Difference between revisions of "Wang and Zhu (2003)"
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|FundamentalIssue=1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare, 5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media), 4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption), | |FundamentalIssue=1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare, 5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media), 4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption), | ||
|EvidenceBasedPolicy=F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness), | |EvidenceBasedPolicy=F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness), | ||
+ | |Industry=Film and motion pictures; Programming and broadcasting; | ||
+ | |Country=China; | ||
|Cross-country=No | |Cross-country=No | ||
|Comparative=No | |Comparative=No |
Revision as of 16:45, 6 April 2016
Contents
Source Details
Wang and Zhu (2003) | |
Title: | Mapping Film Piracy in China |
Author(s): | Shujen Wang and Jonathan J.H. Zhu |
Year: | 2003 |
Citation: | Wang, Shujen, and Jonathan JH Zhu. Mapping film piracy in China. Theory, culture & society 20.4 (2003): 97-125. |
Link(s): | Definitive |
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About the Data | |
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Industry(ies): | |
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Cross Country Study?: | No |
Comparative Study?: | No |
Literature review?: | No |
Government or policy study?: | No |
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Abstract
This article examines one of the most crucial yet often-overlooked links in global film processes: piracy. It does so within the context of a changing digital media environment that calls for a reassessment of key dimensions: networks, globalization, technology, space and the state. More specifically, it focuses on the operation of film piracy networks in Greater China that includes the Mainland, Hong Kong and Taiwan. By zooming in on `Greater China', this article presents empirical accounts of specific links and connections on and between the intersecting distribution and piracy networks. In sum, distribution and piracy in China highlight some of the most interesting and intricate insights into issues of power, control, technology, network, speed, global-regional-national dynamics, subjectivities and reflexivity. Given the complexity of the issues, this study argues for a spatial, network and process-oriented theoretical framework.
Main Results of the Study
Policy Implications as Stated By Author