Participant Observation

From Copyright EVIDENCE
Methods
Methodology (Collection)
Methodology (Analysis)

Participant Observation is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (13):

 Citation
Aguilar (2019)Aguilar, A. (2019) We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform. JIPITEC 9 (2)
Banks and Humphreys (2008)Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418.
Bhattacharjee, Gopal, Lertwachara and Marsden (2006b)Bhattacharjee, S., Gopal, R. D., Lertwachara, K., & Marsden, J. R. (2006). Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal Actions*. Journal of law and economics, 49(1), 91-114.
Buccafusco and Sprigman (2010)Buccafusco, C. J., & Sprigman, C. J. (2010). Valuing Intellectual Property: An Experiment. Cornell Law Review.
Campagnolo et al. (2018)Campagnolo, G.M., Giannatou, E., Franklin, M., Stewart, J., and Williams, R. (2018) Revolution remixed? The emergence of Open Content Film-making as a viable component within the mainstream film industry. Information, Communication and Society, pp1-18. ISSN 1369-118X
Durham, Hirshleifer, Smith (1998)Durham, Yvonne, Jack Hirshleifer, and Vernon L. Smith. Do the rich get richer and the poor poorer? Experimental tests of a model of power. The American Economic Review 88.4 (1998): 970-983.
Ekiz (2019)Ekiz, O. (2019) Documenting the copyright sphere: can festivals solve the problem of copyright clearance for documentaries? Queen Mary Journal of Intellectual Property 9 (4)
Intellectual Property Office (2016a)Intellectual Property Office (2016), Unjustified threats on intellectual property rights: Government Response
Kretschmer, Klimis, and Wallis (2001)Kretschmer, M., Klimis, G. M., & Wallis, R. (2001). Music in Electronic Markets An Empirical Study. New Media & Society, 3(4), 417-441.
Luo and Mortimer (2018)Luo, H. And Mortimer, J.H. (2019) Infringing Use as a Path to Legal Consumption: Evidence from a Field Experiment . NBER Working paper No. 25453.
McRobbie, Strutt, Bandinelli and Springer (2016)McRobbie, A., Strutt, D., Bandinelli, C. And Springer, B. (2016) Fashion micro-enterprises in London, Berlin, Milan. CREATe Working Paper Series DOI: 10.5281/zenodo.162668
Oriakhoba (2020)Desmond Osaretin Oriakhogba. (2020). Working around the Gender Gap in Intellectual Property Regimes: Empowerment of Women Beadworkers through Open, Inclusive Innovation and Social Entrepreneurship in KwaZulu-Natal, South Africa. OpenAir Workign Paper 23.
Steinmetz and Tunnell (2013)Steinmetz, K. F., & Tunnell, K. D. (2013). Under the pixelated Jolly Roger: A study of on-line pirates. Deviant Behavior, 34(1), 53-67.