Ethnography

Methods

Methodology (Collection) Quantitative Collection Methods (309) Survey Research (quantitative; e.g. sales/income reporting) (291) Experimental (Laboratory) (20) Experimental (Field) (11) Experimental (Natural) (15) Web analytic (online user trace data) (91) Quantitative data/text mining (158) Longitudinal Study (29) Snowball sampling (15) Qualitative Collection Methods (283) Survey Research (qualitative; e.g. consumer preferences) (183) Case Study (102) Ethnography (16) Life History (2) Unstructured Interview (15) Semi-Structured Interview (122) Structured Interview (27) Archival Research (17) Focus Groups (20) Historical Methods (9) Card Sorting (0) Document Research (78) Qualitative content/text mining (75) Visual Ethnography (0) Participant Observation (13)

Methodology (Analysis) Quantitative Analysis Methods (309) Cluster analysis (26) Descriptive statistics (counting; means reporting; cross-tabulation) (318) Quantitative content analysis (e.g. text or data mining) (117) Correlation and Association (168) Multivariate Statistics (91) Regression Analysis (245) Social Network Analysis (6) Social Sequence Analysis (0) Structural Equation Modeling (61) Meta-Analysis (6) Calibration (1) Confirmatory Factor Analysis (CFA) (15) Factor Analysis (17) Decision Tree Method (3) Qualitative Analysis Methods (235) Textual Content Analysis (140) Visual / Other Content Analysis (9) Discourse Analysis (35) Qualitative Coding / Sorting (e.g. of interview data) (138) Ethnographic/narrative analysis (20) Triangulation (3) Legal Analysis (124) Grounded Theory (18) Abduction/Retroduction (1)

Ethnography is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (16):

	Citation
Aguilar (2019a)	Aguilar, A. (2019) The collective management of performers’ rights in the UK: a story of competing interests. Scripted 16(1) DOI: 10.2966/scrip.160119.4
Banks and Humphreys (2008)	Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418.
Beekhuyzen, Von Hellens and Nielsen (2011)	Beekhuyzen, J., Von Hellens, L. and Nielsen, S. 2011. Underground online music communities: exploring rules for membership. Online Information Review, 35, 699-715.
Bently (2002)	Bently, L. (2002). Between a rock and a hard place: The problems facing freelance creators in the UK media market–place. London: Institute of Employment Rights. ii. Canada.
Holt and Copes (2010)	Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654.
Iljadica (2016)	Iljadica, M. (2016) Copyright Beyond Law - Regulating Creativity in the Graffiti Subculture, Hart Publishing
Iljadica (2017)	Iljadica, M., 'Painting on Walls: Street Art without Copyright?', in Darling, K. and Perzanowski, A. (eds.), Creativity Without Law: Challenging the Assumptions of Intellectual Property, New York University Press, New York, 2017, pp. 277–332.
Kretschmer, Klimis, and Choi (1999)	Kretschmer, M., Klimis, G. M., & Choi, C. J. (1999). Increasing returns and social contagion in cultural industries. British Journal of Management, 10(s1), 61-72.
Ofcom (2011)	Qualitative research into online digital piracy. Ofcom. (2011)
Oriakhoba (2020)	Desmond Osaretin Oriakhogba. (2020). Working around the Gender Gap in Intellectual Property Regimes: Empowerment of Women Beadworkers through Open, Inclusive Innovation and Social Entrepreneurship in KwaZulu-Natal, South Africa. OpenAir Workign Paper 23.
Pearce (2011)	Pearce, K. E. (2011). Convergence through mobile peer-to-peer file sharing in the Republic of Armenia. International Journal of Communication, 5, 511-528.
Pertierra (2012)	Pertierra, A. C. (2012). If They Show Prison Break in the United States on a Wednesday, by Thursday It Is Here: Mobile Media Networks in Twenty-First-Century Cuba. Television & New Media, 13, 399-414.
Siwek (2009)	Siwek, S. E. (2009). Copyright Industries in the U.S. Economy: 2003-2007 Report. Economists Incorporated.
Steinmetz and Tunnell (2013)	Steinmetz, K. F., & Tunnell, K. D. (2013). Under the pixelated Jolly Roger: A study of on-line pirates. Deviant Behavior, 34(1), 53-67.
Waelde and Schlesinger (2011)	Waelde, C., & Schlesinger, P. (2011). Music and dance: beyond copyright text?.
Yu (2010)	Yu, S. (2010). Product placement and digital piracy: How young Chinese viewers react to the unconventional method of corporate cultural globalization. Communication, Culture & Critique, 3(3), 435-463.