Qualitative Analysis Methods

From Copyright EVIDENCE
Methods
Methodology (Collection)
Methodology (Analysis)

Qualitative Analysis Methods is a qualitative method defined within the Copyright Evidence wiki.


The following studies use this method for data analysis (235):

 Citation
Aguilar (2019)Aguilar, A. (2019) We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform. JIPITEC 9 (2)
Aguilar (2019a)Aguilar, A. (2019) The collective management of performers’ rights in the UK: a story of competing interests. Scripted 16(1) DOI: 10.2966/scrip.160119.4
Ahlert, Marsden and Yung (N.D.)Ahlert, C., Marsden, C., & Yung, C. (2004). How ‘Liberty’ Disappeared from Cyberspace: The Mystery Shopper Tests Internet Content Self-Regulation. Retrieved from http://pcmlp.socleg.ox.ac.uk/sites/pcmlp.socleg.ox.ac.uk/files/liberty.pdf
Akerlof, Hahn and Litan (2002)Akerlof, G. A., Arrow, K. J., Bresnahan, T., Buchanan, J. M., Coase, R., Cohen, L. R. & Hemphill, C. S. (2002). The copyright term extension act of 1998: An economic analysis. Washington DC: AEI-Brookings Joint Center for Regulatory Studies.
Akmon (2010)Akmon, D. (2010). Only with your permission: how rights holders respond (or don’t respond) to requests to display archival materials online. Archival Science, 10(1), 45-64.
Al-Rafee and Cronan (2006)Al-Rafee, S., & Cronan, T. P. (2006). Digital Piracy: Factors That Influence Attitude Toward Behavior. Journal of Business Ethics, 63(3), 237-259.
Al-Rafee and Dashti (2012)Al-Rafee, S., & Dashti, A. E. (2012). A Cross Cultural Comparison of the Extended TPB: The Case of Digital Piracy. Journal of Global Information Technology Management, 15(1), 5-24.
Altschuller and Benbunan-Fich (2009)Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56.
Angelopoulos (2012)Angelopoulos, C. (2012). The myth of European term harmonisation: 27 public domains for the 27 member states. International Review of Intellectual Property and Competition Law (2012) Vol, 43, 567-594.
Arnold, Darmon, Dejean and Penard (2014)Arnold M. A., Darmon E., Dejean S. and Penard T., Graduated Response Policy and the Behaviour of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law (2014)
Asongu (2014)Simplice Asongu, (2014) "Software piracy, inequality and the poor: evidence from Africa", Journal of Economic Studies, Vol. 41 Issue: 4, pp.526-553, available under: https://doi.org/10.1108/JES-10-2012-0141.
Astle and Muir (2002)Astle, P.J. and Muir, A., 2002. Digitization and preservation in public libraries and archives. Journal of Librarianship and Information Science, 34(2), pp.67-79.
Aufderheide and Jaszi (2004)Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers.
Aufderheide et al. (2013)Aufderheide, P., Jaszi, P., Bieze, K. and Boyles, J. (2013) Copyright, Free Speech, and the Public's Right to Know: How Journalists Think About Fair Use. Journalism Studies, 14(6)
Banks and Humphreys (2008)Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418.
Bechtold (2013)Bechtold, S., 2013. The fashion of TV show formats.
Belleflamme and Peitz (2010)Belleflamme, P., & Peitz, M. (2010). Digital piracy: Theory. CESifo Working Paper Series No. 3222. Available at SSRN 1698618.
Bellégo and Nijs (2020)Bellégo, C., & De Nijs, R. (2020). The Unintended Consequences of Antipiracy Laws on Markets with Asymmetric Piracy: The Case of the French Movie Industry. Information Systems Research, 31(4), 1064-1086.
Benkler (1999)Benkler, Y. (1999). Free as the air to common use: First amendment constraints on enclosure of the public domain. NyuL Rev., 74, 354.
Bently (2002)Bently, L. (2002). Between a rock and a hard place: The problems facing freelance creators in the UK media market–place. London: Institute of Employment Rights. ii. Canada.
Bently et al. (2017)Bently, L., Kretschmer, M., Dudenbostel, T., Moreno, M. and Radauer, A. (2017) Strengthening the Position of Press Publishers and Authors and Performers in the Copyright Directive. Project Report. European Parliament, Brussels.
Bjork (2012)Björk, B.C., The Hybrid Model for Open Access Publication of Scholarly Articles–a Failed Experiment?.
Bockstedt, Kauffman and Riggins (2004)Bockstedt, J., Kauffman, R. J., & Riggins, F. J. (2004). The move to artist-led online music distribution: Explaining structural changes in the digital music market. Paper accepted at the 38th Annual Hawaii International Conference on System Sciences.
