.M., Moura, B.M., de Santana, I.R.C., Nunes, W.K.S. and Henrique, V.M.R. (2019) Fans Make Art: Authoring and Creativity in the Production of Fanvideos. Studies on Emerging Countries, 4(24) pp 22-36 |
De Wolf and Partners (2013) | Triaille, J.P., Dusollier, S., Depreeuw, S., Hubin, J.B. and De Francquen, A., 2013. Study on the application of Directive 2001/29/EC on copyright and related rights in the information society. InfoSoc Directive. |
De Wolf and Partners (2014b) | Study on the Making Available Right and its Relationship with the Reproduction Right in Cross-border Digital Transmissions, De Wolf & Partners (2014). |
DeVany and Walls (2007) | De Vany, A. S., & Walls, W. D. (2007). Estimating the effects of movie piracy on box-office revenue. Review of Industrial Organization, 30(4), 291-301. |
Deloitte (2016) | Deloitte (2016) The impact of web traffic on revenues of traditional newspaper publishers A study for France, Germany, Spain, and the UK. |
Denegri-Knott (2004) | Denegri‐Knott, J. (2004). Sinking the online “music pirates:” Foucault, power and deviance on the web. Journal of Computer‐Mediated Communication, 9(4), 00-00. |
Denoyelle et al (2018) | Denoyelle, M., Durand, K., Daniel, J. and Doulkaridou-Ramantani, E. (2018) Image rights, art history and society. Report presented to the Foundation de France <https://www.inha.fr/fr/recherche/le-departement-des-etudes-et-de-la-recherche/domaines-de-recherche/programmes-en-cours/images-usages.html> (accessed 7 January 2022) |
Depken and Simmons (2004) | C. A. Depken II & L. C. Simmons (2004) Social construct and the propensity for software piracy, Applied Economics Letters, 11:2, 97-100. |
Depoorter (2019) | Depoorter, B. (2019) Copyright Enforcement in the Digital Age: When the Remedy is the Wrong. 66 UCLA L. Rev. 400 |
Depoorter and Walker (2013) | Depoorter, B. and Walker, R.K., 2013. Copyright false positives. |
Depoorter, Van Hiel and Vanneste (2011) | Depoorter, B., Vanneste, S., & Van Hiel, A. (2011). Copyright Backlash. Southern California Law Review, 84. |
Dholakiya et al. (2014) | Dholakiya, K., Mustapha, N., Niu, B. And Yang, A. (2014) A Micro-Level Examination of Content Takedown’s Consequences. CSCW 14 February 15-19, Baltimore, Maryland, USA. |
DiCola (2013) | DiCola, P. (2013). Money from Music: Survey Evidence on Musicians' Revenue and Lessons About Copyright Incentives. Ariz. L. Rev., 55, 301. |
DiCola and Touve (2014) | DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright. |
Dickson (2010) | Dickson, M., 2010. Due diligence, futile effort: Copyright and the digitization of the Thomas E. Watson papers. The American Archivist, 73(2), pp.626-636. |
Digital, Culture, Media and Sport Committee (2021) | DCMS (2021) Economics of Music Streaming. House of Commons |
Dobusch and Quack (2013) | Dobusch, L., & Quack, S. (2013). Framing standards, mobilizing users: Copyright versus fair use in transnational regulation. Review of International Political Economy, 20(1), 52-88. |
Domon, Melcarne and Ramello (2019) | Domon, K., Melcarne, A. And Ramello, B. (2019) Digital piracy in Asian countries. Journal of Industrial and Business Economics, 46(1), pp. 117 - 135 |
Dootson and Suzor (2015) | Dootson, P. and Suzor, N. (2015) The Game of Clones and the Australia Tax: Divergent Views about Copyright Business Models and the Willingness of Australian Consumers to Infringe. University of New South Wales Law Journal 38. |
Doseva, Schmid-Petri, Schillmöller, Heckmann (2022) | Doseva, S. & Schmid-Petri, H. & Schillmöller, J. & Heckmann, D. (2022). Uploaders' perceptions of the German implementation of the EU copyright reform and their preferences for copyright regulation. Internet Policy Review, 11(4). |