O34: Intellectual Property and Intellectual Capital
From Copyright EVIDENCE
| Disciplines |
| A full list of disciplines is available here |
O34: Intellectual Property and Intellectual Capital is a discipline defined within the Copyright Evidence wiki. It is based on the JEL Discipline Classification System.
The following studies are coded as being associated with this discipline (601):
| Citation | |
|---|---|
| Acilar (2010) | Acılar, A. (2010). Demographic Factors Affecting Freshman Students' Attitudes towards Software Piracy: An Empirical Study. Issues in Informing Science and Information Technology, 7, 321-328. |
| Acilar and Aydemir (2010) | Acilar, A., & Aydemir, M. (2010). Students' Attitudes Towards Software Piracy-The Gender Factor: A Case of a Public University in an Emerging Country. In The Eleventh ETHICOMP International Conference on the Social and Ethical Impacts of Information and Communication Technology. |
| Adu and van der Walt (2021) | Adu, T.L. and van der Walt, T.B. (2021) Effects of awareness of user rights on compliance with copyright laws and policies in academic libraries. The Journal of Academic Librarianship, 47(4) |
| Adum et al. (2019) | Adum, A.N., Ekwenchi, O., Odogwu, E., and Umeh, K. (2019) Awareness of Copyright Laws among Select Nigerian University Students. 86 Journal of Law, Policy and Globalization 183 |
| Aguiar and Waldfogel (2014) | Aguiar, Luis, and Joel Waldfogel. Digitization, Copyright, and the Welfare Effects of Music Trade. Copyright, and the Welfare Effects of Music Trade (December 3, 2014) (2014). |
| Aguiar, Claussen and Peukert (2018) | Aguiar, L., Claussen, J. And Peukert, C. (2018) Catch Me if You Can: Effectiveness and Consequences of Online Copyright Enforcement. Information Systems Research, 29(3), pp 656-678 |
| Aguilar (2017) | Aguilar, A. (2017) Distributed Ownership in Music: Between Authorship and Performance. Social & Legal Studies, 27(6), pp776-798 |
| Aguilar (2019) | Aguilar, A. (2019) We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform. JIPITEC 9 (2) |
| Aguilar (2019a) | Aguilar, A. (2019) The collective management of performers’ rights in the UK: a story of competing interests. Scripted 16(1) DOI: 10.2966/scrip.160119.4 |
| Ahlert, Marsden and Yung (N.D.) | Ahlert, C., Marsden, C., & Yung, C. (2004). How ‘Liberty’ Disappeared from Cyberspace: The Mystery Shopper Tests Internet Content Self-Regulation. Retrieved from http://pcmlp.socleg.ox.ac.uk/sites/pcmlp.socleg.ox.ac.uk/files/liberty.pdf |
| Ahn and Yooney (2008) | Ahn, Illtae, and Kiho Yoon. On the impact of digital music distribution. CESifo Economic Studies 55.2 (2009): 306-325. |
| Akbulut and Donmez (2018) | Akbulut, Y. and Donmez, O. (2018) Predictors of digital piracy among Turkish undergraduate students. Telematics and Informatics, Volume 35, Issue 5, pp1324-1334 |
| Akerlof, Hahn and Litan (2002) | Akerlof, G. A., Arrow, K. J., Bresnahan, T., Buchanan, J. M., Coase, R., Cohen, L. R. & Hemphill, C. S. (2002). The copyright term extension act of 1998: An economic analysis. Washington DC: AEI-Brookings Joint Center for Regulatory Studies. |
| Akester (2009) | Akester, P. (2009). Technological accommodation of conflicts between freedom of expression and DRM: the first empirical assessment. Available at SSRN 1469412. |
| Akmon (2010) | Akmon, D. (2010). Only with your permission: how rights holders respond (or don’t respond) to requests to display archival materials online. Archival Science, 10(1), 45-64. |
| Al-Rafee and Rouibah (2010) | Al-Rafee, S., & Rouibah, K. (2010). The fight against digital piracy: An experiment. Telematics and Informatics, 27(3), 283-292. |
| Albinsson (2013) | Albinsson, S. (2013) Swings and roundabouts: Swedish music copyrights 1980 - 2009. Journal of Cultural Economics 37, 175 - 184 |
| Aleassa, Pearson and McClurg (2011) | Aleassa, H., Pearson, J. M., & McClurg, S. (2011). Investigating software piracy in Jordan: An extension of the theory of reasoned action. Journal of Business Ethics, 98(4), 663-676. |
| Allen (2012) | Allen, N. (2012) Art Museum Images in Scholarly Publishing. Texas: Connexions. |
| Andembubtob, Apuru and Ezra (2020) | Andembubtob, D.R., Apuru, J.I. and Ezra, S.D. (2020) Software Piracy in Nigeria. Asian Journal of Research in Computer Science 6(1) |
| Andersen and Frenz (2010) | Andersen, B. and Frenz, M. 2010. Don't Blame the P2P File-Sharers: The Impact of Free Music Downloads on the Purchase of Music CDs in Canada. Journal of Evolutionary Economics, 20, 715-740. |
| Andrés (2006a) | Andrés, A. R. (2006). The relationship between copyright software protection and piracy: Evidence from Europe. European Journal of Law and Economics, 21(1), 29-51. |
| Andrés (2006b) | Andrés, A. R. (2006). Software piracy and income inequality. Applied Economics Letters, 13(2), 101-105. |
