Qualitative content/text mining
From Copyright EVIDENCE
Qualitative content/text mining is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (72):
| Citation | |
|---|---|
| Al-Rafee and Cronan (2006) | Al-Rafee, S., & Cronan, T. P. (2006). Digital Piracy: Factors That Influence Attitude Toward Behavior. Journal of Business Ethics, 63(3), 237-259. |
| Asongu (2014) | Simplice Asongu, (2014) "Software piracy, inequality and the poor: evidence from Africa", Journal of Economic Studies, Vol. 41 Issue: 4, pp.526-553, available under: https://doi.org/10.1108/JES-10-2012-0141. |
| Banks and Humphreys (2008) | Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418. |
| Bechtold (2013) | Bechtold, S., 2013. The fashion of TV show formats. |
| Beebe (2008) | Beebe, B. (2008). An empirical study of US copyright fair use opinions, 1978-2005. University of Pennsylvania Law Review, 549-624. |
| Bjork (2012) | Björk, B.C., The Hybrid Model for Open Access Publication of Scholarly Articles–a Failed Experiment?. |
| Brooks (2005) | Brooks, T. (2005). Survey of reissues of US recordings. Council on Library and Information Resources. |
| Buccafusco and Masur (2013) | Buccafusco, Christopher, and Jonathan S. Masur. Innovation and Incarceration: An Economic Analysis of Criminal Intellectual Property Law. S. Cal. L. Rev. 87 (2013): 275. |
| Carpou (2016) | Carpou, Z. (2016) Robots, Pirates and the Rise of the Automated Takedown Regime: Using the DMCA to Fight Piracy and Protect End-Users. 39 Colum J.L. & Arts 551. |
| Castañer and Campos (2002) | Castañer, X. and Campos, L., 2002. The determinants of artistic innovation: Bringing in the role of organizations. Journal of Cultural Economics, 26(1), pp.29-52. |
| Charles River Associates (2013) | Assessing the Economic Impacts of Adapting Certain Limitations and Exceptions to Copyright and Related Rights in the EU, Charles River Assoc., (2013), available at |
| Charles River Associates (2014) | Charles River Associates, Economic Analysis of the Territoriality of the Making Available Right in the EU (2014). |
| Commission of the European Communities (2005b) | Study on a Community Initiative on the Cross-border Collective Management of Copyright, Commission of the European Communities (2005), available at http://ec.europa.eu/internal_market/copyright/docs/management/study-collectivemgmt_en.pdf. |
| Cotropia and Gibson (2014) | Cotropia, C. A., & Gibson, J. (2014). Copyright's Topography: An Empirical Study of Copyright Litigation. Texas Law Review, 92(7). |
| Coyle, Gould, Gupta and Gupta (2009) | Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037. |
| David (1993) | David, P. A. 1993. “Intellectual Property Institutions and the Panda’ s Thumb: Patents , Copyrights and Trade Secrets in Economic Theory and History”, in M. Wallerstein, M. Mogee and R. Schoen (eds .), Global Dimensions of Intellectual Property Rights in Science and Technology . Washington DC: National Academy Press; 19-61. |
| De Wolf and Partners (2014a) | De Wolf & Partners, Study on the Legal Framework of Text and Data Mining (TDM) (2014). |
| Denegri-Knott (2004) | Denegri‐Knott, J. (2004). Sinking the online “music pirates:” Foucault, power and deviance on the web. Journal of Computer‐Mediated Communication, 9(4), 00-00. |
| Depoorter and Vanneste (2006) | Depoorter, B. and Vanneste, S., 2006. Norms and enforcement: The case against copyright litigation. Oregon Law Review, 84(4), p.1127. |
| Depoorter and Walker (2013) | Depoorter, B. and Walker, R.K., 2013. Copyright false positives. |
| Dickson (2010) | Dickson, M., 2010. Due diligence, futile effort: Copyright and the digitization of the Thomas E. Watson papers. The American Archivist, 73(2), pp.626-636. |
| Dryden (2008) | Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto). |
| Dusollier (2010) | Dusollier, S., WIPO (2010) CDIP/4/3/REV./STUDY/INF/1. |
| EY (2014) | EY (2014) Creating Growth: Measuring Cultural and Creative Markets in the EU, |
| European Commission (2013) | European Commission (2013). Synthesis of the responses: Civil enforcement of intellectual property rights: Public consultation on efficiency of proceedings and accessibility measures |
| Favale, Kretschmer and Torremans (2016) | Favale, M., Krestschmer, M., and Torremans, P.C. (2016) Is there an EU copyright jurisprudence? An empirical analysis of the workings of the European Court of Justice. Modern Law Review, 79(1): 31-75 (January 2016) |
