Aufderheide, P.

From Copyright EVIDENCE
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Aufderheide, P. is an author defined within the Copyright Evidence wiki.

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This author has contributed to the following studies (8):

Aufderheide and Jaszi (2004)Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers.
Aufderheide and Sinnreich (2015)Aufderheide, P., & Sinnreich, A. (2015). Documentarians, fair use, and free expression: changes in copyright attitudes and actions with access to best practices. Information, Communication & Society, (ahead-of-print), 1-10.
Aufderheide et al. (2013)Aufderheide, P., Jaszi, P., Bieze, K. and Boyles, J. (2013) Copyright, Free Speech, and the Public's Right to Know: How Journalists Think About Fair Use. Journalism Studies, 14(6)
Aufderheide et al. (2018)Aufderheide, P., Pappalardo, K., Suzor, N. And Stevens, J. (2018) Calculating the consequences of narrow Australian copyright exceptions: Measurable, hidden and incalculable costs to creators. Poetics, 69, pp15-26.
Pappalardo and Aufderheide (2020)Pappalardo, K. and Aufderheide, P. (2020) Romantic Remixers: Hidden Tropes of Romantic Authorship in Creators’ Attitudes about Reuse. Cultural Science Journal, 12(1), pp 1-12
Pappalardo, Aufderheide, Stevens, and Suzor (2017)Pappalardo, K., Aufderheide, P., Stevens, J., and Suzor, N. (2017) Imagination foregone: A qualitative study of the reuse practices of Australian creators. Report produced for the Australian Digital Alliance.
Sinnreich and Aufderheide (2015)Sinnreich, A., & Aufderheide, P. (2015). Communication Scholars and Fair Use: The Case for Discipline-Wide Education and Institutional Reform. International Journal of Communication, 9.
Sinnreich et al. (2020)Sinnreich, A., Aufderheide, P., Clifford, M. and Shahin, S. (2020) Access shrugged: The decline of the copyleft and the rise of utilitarian openness. New Media & Society.