| Angelopoulos (2012) | Angelopoulos, C. (2012). The myth of European term harmonisation: 27 public domains for the 27 member states. International Review of Intellectual Property and Competition Law (2012) Vol, 43, 567-594. |
| Arai and Kinukawa (2014) | Arai, Y. and Kinukawa, S., 2014. Copyright infringement as user innovation. Journal of Cultural Economics, 38(2), pp.131-144. |
| Arnold, Darmon, Dejean and Penard (2014) | Arnold M. A., Darmon E., Dejean S. and Penard T., Graduated Response Policy and the Behaviour of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law (2014) |
| Asser Institute and IViR (2014) | T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012 |
| Astle and Muir (2002) | Astle, P.J. and Muir, A., 2002. Digitization and preservation in public libraries and archives. Journal of Librarianship and Information Science, 34(2), pp.67-79. |
| Athey, Mobius and Pal (2017) | Athey, S., Mobius, M. M., & Pál, J. (2017). The Impact of Aggregators on Internet News Consumption. |
| Attorney-General's Department (2008) | Attorney-General's Department (Australia), 2008, Review of copyright exceptions for private copying of photographs and films - final report, Attorney-General's Department (Australia) |
| Aufderheide and Jaszi (2004) | Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers. |
| Aufderheide and Sinnreich (2015) | Aufderheide, P., & Sinnreich, A. (2015). Documentarians, fair use, and free expression: changes in copyright attitudes and actions with access to best practices. Information, Communication & Society, (ahead-of-print), 1-10. |
| Aufderheide et al. (2013) | Aufderheide, P., Jaszi, P., Bieze, K. and Boyles, J. (2013) Copyright, Free Speech, and the Public's Right to Know: How Journalists Think About Fair Use. Journalism Studies, 14(6) |
| Aufderheide et al. (2018) | Aufderheide, P., Pappalardo, K., Suzor, N. And Stevens, J. (2018) Calculating the consequences of narrow Australian copyright exceptions: Measurable, hidden and incalculable costs to creators. Poetics, 69, pp15-26. |
| Australian Law Reform Commission (2013) | ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf. |
| Bae and Choi (2006) | Bae, Sang Hoo, and Jay Pil Choi. A model of piracy. Information Economics and Policy 18.3 (2006): 303-320. |
| Baghestan et al. (2019) | Abbas Ghanbari Baghestan, Hadi Khaniki, Abdolhosein Kalantari, Mehrnoosh Akhtari-Zavare, Elaheh Farahmand, Ezhar Tamam, Nader Ale Ebrahim, Havva Sabani and Mahmoud Danaee (2019) A Crisis in “Open Access”: Should Communication Scholarly Outputs Take 77 Years to Become Open Access? SAGE Open 9(3) |
| Baker and Cunningham (2006) | Baker, M., & Cunningham, B. (2006). Court decisions and equity markets: Estimating the value of copyright protection. Journal of Law and Economics 49(2), 567-596. |
| Balganesh, Manta and Wilkinson-Ryan (2014) | Balganesh, S., Manta, I., & Wilkinson-Ryan, T. (2014). Judging similarity. 100 Iowa Law Review 267; University of Pennsylvania Law School, Public Law Research Paper No. 14-15; Hofstra Univ. Legal Studies Research Paper No. 2014-09. Available at SSRN 2409811. |
| Ballon and Westermann (2006) | Ballon, H. and Westermann, M. (2006) Art History and Its Publications in the Electronic Age. Texas: Connexions. |
| Banerjee, Khalid and Sturm (2005) | Banerjee, D., Khalid, A. M., & Sturm, J. E. (2005). Socio-economic development and software piracy. An empirical assessment. Applied Economics, 37(18), 2091-2097. |
| Banks and Humphreys (2008) | Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418. |
| Bar-Ziv and Elkin-Koren (2018) | Bar-Ziv, S. and Elkin-Koren, N. (2018) Behind the Scenes of Online Copyright Enforcement: Empirical Evidence on Notice & Takedown. Connecticut Law Review, Vol. 50(2). |
| Beard, Ford and Stern (2018) | Beard, T.R., Ford, G.S., and Stern, M. (2018) Safe Harbours and the Evolution of Online Platform Markets: An Economic Analysis. 36 Cardozo Arts & Ent. L.J. 309 |
| Bechtold (2013) | Bechtold, S., 2013. The fashion of TV show formats. |
| Bechtold, Buccafusco and Sprigman (2016) | Bechtold, S., Buccafusco, C. And Sprigman, J.C. (2016) Innovation Heuristics: Experiments on Sequential Creativity in Intellectual Property. Indiana Law Journal, 2016, Forthcoming. |
| Belleflamme (2002) | Belleflamme, Paul. Pricing information goods in the presence of copying. U of London Queen Mary Economics Working Paper 463 (2002). |
| Bellemare and Holmberg (2010) | Bellemare, M. F., & Holmberg, A. M. (2010). The determinants of music piracy in a sample of college students. Available at SSRN 1481272. |
| Benson (2018) | Benson, S.R. (2018) ncreasing Librarian Confidence and Comprehension in a Fair Use Training Session. Libraries and the Academy, Vol 18(4), pp 781-804 (preprint) |
| Bently (2002) | Bently, L. (2002). Between a rock and a hard place: The problems facing freelance creators in the UK media market–place. London: Institute of Employment Rights. ii. Canada. |
| ... further results | |