| Fiesler (2018) | Fiesler, C. (2018) Everything I Needed to Know: Empirical Investigations of Copyright Norms in Fandom. IDEA - The Law Review of the Franklin Pierce Centre for Intellectual Property. 59(1), pp 65 - 87 |
| Fietkiewicz (2020) | Fietkiewicz K.J. (2020) The Law of Live Streaming: A Systematic Literature Review and Analysis of German Legal Framework. In: Meiselwitz G. (eds) Social Computing and Social Media. Design, Ethics, User Behavior, and Social Network Analysis. HCII 2020. Lecture Notes in Computer Science, vol 12194. Springer, Cham. pp. 227-242 |
| Gerhardt (2011) | Gerhardt, D. R. (2011). Copyright publication: an empirical study. Notre Dame Law Review, 87(1). |
| Goel, Miesing and Chandra (2010) | Goel, S., Miesing, P., & Chandra, U. (2010). The impact of illegal peer-to-peer file sharing on the media industry. California Management Review, 52(3), 6-33. |
| Haefliger, Jäger and Von Krogh (2010) | Haefliger, S., Jäger, P., & Von Krogh, G. (2010). Under the radar: Industry entry by user entrepreneurs. Research policy, 39(9), 1198-1213. |
| Harbaugh and Khemka (2010) | Harbaugh, Rick, and Rahul Khemka. Does Copyright Enforcement Encourage Piracy?. The Journal of Industrial Economics 58.2 (2010): 306-323. |
| Heald (2014a) | Heald, P. J. (2014). How Copyright Keeps Works Disappeared. Journal of Empirical Legal Studies, 11(4), 829-866. |
| Heald (2017a) | Heald, Paul J., Copyright Reversion to Authors (and the Rosetta Effect): An Empirical Study of Reappearing Books (December 8, 2017). Available at SSRN: https://ssrn.com/abstract=3084920 or http://dx.doi.org/10.2139/ssrn.3084920 |
| Hirsch (1972) | Hirsch, P. M. (1972). Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems. American journal of sociology, 639-659. |
| Holt and Copes (2010) | Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654. |
| Humphreys (2008) | Humphreys, S., 2008. The challenges of intellectual property for users of Social Networking Sites: a case study of Ravelry. |
| Humphreys, Fitzgerald, Banks, Suzor (2008) | Humphreys, S., Fitzgerald, B., Banks, J. and Suzor, N., 2005. Fan-based production for computer games: User-led innovation, the ‘Drift of Value’and intellectual property rights. Media International Australia Incorporating Culture and Policy, 114(1), pp.16-29. |
| IHS Technology (2015) | IHS Technology, Current Market and Technology Trends in the Broadcasting Sector, WIPO Standing Committee on Copyright and Related Rights, SCCR/30/5(Jun. 2015) |
| Ilevbare (2008) | ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129. |
| Intellectual Property Office (2015b) | Intellectual Property Office (2015). Government response to the consultation on reducing the duration of copyright in certain unpublished works. |
| Katzenbach, Herweg and Van Roessel (2016) | Katzenbach, C., Herweg, S. and Van Roessel, L. Copies, Clones, and Genre Building: Discourses on Imitation and Innovation in Digital Games. International Journal of Communication 10 (2016), 838-859 |
| Kawohl and Kretschmer (2003) | Kawohl, F., & Kretschmer, M. (2003). Abstraction and Registration: Conceptual innovations and supply effects in Prussian and British copyright (1820-50). Intellectual Property Quarterly, 2(2), 209-228. |
| Korn (2009) | Korn, N., In from the Cold: An assessment of the scope of ‘Orphan Works’ and its impact on the delivery of services to the public (April 2009). |
| Kretschmer (2011) | Kretschmer, M. (2011). Private copying and fair compensation |
| Kretschmer and Hardwick (2007) | Kretschmer, M., & Hardwick, P. (2007). Authors’ earnings from copyright and non-copyright sources: A survey of 25,000 British and German writers. Bournemouth University Centre for Intellectual Property Policy & Management (CIPPM). Available at SSRN 2619649 |
| Lee (2011) | Lee, H.K., 2011. Participatory media fandom: A case study of anime fansubbing. Media, Culture & Society, 33(8), pp.1131-1147. |
| Lee (2018) | Lee, E. (2018) Fair Use Avoidance in Music Cases. Boston College Law Review. Vol 56(6) |
| Lemley and Shafir (2011) | Lemley, M.A. and Shafir, Z., 2011. Who Chooses Open-Source Software?. The University of Chicago Law Review, pp.139-164. |
| Liebowitz (2006a) | Liebowitz, S. J. (2005). Economists examine file-sharing and music sales.Industrial organization and the digital economy, 145-174. |
| ... further results | |
