Participant Observation

Methods

Methodology (Collection) Quantitative Collection Methods (309) Survey Research (quantitative; e.g. sales/income reporting) (291) Experimental (Laboratory) (20) Experimental (Field) (11) Experimental (Natural) (15) Web analytic (online user trace data) (91) Quantitative data/text mining (158) Longitudinal Study (29) Snowball sampling (15) Qualitative Collection Methods (283) Survey Research (qualitative; e.g. consumer preferences) (183) Case Study (102) Ethnography (16) Life History (2) Unstructured Interview (15) Semi-Structured Interview (122) Structured Interview (27) Archival Research (17) Focus Groups (20) Historical Methods (9) Card Sorting (0) Document Research (78) Qualitative content/text mining (75) Visual Ethnography (0) Participant Observation (13)

Methodology (Analysis) Quantitative Analysis Methods (309) Cluster analysis (26) Descriptive statistics (counting; means reporting; cross-tabulation) (318) Quantitative content analysis (e.g. text or data mining) (117) Correlation and Association (168) Multivariate Statistics (91) Regression Analysis (245) Social Network Analysis (6) Social Sequence Analysis (0) Structural Equation Modeling (61) Meta-Analysis (6) Calibration (1) Confirmatory Factor Analysis (CFA) (15) Factor Analysis (17) Decision Tree Method (3) Qualitative Analysis Methods (235) Textual Content Analysis (140) Visual / Other Content Analysis (9) Discourse Analysis (35) Qualitative Coding / Sorting (e.g. of interview data) (138) Ethnographic/narrative analysis (20) Triangulation (3) Legal Analysis (124) Grounded Theory (18) Abduction/Retroduction (1)

Participant Observation is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (13):

	Citation
Aguilar (2019)	Aguilar, A. (2019) We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform. JIPITEC 9 (2)
Banks and Humphreys (2008)	Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418.
Bhattacharjee, Gopal, Lertwachara and Marsden (2006b)	Bhattacharjee, S., Gopal, R. D., Lertwachara, K., & Marsden, J. R. (2006). Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal Actions*. Journal of law and economics, 49(1), 91-114.
Buccafusco and Sprigman (2010)	Buccafusco, C. J., & Sprigman, C. J. (2010). Valuing Intellectual Property: An Experiment. Cornell Law Review.
Campagnolo et al. (2018)	Campagnolo, G.M., Giannatou, E., Franklin, M., Stewart, J., and Williams, R. (2018) Revolution remixed? The emergence of Open Content Film-making as a viable component within the mainstream film industry. Information, Communication and Society, pp1-18. ISSN 1369-118X
Durham, Hirshleifer, Smith (1998)	Durham, Yvonne, Jack Hirshleifer, and Vernon L. Smith. Do the rich get richer and the poor poorer? Experimental tests of a model of power. The American Economic Review 88.4 (1998): 970-983.
Ekiz (2019)	Ekiz, O. (2019) Documenting the copyright sphere: can festivals solve the problem of copyright clearance for documentaries? Queen Mary Journal of Intellectual Property 9 (4)
Intellectual Property Office (2016a)	Intellectual Property Office (2016), Unjustified threats on intellectual property rights: Government Response
Kretschmer, Klimis, and Wallis (2001)	Kretschmer, M., Klimis, G. M., & Wallis, R. (2001). Music in Electronic Markets An Empirical Study. New Media & Society, 3(4), 417-441.
Luo and Mortimer (2018)	Luo, H. And Mortimer, J.H. (2019) Infringing Use as a Path to Legal Consumption: Evidence from a Field Experiment . NBER Working paper No. 25453.
McRobbie, Strutt, Bandinelli and Springer (2016)	McRobbie, A., Strutt, D., Bandinelli, C. And Springer, B. (2016) Fashion micro-enterprises in London, Berlin, Milan. CREATe Working Paper Series DOI: 10.5281/zenodo.162668
Oriakhoba (2020)	Desmond Osaretin Oriakhogba. (2020). Working around the Gender Gap in Intellectual Property Regimes: Empowerment of Women Beadworkers through Open, Inclusive Innovation and Social Entrepreneurship in KwaZulu-Natal, South Africa. OpenAir Workign Paper 23.
Steinmetz and Tunnell (2013)	Steinmetz, K. F., & Tunnell, K. D. (2013). Under the pixelated Jolly Roger: A study of on-line pirates. Deviant Behavior, 34(1), 53-67.