Semantic search

From Copyright EVIDENCE
 Citation
Chiang and Assane (2009)Chiang, E. P., & Assane, D. (2009). Estimating the willingness to pay for digital music. Contemporary Economic Policy, 27(4), 512-522.
Chiou, Huang and Lee (2005)Chiou, J. S., Huang, C. Y., & Lee, H. H. (2005). The antecedents of music piracy attitudes and intentions. Journal of Business Ethics, 57(2), 161-174.
Cockrill and Goode (2012)Cockrill, A., & Goode, M. M. (2012). DVD Pirating Intentions: Angels, Devils, Chancers and Receivers. Journal of Consumer Behaviour, 11(1), 1-10.
Cohen, Nelson and Walsh (2000)Cohen, W. M., Nelson, R. R., & Walsh, J.P. (2000). Protecting their intellectual assets: Appropriability conditions and why U.S. manufacturing firms patent(or not). National Bureau of Economic Research, Working Paper No.7552.
Collections Trust (2015)Collections Trust (2015) Striking the Balance: How NMDC members are balancing public access and commercial reuse of digital content. A report by the Collections Trust commissioned by the NMDC <https://www.nationalmuseums.org.uk/media/documents/publications/striking_the_balance.pdf> (accessed 6 January 2022)
Collopy, Bastian, Drye, Koempel, Lewis, Jenner (2014)Collopy, D., Bastian, V., Drye, T., Koempel, F., Lewis, D., & Jenner, P. (2014). Measuring Infringement of Intellectual Property Rights.
Commission of the European Communities (2005a)DG Internal Market and Services Working Paper, Commission of the European Communities (2005)
Commission of the European Communities (2005b)Study on a Community Initiative on the Cross-border Collective Management of Copyright, Commission of the European Communities (2005), available at http://ec.europa.eu/internal_market/copyright/docs/management/study-collectivemgmt_en.pdf.
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Cooper and Burrow (2018)Cooper, E. and Burrow, S. (2018) Photographic Copyright and the Intellectual Property Enterprise Court in Historical Perspective. CREATe Working Paper Series DOI: 10.5281/zenodo.1246559.
Corbett (2011)Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report.
Cornwell (2017)Cornwell, J. (2017) Intellectual Property Litigation at the Court of Session: A First Empirical Investigation. Edinburgh Law Review, Volume 21, Issue 2, pp192-216.
Corporate Europe Observatory (2018)Corporate Europe Observatory (2018) Copyright Directive: how competing big business lobbies drowned out critical voices. Available via: https://corporateeurope.org/en/2018/12/copyright-directive-how-competing-big-business-lobbies-drowned-out-critical-voices (last accessed: 7 June 2019)
Cotropia and Gibson (2014)Cotropia, C. A., & Gibson, J. (2014). Copyright's Topography: An Empirical Study of Copyright Litigation. Texas Law Review, 92(7).
Coyle, Gould, Gupta and Gupta (2009)Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037.
Creative Content Australia (2015)Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults.
Crews (2015)Crews, K., Study on Copyright Limitations and Related Rights, Standing Committee on Copyright and Related Rights, Thirtieth Session, SCCR/30/3 (2015).
Cuntz (2018)Cuntz, A. (, 2018). Creator’s Income Situation in the Digital Age. LIS Working Papers 755, LIS Cross-National Data Center in Luxembourg.
Cuntz (2020)Cuntz, A. (2020) Grand rights and opera reuse today. WIPO Economic Research Working Paper No.62
Cuntz and Bergquist (2020)
Danahar, Smith and Teland (2015)Danaher, B., Smith, M., Teland, R.,'Copyright Enforcement in the Digital Age: Empirical Evidence and Conclusions', WIPO/ACE/10/20, 2015
Danaher and Smith (2013)Danaher, B., & Smith, M. D. (2014). Gone in 60 seconds: the impact of the Megaupload shutdown on movie sales. International Journal of Industrial Organization, 33, 1-8.
Danaher and Waldfogel (2012)Danaher, B., & Waldfogel, J. (2012). Reel Piracy: The Effect of Online Film Piracy on International Box Office Sales. Available at SSRN 1986299.
Danaher et al. (2019)Danaher, Brett and Hersh, Jonathan Samuel and Smith, Michael D. and Telang, Rahul, The Effect of Piracy Website Blocking on Consumer Behavior (August 13, 2019). Available at SSRN: https://ssrn.com/abstract=2612063 or http://dx.doi.org/10.2139/ssrn.2612063
Danaher, Smith and Telang (2016)Danaher, B., Smith, M.D. and Telang, R. (2016) Website Blocking Revisited: The Effect of the UK November 2014 Blocks on Consumer Behavior. Report conducted as part of the Carnegie Mellon University’s Initiative for Digital Entertainment Analytics.
Danaher, Smith, Telang and Chen (2012)Danaher, B., Smith, M. D., Telang, R., & Chen, S. (2014). The Effect of Graduated Response Anti‐Piracy Laws on Music Sales: Evidence from an Event Study in France. The Journal of Industrial Economics, 62(3), 541-553.
