Ethnographic/narrative analysis

From Copyright EVIDENCE
Methods
Methodology (Collection)
Methodology (Analysis)

Ethnographic/narrative analysis is a qualitative method defined within the Copyright Evidence wiki.


The following studies use this method for data analysis (20):

 Citation
Banks and Humphreys (2008)Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418.
Beekhuyzen, Von Hellens and Nielsen (2011)Beekhuyzen, J., Von Hellens, L. and Nielsen, S. 2011. Underground online music communities: exploring rules for membership. Online Information Review, 35, 699-715.
Bently (2002)Bently, L. (2002). Between a rock and a hard place: The problems facing freelance creators in the UK media market–place. London: Institute of Employment Rights. ii. Canada.
Campagnolo et al. (2018)Campagnolo, G.M., Giannatou, E., Franklin, M., Stewart, J., and Williams, R. (2018) Revolution remixed? The emergence of Open Content Film-making as a viable component within the mainstream film industry. Information, Communication and Society, pp1-18. ISSN 1369-118X
Cave, Deegan and Heinink (2000)Cave, M., Deegan, M. and Heinink, L., 2000. Copyright clearance in the refugee studies centre digital library project. RLG DigiNews, 4(5).
Centre for Intellectual Property and Information Law (2016)Centre for Intellectual Property and Information Law (2016), Response to Article 11 of the Proposal for a Directive on Copyright in the Digital Single Market, entitled ‘Protection of press publications concerning digital uses’ on behalf of thirty seven professors and leading scholars of Intellectual Property, Information Law and Digital Economy
Giorcelli and Moser (2015)Giorcelli, M., & Moser, P. (2014). Copyright and Creativity: Evidence from Italian Operas. Available at SSRN 2505776.
Hansen, Hashimoto, Hinze, Samuelson and Urban (2013)Hansen, D. R., Hashimoto, K., Hinze, G., Samuelson, P., & Urban, J. M. (2013). Solving the orphan works problem for the united states. Columbia Journal of Law & the Arts, 37(1).
Haveman and Kluttz (2014)Daniel N. Kluttz, Heather A. Haveman, 'Copyright Law and the American Magazine Industry' (February 1, 2014). Available at: http://irle.berkeley.edu/property-in-print-copyright-law-and-the-american-magazine-industry/
Heald (2014a)Heald, P. J. (2014). How Copyright Keeps Works Disappeared. Journal of Empirical Legal Studies, 11(4), 829-866.
Heald, Erickson and Kretschmer (2015)Heald, P. J., Kretschmer, M., & Erickson, K. (2015). The Valuation of Unprotected Works: A Case Study of Public Domain Photographs on Wikipedia. Available at SSRN.
Holt and Copes (2010)Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654.
Katzenbach, Herweg and Van Roessel (2016)Katzenbach, C., Herweg, S. and Van Roessel, L. Copies, Clones, and Genre Building: Discourses on Imitation and Innovation in Digital Games. International Journal of Communication 10 (2016), 838-859
Kheria (2012)Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19).
Mathangani and Otike (2018)Mathangani, S.W. and Otike, J. (2018) Copyright and information service provision in public university libraries in Kenya. Library Management, Vol 39, Issue 6-7, pp 375-388
Oriakhoba (2020)Desmond Osaretin Oriakhogba. (2020). Working around the Gender Gap in Intellectual Property Regimes: Empowerment of Women Beadworkers through Open, Inclusive Innovation and Social Entrepreneurship in KwaZulu-Natal, South Africa. OpenAir Workign Paper 23.
Pearce (2011)Pearce, K. E. (2011). Convergence through mobile peer-to-peer file sharing in the Republic of Armenia. International Journal of Communication, 5, 511-528.
Steinmetz and Tunnell (2013)Steinmetz, K. F., & Tunnell, K. D. (2013). Under the pixelated Jolly Roger: A study of on-line pirates. Deviant Behavior, 34(1), 53-67.
Waelde and Schlesinger (2011)Waelde, C., & Schlesinger, P. (2011). Music and dance: beyond copyright text?.
Yu (2010)Yu, S. (2010). Product placement and digital piracy: How young Chinese viewers react to the unconventional method of corporate cultural globalization. Communication, Culture & Critique, 3(3), 435-463.