Semi-Structured Interview
From Copyright EVIDENCE
Semi-Structured Interview is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (109):
| Citation | |
|---|---|
| Aguilar (2017) | Aguilar, A. (2017) Distributed Ownership in Music: Between Authorship and Performance. Social & Legal Studies, 27(6), pp776-798 |
| Aguilar (2019) | Aguilar, A. (2019) We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform. JIPITEC 9 (2) |
| Aguilar (2019a) | Aguilar, A. (2019) The collective management of performers’ rights in the UK: a story of competing interests. Scripted 16(1) DOI: 10.2966/scrip.160119.4 |
| Ahlert, Marsden and Yung (N.D.) | Ahlert, C., Marsden, C., & Yung, C. (2004). How ‘Liberty’ Disappeared from Cyberspace: The Mystery Shopper Tests Internet Content Self-Regulation. Retrieved from http://pcmlp.socleg.ox.ac.uk/sites/pcmlp.socleg.ox.ac.uk/files/liberty.pdf |
| Akester (2009) | Akester, P. (2009). Technological accommodation of conflicts between freedom of expression and DRM: the first empirical assessment. Available at SSRN 1469412. |
| Astle and Muir (2002) | Astle, P.J. and Muir, A., 2002. Digitization and preservation in public libraries and archives. Journal of Librarianship and Information Science, 34(2), pp.67-79. |
| Aufderheide et al. (2013) | Aufderheide, P., Jaszi, P., Bieze, K. and Boyles, J. (2013) Copyright, Free Speech, and the Public's Right to Know: How Journalists Think About Fair Use. Journalism Studies, 14(6) |
| Aufderheide et al. (2018) | Aufderheide, P., Pappalardo, K., Suzor, N. And Stevens, J. (2018) Calculating the consequences of narrow Australian copyright exceptions: Measurable, hidden and incalculable costs to creators. Poetics, 69, pp15-26. |
| Australian Law Reform Commission (2013) | ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf. |
| Benson and Stitzlein (2019) | Benson, S.R. and Stitzlein, H. (2019) Copyright and Digital Collections: A Data Driven Roadmap for Rights Statement Success. ACRL 2019 Proceedings. |
| Bently et al. (2017) | Bently, L., Kretschmer, M., Dudenbostel, T., Moreno, M. and Radauer, A. (2017) Strengthening the Position of Press Publishers and Authors and Performers in the Copyright Directive. Project Report. European Parliament, Brussels. |
| Branstetter, Fisman and Foley (2006) | Branstetter, L.G., Fisman, R., & Foley, C. F. (2006). Do stronger intellectual property rights increase international technology transfer? Empirical evidence from U.S. firm-level panel data. The Quarterly Journal of Economics, 121(1), 321-349. |
| Brøvig-Hanssen and Jones (2021) | Brøvig-Hanssen, R., & Jones, E. (2021). Remix’s retreat? Content moderation, copyright law and mashup music. New Media & Society. https://doi.org/10.1177/14614448211026059 |
| Buccafusco and Garcia (2021) | Buccafusco, C. and Garcia, K. (2021) Pay-to-Playlist: The Commerce of Music Streaming. 12 UC Irvine L. Rev (forthcoming 2021) |
| Burgess and De Rosa (2017) | Burgess, M. and De Rosa, M. (2017) The Remuneration of Canadian Writers for Literary Works: A Benchmarking Study. A Report prepared for The Writers’ Union of Canada. Avaialble: https://www.writersunion.ca/sites/all/files/attachments/Study%20on%20Remuneration%20of%20Writers%20September%202017_0.pdf (last accessed: 3 June 2019) |
| Campagnolo et al. (2018) | Campagnolo, G.M., Giannatou, E., Franklin, M., Stewart, J., and Williams, R. (2018) Revolution remixed? The emergence of Open Content Film-making as a viable component within the mainstream film industry. Information, Communication and Society, pp1-18. ISSN 1369-118X |
| Cantatore (2014) | Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5. |
| Carrier (2012) | Carrier, M. A. (2012). Copyright and innovation: The untold story. Wisconsin Law Review 891. Available at SSRN 2099876 |
| Center for Social Media (2010) | Center for Social Media. (2010). Clipping Our Own Wings: Copyright and Creativity in Communication Research. American University. |
| Cohen, Nelson and Walsh (2000) | Cohen, W. M., Nelson, R. R., & Walsh, J.P. (2000). Protecting their intellectual assets: Appropriability conditions and why U.S. manufacturing firms patent(or not). National Bureau of Economic Research, Working Paper No.7552. |
| Corbett (2011) | Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report. |
| Cornwell (2017) | Cornwell, J. (2017) Intellectual Property Litigation at the Court of Session: A First Empirical Investigation. Edinburgh Law Review, Volume 21, Issue 2, pp192-216. |
| Danbury (2016) | Danbury, R. (2016). Is an EU publishers’ right a good idea? Final report on the AHRC project: Evaluating potential legal responses to threats to the production of news in a digital era, https://www.cipil.law.cam.ac.uk/sites/www.law.cam.ac.uk/files/images/www.cipil.law.cam.ac.uk/documents/copyright_and_news/danbury_publishers_right_report.pdf |