Danbury (2016)Danbury, R. (2016). Is an EU publishers’ right a good idea? Final report on the AHRC project: Evaluating potential legal responses to threats to the production of news in a digital era, https://www.cipil.law.cam.ac.uk/sites/www.law.cam.ac.uk/files/images/www.cipil.law.cam.ac.uk/documents/copyright_and_news/danbury_publishers_right_report.pdf
Danna, Martinelli and Nuvolari (2021)Danna, R.; Martinelli, A. and Nuvolari, A. (2021) D4.6. Interim report on negative space of EU creative industries <https://doi.org/10.5281/zenodo.5069616> (Zenodo 5 July 2021) last accessed 7 December 2021
Darling (2014)Darling, K. (2014) What drives IP without IP? A study of the online adult entertainment industry. 17 Stan. Tech. L. Rev. 655
David (1993)David, P. A. 1993. “Intellectual Property Institutions and the Panda’ s Thumb: Patents , Copyrights and Trade Secrets in Economic Theory and History”, in M. Wallerstein, M. Mogee and R. Schoen (eds .), Global Dimensions of Intellectual Property Rights in Science and Technology . Washington DC: National Academy Press; 19-61.
De Souza-Leão et al. (2019)de Souza-Leão, A.L.M., Moura, B.M., de Santana, I.R.C., Nunes, W.K.S. and Henrique, V.M.R. (2019) Fans Make Art: Authoring and Creativity in the Production of Fanvideos. Studies on Emerging Countries, 4(24) pp 22-36
De Wolf and Partners (2013)Triaille, J.P., Dusollier, S., Depreeuw, S., Hubin, J.B. and De Francquen, A., 2013. Study on the application of Directive 2001/29/EC on copyright and related rights in the information society. InfoSoc Directive.
De Wolf and Partners (2014b)Study on the Making Available Right and its Relationship with the Reproduction Right in Cross-border Digital Transmissions, De Wolf & Partners (2014).
DeVany and Walls (2007)De Vany, A. S., & Walls, W. D. (2007). Estimating the effects of movie piracy on box-office revenue. Review of Industrial Organization, 30(4), 291-301.
Deloitte (2016)Deloitte (2016) The impact of web traffic on revenues of traditional newspaper publishers A study for France, Germany, Spain, and the UK.
Denegri-Knott (2004)Denegri‐Knott, J. (2004). Sinking the online “music pirates:” Foucault, power and deviance on the web. Journal of Computer‐Mediated Communication, 9(4), 00-00.
Denoyelle et al (2018)Denoyelle, M., Durand, K., Daniel, J. and Doulkaridou-Ramantani, E. (2018) Image rights, art history and society. Report presented to the Foundation de France <https://www.inha.fr/fr/recherche/le-departement-des-etudes-et-de-la-recherche/domaines-de-recherche/programmes-en-cours/images-usages.html> (accessed 7 January 2022)
Depken and Simmons (2004)C. A. Depken II & L. C. Simmons (2004) Social construct and the propensity for software piracy, Applied Economics Letters, 11:2, 97-100.
Depoorter (2019)Depoorter, B. (2019) Copyright Enforcement in the Digital Age: When the Remedy is the Wrong. 66 UCLA L. Rev. 400
Depoorter and Walker (2013)Depoorter, B. and Walker, R.K., 2013. Copyright false positives.
Depoorter, Van Hiel and Vanneste (2011)Depoorter, B., Vanneste, S., & Van Hiel, A. (2011). Copyright Backlash. Southern California Law Review, 84.
Dholakiya et al. (2014)Dholakiya, K., Mustapha, N., Niu, B. And Yang, A. (2014) A Micro-Level Examination of Content Takedown’s Consequences. CSCW 14 February 15-19, Baltimore, Maryland, USA.
DiCola (2013)DiCola, P. (2013). Money from Music: Survey Evidence on Musicians' Revenue and Lessons About Copyright Incentives. Ariz. L. Rev., 55, 301.
DiCola and Touve (2014)DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright.
Dickson (2010)Dickson, M., 2010. Due diligence, futile effort: Copyright and the digitization of the Thomas E. Watson papers. The American Archivist, 73(2), pp.626-636.
Digital, Culture, Media and Sport Committee (2021)DCMS (2021) Economics of Music Streaming. House of Commons
Dobusch and Quack (2013)Dobusch, L., & Quack, S. (2013). Framing standards, mobilizing users: Copyright versus fair use in transnational regulation. Review of International Political Economy, 20(1), 52-88.
Domon, Melcarne and Ramello (2019)Domon, K., Melcarne, A. And Ramello, B. (2019) Digital piracy in Asian countries. Journal of Industrial and Business Economics, 46(1), pp. 117 - 135
Dootson and Suzor (2015)Dootson, P. and Suzor, N. (2015) The Game of Clones and the Australia Tax: Divergent Views about Copyright Business Models and the Willingness of Australian Consumers to Infringe. University of New South Wales Law Journal 38.
Doseva, Schmid-Petri, Schillmöller, Heckmann (2022)Doseva, S. & Schmid-Petri, H. & Schillmöller, J. & Heckmann, D. (2022). Uploaders' perceptions of the German implementation of the EU copyright reform and their preferences for copyright regulation. Internet Policy Review, 11(4).