Discourse Analysis
From Copyright EVIDENCE
Discourse Analysis is a qualitative method defined within the Copyright Evidence wiki.
The following studies use this method for data analysis (35):
| Citation | |
|---|---|
| Aguilar (2017) | Aguilar, A. (2017) Distributed Ownership in Music: Between Authorship and Performance. Social & Legal Studies, 27(6), pp776-798 |
| Aguilar (2019) | Aguilar, A. (2019) We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform. JIPITEC 9 (2) |
| BOP Consulting and DotEcon (2015) | BOP Consulting, DotEcon (2015). International Comparison of Approaches to Online Copyright Infringement: Final Report, commissioned by the Intellectual Property Office. |
| Banks and Humphreys (2008) | Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418. |
| Collopy, Bastian, Drye, Koempel, Lewis, Jenner (2014) | Collopy, D., Bastian, V., Drye, T., Koempel, F., Lewis, D., & Jenner, P. (2014). Measuring Infringement of Intellectual Property Rights. |
| Condry (2004) | Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363. |
| Coyle, Gould, Gupta and Gupta (2009) | Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037. |
| Denegri-Knott (2004) | Denegri‐Knott, J. (2004). Sinking the online “music pirates:” Foucault, power and deviance on the web. Journal of Computer‐Mediated Communication, 9(4), 00-00. |
| Dulong de Rosnay and Langlais (2017) | Dulong de Rosnay, M. and Langlais, P. (2017) Public artworks and the freedom of panorama controversy: a case of Wikimedia influence. Internet Policy Review Vol. 6(1) |
| Edwards, Klein, Lee, Moss and Philip (2015) | Edwards, L., Klein, B., Lee, D., Moss, G., & Philip, F. (2015). Discourse, justification and critique: towards a legitimate digital copyright regime?. International Journal of Cultural Policy, 21(1), 60-77. |
| Elkin-Koren, Nahmias and Perel (2019) | Elkin-Koren, N., Nahmias, Y. And Perel, M. (2019) Is It Time to Abolish Safe Harbor? When Rhetoric Clouds Policy Goals. Stanford Law & Policy Review, Forthcoming |
| Erickson (2014) | Erickson, K. (2014) User Illusion: Ideological Construction of ‘User- Generated Content’ in the EC Consultation on Copyright. Internet Policy Review 4(3). DOI:10.14763/2014.4.331 |
| Ghafele (2010) | Ghafele, R. (2010). Of war and peace: Analyzing the policy discourse on intellectual property. Intellectual Property Quarterly, 3, 237-255. |
| Handke and Towse (2007) | Handke, Christian, and Ruth Towse. Economics of copyright collecting societies. International Review of Intellectual Property and Competition Law 38.8 (2007): 937-957. |
| Hansen, Hashimoto, Hinze, Samuelson and Urban (2013) | Hansen, D. R., Hashimoto, K., Hinze, G., Samuelson, P., & Urban, J. M. (2013). Solving the orphan works problem for the united states. Columbia Journal of Law & the Arts, 37(1). |
| Heimstädt, Saunderson and Heath (2014) | Heimstädt, M., Saunderson, F. and Heath, T. (2014) Conceptualizing Open Data ecosystems: A timeline analysis of Open Data developmentin the UK, Diskussionsbeiträge, No. 2014/12, Freie Universität Berlin, Fachbereich Wirtschaftswissenschaft, Berlin |
| Hirsch (1972) | Hirsch, P. M. (1972). Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems. American journal of sociology, 639-659. |
| Holt and Copes (2010) | Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654. |
| Humphreys (2008) | Humphreys, S., 2008. The challenges of intellectual property for users of Social Networking Sites: a case study of Ravelry. |
| Kalimo, Meyer and Mylly (2018) | Kalimo, H., Meyer, T., and Mylly, T. (2018) Of Values and Legitimacy – Discourse Analytical Insights on the Copyright Case Law of the Court of Justice of the European Union. The Modern Law Review, 81:2 |
| Kim (2007) | Kim, M. (2007). The Creative Commons and Copyright Protection in the Digital Era: Uses of Creative Commons Licenses. Journal of Computer‐Mediated Communication, 13(1), 187-209. |
| Kretschmer, Klimis, and Choi (1999) | Kretschmer, M., Klimis, G. M., & Choi, C. J. (1999). Increasing returns and social contagion in cultural industries. British Journal of Management, 10(s1), 61-72. |
| Lee (2011) | Lee, H.K., 2011. Participatory media fandom: A case study of anime fansubbing. Media, Culture & Society, 33(8), pp.1131-1147. |
| Lee (2012) | Lee, D. J. (2012). Precarious Creativity: Changing Attitudes Towards Craft and Creativity in the British Independent Television Production Sector. Creative Industries Journal, 4(2), 155-170 |
| Liebowitz (2006a) | Liebowitz, S. J. (2005). Economists examine file-sharing and music sales.Industrial organization and the digital economy, 145-174. |
| Lindgren (2012) | Lindgren, Simon. Pirate panics: comparing news and blog discourse on illegal file sharing in Sweden. Information, communication & society 16.8 (2013): 1242-1265. |
| Loshin (2007) | Loshin, J. (2007). Secrets Revealed: How Magicians Protect Intellectual Property Without Law. http://ssrn.com/abstract=1005564 |
| Moreno and Sepúlveda (2021) | Moreno, J. and Sepúlveda, R. (2021) Article 13 on social media and news media: disintermediation and reintermediation on the modern media landscape. Communication & Society 34(2), pp 141-157 |
| Palfrey, Gasser, Simun and Barnes (2009) | Palfrey, J., Gasser, U., Simun, M., & Barnes, R. F. (2009). Youth, creativity, and copyright in the digital age. |
| Pappalardo and Aufderheide (2020) | Pappalardo, K. and Aufderheide, P. (2020) Romantic Remixers: Hidden Tropes of Romantic Authorship in Creators’ Attitudes about Reuse. Cultural Science Journal, 12(1), pp 1-12 |
| Rainie and Madden (2004) | Rainie, H., & Madden, M. (2004). Preliminary findings from a web survey of musicians and songwriters. Pew Internet & American Life Project. |
| Rappaport (1998) | Rappaport, E. B. (1998, May). Copyright term extension: Estimating the economic values. Congressional Research Service, Library of Congress. |
| Raustiala and Sprigman (2019) | Raustiala, K., & Sprigman, C. J. (2019). The Second Digital Disruption: Streaming and the Dawn of Data-Driven Creativity. NYUL Rev., 94, 1555. |
| Steinmetz and Tunnell (2013) | Steinmetz, K. F., & Tunnell, K. D. (2013). Under the pixelated Jolly Roger: A study of on-line pirates. Deviant Behavior, 34(1), 53-67. |
| Vats (2016) | Vats, A. (2016) (Dis)owning Bikram: Decolonizing vernacular and dewesternizing restructuring in the yoga wars. Communication and Critical/Cultural Studies. |
