Ireland
From Copyright EVIDENCE
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Ireland is a country defined within the Copyright Evidence wiki.
The following studies include coverage of this country (11):
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Andrés (2006a) | Andrés, A. R. (2006). The relationship between copyright software protection and piracy: Evidence from Europe. European Journal of Law and Economics, 21(1), 29-51. |
Bonner and O'Higgins (2010) | Bonner, S., & O'Higgins, E. (2010). Music piracy: ethical perspectives. Management Decision, 48(9), 1341-1354. |
Burgess and De Rosa (2017) | Burgess, M. and De Rosa, M. (2017) The Remuneration of Canadian Writers for Literary Works: A Benchmarking Study. A Report prepared for The Writers’ Union of Canada. Avaialble: https://www.writersunion.ca/sites/all/files/attachments/Study%20on%20Remuneration%20of%20Writers%20September%202017_0.pdf (last accessed: 3 June 2019) |
Danaher and Smith (2013) | Danaher, B., & Smith, M. D. (2014). Gone in 60 seconds: the impact of the Megaupload shutdown on movie sales. International Journal of Industrial Organization, 33, 1-8. |
De Wolf and Partners (2014a) | De Wolf & Partners, Study on the Legal Framework of Text and Data Mining (TDM) (2014). |
Guibault and Salamanca (2016) | Guibault, L. And Salamanca, O. (2016) Remuneration of authors of books and scientific journals, translators, journalists and visual artists for the use of their works. A study prepared for the European Commission DG Communications Networks, Content & Technology, Final Report. IViR. |
Handke, Guibault and Vallbe (2015) | Handke, C., Guibault, L., & Vallbé, J. J. (2015). Is Europe Falling Behind in Data Mining? Copyright's Impact on Data Mining in Academic Research. Copyright's Impact on Data Mining in Academic Research (May 20, 2015). |
Hui and Png (2003) | Hui, K. L., & Png, I. (2003). Piracy and the legitimate demand for recorded music. Contributions in Economic Analysis & Policy, 2(1). |
Kheria (2012) | Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19). |
Kheria (2013) | Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4). |
Waldfogel (2012) | Waldfogel, J. (2012). Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster. Journal of Law and Economics, 55(4), 715-740. |