Brøvig-Hanssen and Jones (2021)Brøvig-Hanssen, R., & Jones, E. (2021). Remix’s retreat? Content moderation, copyright law and mashup music. New Media & Society. https://doi.org/10.1177/14614448211026059
Buccafusco and Masur (2013)Buccafusco, Christopher, and Jonathan S. Masur. Innovation and Incarceration: An Economic Analysis of Criminal Intellectual Property Law. S. Cal. L. Rev. 87 (2013): 275.
Burgess and De Rosa (2017)Burgess, M. and De Rosa, M. (2017) The Remuneration of Canadian Writers for Literary Works: A Benchmarking Study. A Report prepared for The Writers’ Union of Canada. Avaialble: https://www.writersunion.ca/sites/all/files/attachments/Study%20on%20Remuneration%20of%20Writers%20September%202017_0.pdf (last accessed: 3 June 2019)
Buss and Peukert (2015)Buss, P., & Peukert, C. (2015). R&D outsourcing and intellectual property infringement. Research Policy, 44(4), 977-989.
Cameron and Bazelon (2013)Cameron, L., & Bazelon, C. (2013). The impact of digitization on business models in copyright driven industries: a review of economic issues. Brattle Groupe paper prepared for the US National Research Council, available at: http://sites.nationalacademies.org/cs/groups/pgasite/documents/webpage/pga_063398.pdf.
Cantatore (2014)Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5.
Carrier (2012)Carrier, M. A. (2012). Copyright and innovation: The untold story. Wisconsin Law Review 891. Available at SSRN 2099876
Cave, Deegan and Heinink (2000)Cave, M., Deegan, M. and Heinink, L., 2000. Copyright clearance in the refugee studies centre digital library project. RLG DigiNews, 4(5).
Cenite, Wang, Peiwen and Chan (2009)Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221.
Cockrill and Goode (2012)Cockrill, A., & Goode, M. M. (2012). DVD Pirating Intentions: Angels, Devils, Chancers and Receivers. Journal of Consumer Behaviour, 11(1), 1-10.
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Corbett (2011)Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report.
Cornwell (2017)Cornwell, J. (2017) Intellectual Property Litigation at the Court of Session: A First Empirical Investigation. Edinburgh Law Review, Volume 21, Issue 2, pp192-216.
De Beer and Bouchard (2010)De Beer, J., & Bouchard, M. (2010). Canada's' Orphan Works' Regime: Unlocatable Owners and the Copyright Board. Oxford University Commonwealth Law Journal, 10(2), 215.
Deazley (2008)Deazley, R. (2008) ‘Commentary on Milton's Contract 1667', in Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org
Depoorter and Walker (2013)Depoorter, B. and Walker, R.K., 2013. Copyright false positives.
DiCola and Touve (2014)DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright.
Dickson (2010)Dickson, M., 2010. Due diligence, futile effort: Copyright and the digitization of the Thomas E. Watson papers. The American Archivist, 73(2), pp.626-636.
Digital, Culture, Media and Sport Committee (2021)DCMS (2021) Economics of Music Streaming. House of Commons
Dobusch and Quack (2013)Dobusch, L., & Quack, S. (2013). Framing standards, mobilizing users: Copyright versus fair use in transnational regulation. Review of International Political Economy, 20(1), 52-88.
Dowthwaite et al (2016)
Dryden (2008)Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto).
EIFL (2013)Electronic Information For Libraries - The European Orphan Works Directive An EIFL Guide (2013)
Edwards, Klein, Lee, Moss and Philip (2015)Edwards, L., Klein, B., Lee, D., Moss, G., & Philip, F. (2015). Discourse, justification and critique: towards a legitimate digital copyright regime?. International Journal of Cultural Policy, 21(1), 60-77.
Engstrom and Feamster (2017)Engstrom, E. And Feamster, N. (2017) The Limits of Filtering: A Look at the Functionality & Shortcomings of Content Detection Tools. Available: https://www.engine.is/the-limits-of-filtering (last accessed 23 May 2019)
Erickson, Heald, Homberg, Kretschmer and Mendis (2015)Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper.
European Commission (2013)European Commission (2013). Synthesis of the responses: Civil enforcement of intellectual property rights: Public consultation on efficiency of proceedings and accessibility measures
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