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Heald, Shi, Stoiber and Zheng (2012a)Heald, Paul J. and Shi, Peibei and Stoiber, Jeffrey and Zheng, Qingyao, More Music in Movies: What Box Office Data Reveals About the Availability of Public Domain Songs in Movies from 1968-2008 (December 12, 2012). Review of Economic Research on Copyright Issues, Vol. 9, No. 2, pp. 31-54, 2012; Illinois Public Law Research Paper No. 11-23.
Heins and Beckles (2005)Heins, M. And Beckles, T. (2005) Will Fair Use Survive? Free Expression in the Age of Copyright Control. A Public Policy Report. Available: https://ncac.org/fepp-articles/will-fair-use-survive-free-expression-in-the-age-of-copyright-control (last accessed 23 May 2019)
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Higgins, Fell and Wilson (2006)Higgins, G. E., Fell, B. D. and Wilson, A. L. 2006. Digital Piracy: Assessing the Contributions of an Integrated Self-Control Theory and Social Learning Theory Using Structural Equation Modeling. Criminal Justice Studies: A Critical Journal of Crime, Law and Society, 19, 3-22.
Higgins, Fell and Wilson (2007)Higgins, G. E., Fell, B. D., & Wilson, A. L. (2007). Low self-control and social learning in understanding students' intentions to pirate movies in the United States. Social Science Computer Review, 25(3), 339-357.
Hirsch (1972)Hirsch, P. M. (1972). Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems. American journal of sociology, 639-659.
Holt and Copes (2010)Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654.
Holt, Bossler and May (2012)Holt, T. J., Bossler, A. M., & May, D. C. (2012). Low self-control, deviant peer associations, and juvenile cyberdeviance. American Journal of Criminal Justice, 37(3), 378-395.
Hong (2007)Hong, S. H. (2007). The recent growth of the internet and changes in household-level demand for entertainment. Information Economics and Policy, 19(3), 304-318.
Hooper and Lynch (2012a)Hooper, R., & Lynch, R. (2012). Rights and wrongs: Is copyright licensing fit for purpose for the digital age? The first report of the Digital Copyright Exchange feasibility study, IPO.
Hooper and Lynch (2012b)Hooper, R., & Lynch, R. (2012). Copyright works: Streamlining copyright licensing for the digital age. Intellectual Property Office: Newport.
Hui and Png (2002)Hui, K.-L., and I.P .L. Png. 2002. “On the Supply of Creative Work: Evidence from the Movies”. The American Economic Review 92(2);217-220
Huygen, Helberger, Poort, Rutten and Van Eijk (2009)Huygen, A., Helberger, N., Poort, J., Rutten, P., & Van Eijk, N. 2009. Ups and downs; economic and cultural effects of file sharing on music, film and games. TNO Information and Communication Technology Series. IViR.
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IP Crime Annual Report (2013-2014)IP Crime Group (2014). IP Crime Annual Report (2013-2014).
IP Crime Annual Report (2014-2015)IP Crime Group (2015). IP Crime Annual Report (2014-2015).
IP Crime Annual Report (2015-2016)IP Crime Group (2016) IP Crime Annual Report (2015-2016)
IP Crime Annual Report (2016-2017)IP Crime Group (2017) IP Crime Annual Report (2016-2017)
IP Crime Annual Report (2017-2018)IP Crime Group (2018) IP Crime Annual Report (2017-2018)
Ibosiola et al. (2018)Ibosiola, D., Steer, B., Garcia-Recuero, A., Stringhini, G., Uhlig, S., and Tyson, G. (2018) Movie Pirates of the Caribbean: Exploring Illegal Streaming Cyberlockers. Available: http://www.eecs.qmul.ac.uk/~tysong/files/ICWSM18.pdf (last accessed: 11 June 2019)
Ibosiola et al. (2019)Ibosiola, D., Castro, I., Stringhini, G., Uhlig, S. And Tyson, G. (2019) Who Watches the Watchmen: Exploring Complaints on the Web. Proceedings of the 2019 World Wide Web Conference (WWW ’19), May13–17, 2019, San Francisco, CA, USA.ACM, New York, NY, USA, 10 pages.https://doi.org/10.1145/3308558.3313438
Ibosiola et al. (2019b)Ibosiola, D., Castro, I., Stringhini, G., Uhlig, S. and Tyson, G. (2019) A Large-Scale Empirical Analysis of DMCA Notices and Online Complaints. Available: http://www.eecs.qmul.ac.uk/~tysong/files/Lumen-DMCA.pdf (last accessed: 11 June 2019)
Intellectual Property Office (2016b)Intellectual Property Office (2016), Government Response to the further consultation and technical review on changes to Section 72 of the Copyright, Designs and Patents Act 1988 (which permits the free public showing or playing of a film contained in a broadcast).
