Aufderheide, P.

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Aufderheide, P. is an author defined within the Copyright Evidence wiki.

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This author has contributed to the following studies (8):

	Citation
Aufderheide and Jaszi (2004)	Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers.
Aufderheide and Sinnreich (2015)	Aufderheide, P., & Sinnreich, A. (2015). Documentarians, fair use, and free expression: changes in copyright attitudes and actions with access to best practices. Information, Communication & Society, (ahead-of-print), 1-10.
Aufderheide et al. (2013)	Aufderheide, P., Jaszi, P., Bieze, K. and Boyles, J. (2013) Copyright, Free Speech, and the Public's Right to Know: How Journalists Think About Fair Use. Journalism Studies, 14(6)
Aufderheide et al. (2018)	Aufderheide, P., Pappalardo, K., Suzor, N. And Stevens, J. (2018) Calculating the consequences of narrow Australian copyright exceptions: Measurable, hidden and incalculable costs to creators. Poetics, 69, pp15-26.
Pappalardo and Aufderheide (2020)	Pappalardo, K. and Aufderheide, P. (2020) Romantic Remixers: Hidden Tropes of Romantic Authorship in Creators’ Attitudes about Reuse. Cultural Science Journal, 12(1), pp 1-12
Pappalardo, Aufderheide, Stevens, and Suzor (2017)	Pappalardo, K., Aufderheide, P., Stevens, J., and Suzor, N. (2017) Imagination foregone: A qualitative study of the reuse practices of Australian creators. Report produced for the Australian Digital Alliance.
Sinnreich and Aufderheide (2015)	Sinnreich, A., & Aufderheide, P. (2015). Communication Scholars and Fair Use: The Case for Discipline-Wide Education and Institutional Reform. International Journal of Communication, 9.
Sinnreich et al. (2020)	Sinnreich, A., Aufderheide, P., Clifford, M. and Shahin, S. (2020) Access shrugged: The decline of the copyleft and the rise of utilitarian openness. New Media & Society.