| Dholakiya et al. (2014) | Dholakiya, K., Mustapha, N., Niu, B. And Yang, A. (2014) A Micro-Level Examination of Content Takedown’s Consequences. CSCW 14 February 15-19, Baltimore, Maryland, USA. |
| DiCola and Touve (2014) | DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright. |
| Dootson and Suzor (2015) | Dootson, P. and Suzor, N. (2015) The Game of Clones and the Australia Tax: Divergent Views about Copyright Business Models and the Willingness of Australian Consumers to Infringe. University of New South Wales Law Journal 38. |
| Dowthwaite et al (2016) | |
| Dryden (2008) | Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto). |
| Erickson (2018) | Erickson, K. (2018) Can creative firms thrive without copyright? Value generation and capture from private-collection innovation. Business Horizons, 61:5, pp699-709 |
| Erickson, Heald, Homberg, Kretschmer and Mendis (2015) | Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper. |
| Erickson, Kretschmer and Mendis (2019) | Erickson, K., Kretschmer, M. and Mendis, D. (2019) “An Empirical Approach to the Public Domain” in Drexl, J. and Kamperman, J. Sanders (Eds.) The Innovation Society and Intellectual Property, Cheltenham: Edward Elgar |
| European Union Intellectual Property Office (2016) | European Union Intellectual Property Office (2016). Intellectual Property and Youth. |
| Fagundes and Perzanowski (2019) | Fagundes, D. And Perzanowski, A. (2019) Clown Eggs. Notre Dame Law Review, 94(3). |
| Fauchart and Hippel (2006) | Fauchart, E., & Von Hippel, E. (2008). Norms-based intellectual property systems: The case of French chefs. Organization Science, 19(2), 187-201. |
| Fiesler (2018) | Fiesler, C. (2018) Everything I Needed to Know: Empirical Investigations of Copyright Norms in Fandom. IDEA - The Law Review of the Franklin Pierce Centre for Intellectual Property. 59(1), pp 65 - 87 |
| Fiesler and Bruckman (2019) | Fiesler, C. and Bruckman, A. (2019) Creativity, Copyright, and Close-Knit Communities: A Case Study of Social Norm Formation and Enforcement. Proc. ACM Hum.-Comput. Interact., 3, |
| Frosio (2014) | Frosio, Giancarlo F. Open access publishing: a literature review. (2014). |
| Gallagher (2012) | Gallagher, W. T. (2012). Trademark and copyright enforcement in the shadow of IP law. Santa Clara Computer and High Technology Law Journal, 28. |
| Gani (2020) | Gani, M.W. (2020) An Empirical Analysis of the Status of Performing Authors’ Creative Autonomy in Creative Autonomy, Copyright and Popular Music in Nigeria Palgrave Macmillan Cambridge, pp 97-137 |
| Garcia-Álvarez, López-Sintas and Zerva (2009) | García‐Álvarez, E., López‐Sintas, J., & Zerva, K. (2009). A contextual theory of accessing music: Consumer behavior and ethical arguments. Consumption, Markets and Culture, 12(3), 243-264. |
| Giannoumis and Beyene (2020) | Giannoumis, G.A. and Beyene, W.M. (2020) Cultural Inclusion and Access to Technology: Bottom-Up Perspectives on Copyright Law and Policy in Norway |
| Giblin et al. (2019) | Giblin, R., Kennedy, J., Weatherall, K., Gilbert, D., Thomas, J. and Petitjean, F. (expected June 2019) Available – but not accessible? Investigating publisher e-lending licensing practices. Forthcoming, Information Research; Sydney Law School Research Paper No. 19/20. |
| Greenhalgh, Phillips, Pitkethly, Rogers and Tomalin (2010) | Greenhalgh, C., Philips, J., Pitkethly, R., Rogers, M., & Tomalin, J. (2010). Intellectual Property Enforcement in Smaller UK Firms. Report for the Strategy Advisory Board for Intellectual Property Policy (SABIP). |
| Hackett (2015) | |
| Haefliger, Jäger and Von Krogh (2010) | Haefliger, S., Jäger, P., & Von Krogh, G. (2010). Under the radar: Industry entry by user entrepreneurs. Research policy, 39(9), 1198-1213. |
| Hagedoorn and Ridder (2012) | Hagedoorn, J., & Ridder, A. K. (2012). Open innovation, contracts, and intellectual property rights: an exploratory empirical study. |
| Heimstädt, Saunderson and Heath (2014) | Heimstädt, M., Saunderson, F. and Heath, T. (2014) Conceptualizing Open Data ecosystems: A timeline analysis of Open Data developmentin the UK, Diskussionsbeiträge, No. 2014/12, Freie Universität Berlin, Fachbereich Wirtschaftswissenschaft, Berlin |
| Heins and Beckles (2005) | Heins, M. And Beckles, T. (2005) Will Fair Use Survive? Free Expression in the Age of Copyright Control. A Public Policy Report. Available: https://ncac.org/fepp-articles/will-fair-use-survive-free-expression-in-the-age-of-copyright-control (last accessed 23 May 2019) |
| Heredia-Carroza, Palma and Aguado (2019) | Heredia-Carroza, J., Palma, L. and Aguado, L.F. (2019) Song, Performance and Authorship: The Case of Flamenco in Spain. Trames, 23(73/68), 1, 2-14 |
| Hill (2013) | Hill, B. M. (2013). Almost Wikipedia: Eight Early Encyclopedia Projects and the Mechanisms of Collective Action. |
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