Intellectual Property Office, Kantar Media (2016)IPO. (2016). Online Copyright Infringement Tracker – Latest wave of research Mar 16 – May 16. Overview and Key Findings.
Jacobs, Heuvelman, Tan and Peters (2012)Jacobs, R. S., Heuvelman, A., Tan, M. & Peters, O. (2012). Digital movie piracy: A perspective on downloading behavior through social cognitive theory. Computers in Human Behavior, 28(3), 958-967.
Johnson (2011)Johnson, E. E. (2011). Intellectual property and the incentive fallacy.
Kantar Media (2015)Kantar Media (2015). Online Copyright Infringement Tracker Wave 5 (Covering period Mar 15 – May 15). Overview and key findings.
Kantar TNS (2018)Kantar TNS (2018) Study of Online Consumption of Copyrighted Content: Attitudes Toward and Prevalence of Copyright Infringement in Canada. Final report prepared for Innovation, Science and Economic Development Canada. Available: https://www.ic.gc.ca/eic/site/112.nsf/eng/07648.html (last accessed: 24 May 2019)
Karaganis and Urban (2015)Karaganis, J., & Urban, J. (2015). The rise of the robo notice. Communications of the ACM, 58(9), 28-30.
Kariithi (2011)Kariithi, Nixon K. Is the devil in the data? A literature review of piracy around the world. The Journal of World Intellectual Property 14.2 (2011): 133-154.
Kaye and Gray (2021)Kaye, D. B. V., & Gray, J. E. (2021). Copyright Gossip: Exploring Copyright Opinions, Theories, and Strategies on YouTube. Social Media + Society. https://doi.org/10.1177/20563051211036940
Khaosaeng (2019)Khaosaeng, K. (2019) The Conflicts between Copyright and the Norms of Online Re-Creations: An Empirical Analysis. ASEAN Journal of Legal Studies, 2(1)
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Krishnan and Sitaraman (2012)Krishnan and Sitaraman, Video Stream Quality Impacts Viewer Behavior: Inferring Causality Using Quasi-Experimental Designs, (2012).
Kwan (2007)Kwan, S. S. K. (2007). End-user digital piracy: Contingency framework, affective determinants and response distortion.
Larsson, Svensson, Mezei and De Kaminski (2014)Larsson, S., Svensson, M., Mezei, P., & De Kaminski, M. (2014). The Digital Intellectual Property Challenge Revisited: File-sharing and Copyright Development in Hungary.
Lee, Yeop Paek and Fenoff (2018)Lee, B., Yeop Paek, S., Fenoff, R. Factors associated with digital piracy among early adolescents. Child and Youth Services Review. DOI: https://doi.org/10.1016/j.childyouth.2018.02.002
Leung, Kretschmer and Meletti (2020)Leung, R., Kretschmer, M. and Meletti, B. (2020) Streaming Culture: Research Report by AHRC Creative Industries Policy & Evidence Centre (PEC). CREATe Working Paper Series: 2020/3
Libson and Parchomovsky (2019)Lisbon, A. and Parchomovsky, G. (2019), Toward the Personalization of Copyright Law, University of Chicago Law Review, Vol. 86 No. 2.
Liu (2019)Liu, J. (2019) An Empirical Study of Transformative Use in Copyright Law. Stan. Tech. L.Rev. 22(1) pp. 164 - 241
Ma, Montgomery, Singh and Smith (2011)Ma, L., Montgomery, A., Singh, P. V., & Smith, M. D. (2011). The Effect of Pre-Release Movie Piracy on Box-Office Revenue. SSRN eLibrary.